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Category | Music | Theatrical Trailer(s) | None |
Rating | Other Trailer(s) | None | |
Year Released | 1997 | Commentary Tracks | None |
Running Time | 77:30 minutes | Other Extras | Main Menu Audio & Animation |
RSDL/Flipper | No |
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Start Up | Movie | ||
Region | 2,3,4,5,6 | Director | David Mallet |
Distributor |
Warner Vision Australia |
Starring | Sarah Brightman
Andrea Bocelli Andrew Lloyd Webber |
RRP | $39.95 | Music | Various |
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Pan & Scan/Full Frame | Full Frame | MPEG | None |
Widescreen Aspect Ratio | None | Dolby Digital | None |
16x9 Enhancement | No | Soundtrack Languages | English (Linear PCM 48/16 2.0, 1536 Kb/s) |
Theatrical Aspect Ratio | 1.33:1 |
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Macrovision | Yes | Smoking | No |
Subtitles | None | Annoying Product Placement | No |
Action In or After Credits | No |
The presentation is Full Frame, with an aspect ratio of 1.33:1. It is not 16x9 enhanced.
The transfer is generally sharp and clear as far as luminance is concerned, though there is slight over-saturation at times washing out some detail. Shadow detail is poor, with the crowd and other low-lit areas being basically masked from view. There is no low-level noise.
The main failing of this transfer is the colour, which is generally far too saturated. There is a predominance of red and blue lighting which is always a problem for analogue video tape, which this clearly is. The stage is fairly well lit, but the crowd is either red or blue and it is simply a mess. Skin tones are quite good, and Sarah herself always appears well rendered given that she is lit with neutral light. There is a large amount of chroma noise in the colours, as well as bleeding and loss of resolution. This really is quite unacceptable for DVD, and reveals the limitations of the source material used.
There were no significant MPEG artefacts. Aliasing was at times problematic, and indeed moire-patterning was apparent on some musical sheets which the performers read from, creating false colours where there should have been black and white [Ed. Cross-colouration artefacts revealing the composite-based source of this transfer as opposed to a component-based source].
There is just the one soundtrack, being two-channel Linear PCM encoded at 48kHz, 16-bit.
Sarah's vocals were magnificently recorded, and her tonal range and quality are quite superb.
There were no problems with audio sync during the video.
The soundstage was not as wide as I would have liked, being fairly centred throughout the performance. The instruments of the orchestra were nicely detailed, with subtle instruments being heard amidst the mass of strings and violins. Overall this is a satisfying recording, and will surely please her fans.
There is a delicate bottom-end to this track, and my subwoofer gave a helping hand when it was needed.
The video quality is substandard and only slightly better than VHS.
The PCM audio is rather nice.
No extras.
Video | |
Audio | |
Extras | |
Plot | |
Overall |
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DVD | Panasonic A350A; S-Video output |
Display | Pioneer SD-T43W1 125cm Widescreen 16x9 |
Audio Decoder | Internal Dolby Digital 5.1 (DVD Player) |
Amplification | Sony STRDE-525 5x100 watts Dolby Pro-Logic / 5.1 Ready Receiver; 4 x Optimus 10-band Graphic EQ |
Speakers | Centre: Sony SS-CN35 100 watt; Main & Surrounds: Pioneer CS-R390-K 150-watt floorstanders; Subwoofer: Optimus 100-watt passive |