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Category | Comedy | Theatrical Trailer(s) | Yes, 1 |
Rating | Other Trailer(s) | None | |
Year Released | 1999 | Commentary Tracks | Yes, 1 - Frank Oz (Director) |
Running Time | 92:54 minutes | Other Extras | Main Menu Audio & Animation
Featurette-Spotlight On Location (23:27) Deleted Scenes (2) Outtakes (7) Production Notes Cast & Crew Biographies DVD-ROM Extras |
RSDL/Flipper | RSDL (50:43) |
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Start Up | Menu | ||
Region | 2,4 | Director | Frank Oz |
Distributor |
Columbia Tristar |
Starring | Steve Martin
Eddie Murphy Heather Graham Christine Baranski Terence Stamp |
Case | Brackley | ||
RRP | $39.95 | Music | David Newman |
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Pan & Scan/Full Frame | None | MPEG | None |
Widescreen Aspect Ratio | 1.78:1 | Dolby Digital | 5.1 |
16x9 Enhancement |
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Soundtrack Languages | English (Dolby Digital 5.1, 384Kb/s)
French (Dolby Digital 5.1, 384Kb/s) Italian (Dolby Digital 5.1, 384Kb/s) Spanish (Dolby Digital 5.1, 384Kb/s) English Audio Commentary (Dolby Digital 2.0 ) |
Theatrical Aspect Ratio | 1.85:1 |
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Macrovision | Yes | Smoking | Yes (only in the extras) |
Subtitles | English
Portuguese French Arabic |
Annoying Product Placement | Yes, moderately |
Action In or After Credits | Yes, audio at the end of the credits |
One day, Bobby is reading a script penned by his accountant, Afrim (Adam Alexi-Malle), and decides that this is it - this is the movie that he is going to make, come hell or high water - Chubby Rain. He wheedles his way into a sort-of meeting with Jerry Renfro (Robert Downey, Jr.), a successful producer, who in a fit of insanity, gives him the go-ahead to make the movie, subject to Kit Ramsey (Eddie Murphy) playing the lead role, Kit Ramsey being the current hottest action star in Hollywood. Once again through desperate measures, Bobby Bowfinger gets the script into Kit's hands, but is rejected outright. Undaunted, Bobby determines to make the picture starring Kit Ramsey regardless, and has his motley crew come up to Kit Ramsey in the street and say their lines to him whilst being filmed secretively. This actually works quite well, since Kit is paranoid about aliens and Bowfinger's movie is about exactly this topic.
Bowfinger works quite well as a gentle, self-effacing comedy about desperate, but ever-positive people who just want to make movies. It never had me rolling in the aisles, but I certainly was amused by it and enjoyed it. There are some great character parts, such as Carol (Christine Baransky) as the has-been theatrical actress, Daisy (Heather Graham) as the ever-ambitious girl from Ohio, and Terry Stricter (Terence Stamp) as Kit's guru.
The transfer is presented at an aspect ratio of 1.85:1. It is 16x9 enhanced.
The transfer was extremely sharp and clear at all times, with enormous amounts of detail on offer at all times in the image. Shadow detail was impeccable, particularly so when you consider that this movie is not often brightly-lit. There was no low-level noise.
The colours were strongly rendered, but never to the point of oversaturation. Indoor scenes in particular were very strongly coloured. Outdoor scenes were vibrant and colourful.
There were no MPEG artefacts seen. Aliasing was not an issue for this transfer other than the odd trivial occasion here and there which will pass you by without being noticed. Film artefacts were generally absent from the transfer except for two bursts - one during the opening credits and one towards the end of the movie. This was the only negative aspect of this entire transfer, and are predominantly the reason why this transfer has been denied reference quality status.
This DVD is an RSDL
disc with the layer change occurring during Chapter 12, at 50:43.
There is a significant pause at this point which is quite noticeable.
Sharpness | |
Shadow Detail | |
Colour | |
Grain | |
Film-To-Video Artefacts | |
Film Artefacts | |
Overall |
There are five audio tracks on this DVD; English, French, Italian, and Spanish Dolby Digital 5.1 soundtracks and an English Audio Commentary track in Dolby Digital 2.0, surround-encoded. I listened to both the default English 5.1 soundtrack and to the English Audio Commentary track.
The dialogue was usually easy to understand, although some of Eddie Murphy's dialogue was a tad problematic at times. There was significant hiss in his dialogue during the underground car-park scene, and some of his dialogue was distorted. There were no audio sync problems.
The score by David Newman left no impression on me whatsoever, so either it did its job remarkably well, or it didn't.
The surround channels were generally silent until the climactic scenes of the movie when they sprung into life, with the sounds of helicopters being spread around the entire soundfield. Prior to this, some music ended up in the rears, but it was basically a front hemispheric sound mix, not that there is anything necessarily wrong with this approach given the subject matter of this movie.
The subwoofer was more-or-less silent until the aforementioned
climactic scenes when it lent support to them.
Dialogue | |
Audio Sync | |
Clicks/Pops/Dropouts | |
Surround Channel Use | |
Subwoofer | |
Overall |
The video quality falls just short of reference quality.
The audio quality is acceptable.
The extras are superb.
Video | |
Audio | |
Extras | |
Plot | |
Overall |
© Michael Demtschyna
(my bio)
20th May 2000
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DVD | Loewe Xemix 5006DD/Toshiba 2109, using S-Video outputs |
Display | Loewe Art-95 95cm direct view CRT in 16:9 mode, via the S-Video input. Calibrated with the NTSC DVD version of Video Essentials. |
Audio Decoder | Denon AVD-2000 Dolby Digital AddOn Decoder, used as a standalone processor. Calibrated with the NTSC DVD version of Video Essentials. |
Amplification | 2 x EA Playmaster 100W per channel stereo amplifiers for Left, Right, Left Rear and Right Rear; Philips 360 50W per channel stereo amplifier for Centre and Subwoofer |
Speakers | Philips S2000 speakers for Left, Right; Polk Audio CS-100 Centre Speaker; Apex AS-123 speakers for Left Rear and Right Rear; Hsu Research TN-1220HO subwoofer |