Caddyshack


This review is sponsored by
BUY

Details At A Glance

General
Extras
Category Comedy Theatrical Trailer(s) None
Rating Other Trailer(s) None
Year Released 1980 Commentary Tracks None
Running Time 94:06  Other Extras None
RSDL/Flipper No/No
Cast & Crew
Start Up Movie
Region 4 Director Harold Ramis
Studio
Distributor

Warner Home Video
Starring Chevy Chase
Rodney Dangerfield
Ted Knight
Michael O'Keefe
Bill Murray
RRP $34.95 Music Kenny Loggins
Johnny Mandel
Video
Audio
Pan & Scan/Full Frame No MPEG None
Widescreen Aspect Ratio 1.78:1 Dolby Digital 1.0
16x9 Enhancement
Soundtrack Languages English (Dolby Digital 1.0, 192Kb/s)
French (Dolby Digital 1.0, 192Kb/s)
Italian (Dolby Digital 1.0, 192Kb/s)
Theatrical Aspect Ratio 1.85:1
Miscellaneous
Macrovision Yes Smoking Yes
Subtitles English
French
Italian
Dutch
Arabic
Spanish
Portuguese
English for the Hearing Impaired
Italian for the Hearing Impaired
Annoying Product Placement Yes
Action In or After Credits No

Plot Synopsis

    Caddyshack is one of the great comedies from the post-Saturday Night Live era, which coincides more or less with the time that VHS and Betamax were in combat for domination of the home video market. Directed by Harold Ramis, whose credits include appearances and writing assignments in classic comedies such as Ghostbusters and Stripes, it is the story of several young adults who are working as caddies. In particular, it is the story of Danny Noonan (Michael O'Keefe), a young man with little idea of his future and even less of how he wants to approach it. One fine day, Judge Smails (Ted Knight) comes back to his golf course to discover, much to his horror, that there is a gopher digging around. He soon turns to a groundskeeper who, after having his job threatened, puts his best man on the job. If Carl Spackler (Bill Murray), a slob who appears to have the IQ of a concussed snail, is the best man he's got, then you really have to pity the golf course. And when the show's spectacular finale (to the tune of the 1812 Overture, no less) is over, you almost certainly will. Coming in to further complicate matters is construction company owner Al Czervik (Rodney Dangerfield), whose behaviour and speech rattle the judge so much that the two more or less instantly wind up at war. Meanwhile, golfing legend Ty Webb (Chevy Chase) spends his time in the film going from a counsellor to Danny, to a reluctant conversation partner with the Judge, to Al's partner in the golf match to end all golf matches. At least at Bushwood Golf Club, in any case.

    Twenty years is a long time in the entertainment industry, and this film definitely makes a good demonstration of this fact. Caddyshack now looks incredibly dated, although this has more to do with the costumes and the soundtrack music. The hairstyles, clothing, and some of the lines spoken really broadcast the fact that this film was made at a time when the American concept of political correctness was voting according to your own political aims. The pool party scene in particular makes it clear that this film is now twenty years old. Astoundingly enough, however, the animation of the Gopher is more convincing than the CGI animation in a lot of films that are produced today.

Transfer Quality

Video

    The video transfer is slightly better than average, although it shows a lot of giveaways to the film's age. None of these ones are in the costumes or the haircuts, either. The film is presented in the original theatrical aspect ratio of 1.85:1, and it is 16x9 enhanced, which is a major saving grace of this DVD. Film-to-video artefacts, particularly film spots and specks, are frequent. Often enough to be obvious even on a small screen, in fact. Film scratches also appear, although they are much rarer than the spots. Given the age of the film, both are at a much lower level than I would normally expect. Colour saturation tends to be a problem during many sequences, with skin tones in particular losing any semblance of consistency from one scene to another. The colour of the grass, an especially noticeable thing in this film, tends to vary from shot to shot, even if it is of the same section of the golf course. Shadow detail is also distinctly average, although it is little different from any other version I have seen of this film (very little of the film takes place in real darkness, anyway). Background details tend to lose a little definition in some scenes, but much less than I have seen in other films this age. Any lights shown in the backgrounds tend to be blurred. To be fair however, I failed to see any artefacts directly related to the MPEG encoding.

