Camelot

Details At A Glance

General
Extras
Category Musical Theatrical Trailer(s) None
Rating Other Trailer(s) None
Year Released 1967 Commentary Tracks None
Running Time 172:45 minutes Other Extras None
RSDL/Flipper RSDL (96:45)
Cast & Crew
Start Up Movie
Region 2,4 Director Joshua Logan
Studio
Distributor

Warner Home Video
Starring Richard Harris
Vanessa Redgrave
Franco Nero
David Hemmings
Lionel Jeffries
Laurence Naismith
RRP $29.95 Music Frederick Loewe

 
 
Video
Audio
Pan & Scan/Full Frame No MPEG None
Widescreen Aspect Ratio 2.35:1 Dolby Digital 5.1
16x9 Enhancement Yes Soundtrack Languages English (Dolby Digital 5.1, 384 Kb/s)
Theatrical Aspect Ratio 2.35:1
Miscellaneous
Macrovision Yes Smoking No
Subtitles English
Arabic
English for the Hearing Impaired
Annoying Product Placement No
Action In or After Credits Yes, exit music screen

Plot Synopsis

    Okay, let me get it out into the open straight away - as far as I am concerned, musicals are the worst form of film and are not worth a damn, other than The Sound of Music (when are we expecting that to be released?) and The King and I. Sorry, but that is just the way it is. The only reason I agreed to review this disc is because my father thinks that musicals are just about the best form of film around (right behind westerns), and I thought he would like to see it.

    Plot ... musicals: almost an oxymoron surely? This is the film adaptation of the musical stage hit formulated by the renowned Alan Jay Lerner and Frederick Loewe, possibly the best stage musical partnership, outside of Rogers and Hammerstein, of this century. The broad story is that of King Arthur (Richard Harris) and Queen Guenevere (Vanessa Redgrave) and the legendary Knights of the Round Table. Unfortunately, this is a legend of great ideas gone sadly astray as the mythical paradise of Camelot was destroyed by the forbidden love of Lancelot (Franco Nero) for Guenevere, most especially because Guenevere becomes the first victim of the famed court of justice of Arthur. Add in a bastard son Mordred (David Hemmings) bent on gaining his rightful place as the next King of England, a King without a kingdom in King Pellinore (Lionel Jeffries) and the mystical Merlin (Laurence Naismith) and all the elements of the legend of King Arthur and Camelot are here.

    It is a story done to death in most forms of film, with varying degrees of success, so it was only natural that not only would a stage musical be done, but that it would be adapted for the big screen. It has to be said that really this is a long winded film that could have benefited from some judicious pruning - or else include a few more snappy Lerner and Loewe tunes. It copped three Oscars in 1967, but in three areas outside of the "biggies": Best Adaptation Scoring, Best Art Direction/Set Decoration and Best Costume. Richard Harris as Arthur was adequate, Vanessa Redgrave as Guenevere seems an odd choice and Franco Nero as Lancelot left me very cold. The only thing that makes this worthwhile is Lionel Jeffries, a trooper of the era, and the music and lyrics of Frederick Loewe and Alan Jay Lerner.

Transfer Quality

Video

    Well, the film may not be to my taste but one cannot deny that Warners have done a damn fine job on the restoration of this film.

    The transfer is presented in an aspect ratio of 2.35:1, and it is 16x9 enhanced.

    Overall, the transfer is quite sharp and very well defined. There were only some very short sections of the film where focus was a little soft, and one small section between 93:20 and 94:30 which seemed quite grainy in comparison to the rest of the film. The transfer is clear throughout and shadow detail was quite acceptable.

    The colours are very nicely rendered, and consistently so, although this is not an overly vibrant colourscape. There was no hint of oversaturation or colour bleed at all - not even in the red credits, which I know flare and bleed like crazy on the VHS tape.

    There did not appear to be any significant MPEG artefacts. Video artefacts seemed to be quite rare during the film, the most noticeable being a slight loss of focus in a panned shot at 7:40 - and even that was not that distracting. There did seem to be a strange ghost image at around the 38:10 mark, but this seemed to be more like an inherent problem in the original print than a transfer problem. Film artefacts were not that prevalent (I was certainly expecting more) and generally did not detract from the film in any significant way - rare for a thirty year old film.

    This is a RSDL format disc, with the layer change coming at the intermission at 96:45. This is an extremely logical place to incorporate the layer change, and did not detract from nor interrupt the film in any way. Nice one Warners!

Audio

    If Warners have done a fine job on the video restoration, they have excelled themselves with a very fine remastered soundtrack in full Dolby Digital 5.1.

    There is only the one soundtrack on the DVD, being the English Dolby Digital 5.1 soundtrack.

    The dialogue was clear and easy to understand throughout, as was the singing.

    Audio sync does not appear to be a problem with the transfer.

    The score comprises original compositions from Alan Jay Lerner (lyrics) and Frederick Loewe (music) which is of course what the film is all about. Whilst it has to be said that the lyrics are not the best you are ever going to hear, Lerner and Loewe did this sort of stuff better than most.

    This is a gloriously remastered soundtrack that has made full use of the surround channels, with some gorgeous detail - such as background singing - in the rear channels. This is an excellent example of how to remaster music for films.

    There was no overtly apparent use made of the bass channel however, which is a pity as a little bass resonance could have been very beneficial during the joust scenes especially. That however would be the only complaint I could have about the soundtrack.

Extras

    Oh boy, what a let down these are ... not, since there are none.

Menu

R4 vs R1

   Sit down and weep over what Warners have stiffed us with in Region 4, as we miss out on:    And all that on an RSDL format DVD, just like the Region 4 DVD. What is the excuse this time Warners, since there are so few subtitles included in the Region 4 version (three as in Region 1) and only the single language soundtrack (as in Region 1)? The Region 1 version is a Special Edition and is quite clearly superior in every way.

Summary

    Camelot is definitely not my type of film, but one has to admire the work of Lerner and Loewe. Fans of the film or the genre should not hesitate in the slightest - but I really would recommend the Region 1 version.

    The overall video quality is very good.

    The overall audio quality is glorious.

    The extras are an absolute disgrace.

Ratings (out of 5)

Video
Audio
Extras disgustingly nil
Plot
Overall

© Ian Morris
3rd October 1999

Review Equipment
   
DVD Pioneer DV-515; S-video output
Display Sony Trinitron Wega 84cm
Audio Decoder Built in
Amplification Yamaha RXV-795
Speakers Energy Speakers: centre EXLC; left and right EXLR; and subwoofer ES-12XL