Burn The Floor


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Details At A Glance

General
Extras
Category Dance Theatrical Trailer(s) None
Rating Other Trailer(s) None
Year Released 1999 Commentary Tracks None
Running Time 92:12 Other Extras Featurette-Burn The Floor-A Breathtaking Journey (29:00)
RSDL/Flipper RSDL (69:48)
Cast & Crew
Start Up Menu
Region 2,4 Director David Mallet
Studio
Distributor
Duet Entertainment
Universal Home Video
Starring Burn The Floor Company
Case Super Jewel
RRP $34.95 Music Stephen Brooker

 
Video
Audio
Pan & Scan/Full Frame None MPEG None
Widescreen Aspect Ratio 1.78:1 Dolby Digital 5.1
16x9 Enhancement
Soundtrack Languages English (Dolby Digital 5.1, 448Kb/s)
English (Dolby Digital 2.0 , 192Kb/s)
Theatrical Aspect Ratio 1.78:1
Miscellaneous
Macrovision Yes Smoking No
Subtitles None Annoying Product Placement No
Action In or After Credits No

Plot Synopsis

    IN SHORT: Paul Mercurio is better.

    Burn The Floor is a dance stage show spectacular that is "taking the world by storm" according to the cover notes. In essence, it is ballroom dancing taken to the extreme.

    I'll be blunt. I'm not a huge fan of dance shows, though I didn't mind Lord Of The Dance and Feet Of Flames which I have reviewed in the past. This show bored me. The audience at the show were clearly not bored, and appeared to be having the time of their collective lives.

    It started slowly, with a waltz, and then alienated me with an extended industrial sequence before jumping back into more melodious dance numbers. To me, this show simply lacked any passion. Everything was choreographed and performed to the nth degree with no room for passion or spontaneity. This was epitomized in the passionless Spanish sequences which simply lacked the fire and seething passion that these sequences should have had.

Transfer Quality

Video

    The transfer is presented in an aspect ratio of 1.78:1. It is 16x9 enhanced.

    The transfer is quite sharp and clear for the great majority of the transfer, though flare from the stage lights is occasionally a problem, leading to some wash-out of white details at times. Shadow detail is acceptable, and there is no low level noise.

    Colours are generally very spectacularly rendered, from the strict black and white colouration of the ballroom sequences to the multi-colours of the jive sequence. The stage lighting works very hard during this show, and this is nicely represented in this transfer. The only minor complaint that I will make about the colour is that some of the blues have a small amount of chroma noise in their depths, but this is a really minor complaint.

    There were no noticeable MPEG artefacts, a remarkable achievement given the enormous amount of dynamic movement and lighting changes inherent in this image. Aliasing was trivial and of no concern in this transfer, and there were no film artefacts, as this transfer was originated on video. One mildly annoying artefact was caused by the various special video effects used during this transfer - when these effects were engaged, a very slight skip in the video stream would occasionally manifest itself.

Audio

    There are two audio tracks on this DVD; English Dolby Digital 5.1 and English Dolby Digital 2.0, surround-encoded. I listened to the default English Dolby Digital 5.1 soundtrack.

    There was little dialogue or vocal in this score, which mainly comprises instrumental and orchestral accompaniment. When vocals accompanied the music, they were easy enough to understand, though the vocals in Boogie Woogie Bugle Boy were spread a little thinly across the left and right front channels for my tastes. There were no audio sync problems.

    The music was supervised by Stephen Brooker, and consisted of a range of musical styles, from classical waltz to industrial to jazz to rock 'n' roll. Since the entire show was choreographed, the music complemented the on-screen action perfectly.

    The surround channels carried an ambient version of the music. Predominantly, the music was mixed into the left and right front speakers, with a small contribution coming from the center channel and a small contribution coming from the rear channels. Audience noise was mixed more into the rear surround speakers, providing a reasonable separation between music and audience noise.

    The subwoofer was constantly used by this soundtrack to place a welcome bottom end on this soundtrack.

Extras

Menu

Featurette - Burn The Floor-A Breathtaking Journey

    This is an excellent making-of documentary which is well worth the 29 minutes needed to watch it. It is presented in an aspect ratio of 1.78:1, but is not 16x9 enhanced. It carried Dolby Digital 2.0 surround-encoded sound.

Booklet

    This is very brief.

R4 vs R1

    The Region 4 version of this DVD misses out on;     The Region 1 version of this DVD misses out on;     I would favour the Region 4 version in this case because I think the significantly better visuals afforded by the 16x9 enhancement would far outweigh any subtle audio advantage of a DTS soundtrack, and none of the other extras are of any significance.

Summary

    Burn The Floor did little for me artistically. Your opinion may differ.

    The video quality is reasonable for what it is.

    The audio quality is reasonable.

    The extras are small in quantity but big in quality.

Ratings (out of 5)

Video
Audio
Extras
Plot
Overall

© Michael Demtschyna (read my bio)
19th April 2000

Review Equipment
DVD Palsonic DVD-2000, using S-Video output
Display Loewe Art-95 95cm direct view CRT in 16:9 mode, via the S-Video input. Calibrated with the NTSC DVD version of Video Essentials.
Audio Decoder Denon AVD-2000 Dolby Digital AddOn Decoder, used as a standalone processor. Calibrated with the NTSC DVD version of Video Essentials.
Amplification 2 x EA Playmaster 100W per channel stereo amplifiers for Left, Right, Left Rear and Right Rear; Philips 360 50W per channel stereo amplifier for Centre and Subwoofer
Speakers Philips S2000 speakers for Left, Right; Polk Audio CS-100 Centre Speaker; Apex AS-123 speakers for Left Rear and Right Rear; Hsu Research TN-1220HO subwoofer