    As I have come to expect with Warner Brothers, the subtitles rarely coincide with what the characters are actually saying. This is especially problematic in the English for the Hard Of Hearing subtitles, and Rodney Dangerfield's lines especially suffer from this treatment. The English for the Hard Of Hearing subtitles also move by so fast in some moments as to be absolutely no help at all for the Hard Of Hearing.

Audio

    To be fair, the audio transfer is faithful to the film as it was intended. However, it leaves a lot to be desired by any other standards. A choice of three languages is presented, all of them in mono: English, French, and Italian. Given that The Empire Strikes Back came out in the same year and it was presented in glorious stereo, I think this is just sad. However, by mono standards, this is a good audio track. I only listened to the English soundtrack, which the disc defaults to, mainly because I don't speak the other languages at all and have little interest in them. The sound during the Pollywaffle-in-the-pool sequence is especially problematic, however, given that it consists of a lot of incoherent screaming and the great John Williams' instantly recognizable theme from Jaws.

    The dialogue ranged from crystal clear to badly muffled, often in the same sentence. This, however, is a problem with the source material rather than the disc, and I don't believe the original negatives are available to make any improvement upon this with because of the film's age and relatively limited appeal to modern audiences, which essentially translate into Warner Brothers or Orion Pictures placing little value in the preservation of the film. Audio sync was not a problem in this film, at least not when whomever was speaking was actually in focus. Some shots appear to have been cut in order to specifically avoid any problems in this area, which is always a good thing. I don't have much to say about the music, except that it is very dated and ranges from pleasant to irritating. As I previously mentioned, this film is encoded in mono, so there is little point in talking about surround presence except to say that only my front speakers got any real work to do.

Extras

    In response to Ian's statement that we are running out of interesting ways in which to say that a DVD contains no extras, I now present the following piece of poetry (an English translation of a piece of the song Die anarchische Befreiung der Augenzeugenreligion, by Bethlehem): "Think of a number, and divide it by me, something results to nothing, and nothing is nothing..."

    This concludes our first lesson in poetic appreciation of the utter absence of extras. Thank you.

R4 vs R1

    The Region 4 version of this disc misses out on;     The Region 1 version of this disc misses out on;     Originally, I had laboured under the assumption that both versions of this disc had the same formatting. However, I have since been informed that, like many films from this era in the Warner Brothers stable, this title is in the Pan & Scan format in Region 1. Whilst there isn't a great amount of picture information that would be lost in this film from Panning and Scanning, the original aspect ratio is vastly preferable. Amazingly enough, Region 4 wins again.

Summary

    Caddyshack is the sort of comedy that Hollywood was churning out in droves from the late 1970s to the mid 1980s. It might be a good example, but certainly not one of the best.

    The video quality is above average, but only just. It might as well have "this is a twenty year old film that will never see any restoration efforts" printed for a few seconds every so often.

    The sound quality is faithful to the original source material, which was originally recorded in mono anyway. Given what they had to work with, Warner Brothers have done a reasonable job with this film.

    The extras are non-existent.

Ratings (out of 5)

Video
Audio
Extras  
Plot
Overall
© Dean McIntosh
January 14, 2000
Amended February 2, 2000
Review Equipment
   
DVD Grundig GDV 100 D
Display Panasonic 51cm and 68 cm models, via composite inputs. Samsung 80 cm model, via composite inputs.
Audio Decoder None
Amplification Sony STR-DE835
Speakers Panasonic S-J1500D front speakers, Sharp CP-303A back speakers, Sony SS-CN120 centre speaker, JBL Digital 10 subwoofer