Carrie


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Details At A Glance

General
Extras
Category Horror Theatrical Trailer(s) Yes, 1 - 1.33:1 non-16x9, Dolby Digital 2.0 mono
Rating Other Trailer(s) No
Year Released 1976 Commentary Tracks No
Running Time 93:57 minutes Other Extras Booklet (6 page)
RSDL/Flipper RSDL (64:39)
Cast & Crew
Start Up Menu
Region 2,4 Director Brian DePalma
Studio
Distributor

Warner Home Video
Starring Sissy Spacek
John Travolta
Piper Laurie
RRP $34.95 Music Pino Donaggio

 
Video
Audio
Pan & Scan/Full Frame No MPEG None
Widescreen Aspect Ratio 1.78:1 Dolby Digital 5.1
16x9 Enhancement
Soundtrack Languages English (Dolby Digital 5.1, 448 Kb/s)
German (Dolby Digital 2.0 mono, 384 Kb/s)
French (Dolby Digital 2.0 mono, 320 Kb/s)
Italian (Dolby Digital 2.0 mono, 320 Kb/s)
Spanish (Dolby Digital 2.0 mono, 384 Kb/s)
Theatrical Aspect Ratio 1.85:1
Miscellaneous
Macrovision Yes Smoking Yes
Subtitles English
English for the Hearing Impaired
German
French
Italian
Dutch
Swedish
Finnish
Norwegian
Portuguese
Annoying Product Placement No
Action In or After Credits No

Plot Synopsis

   Before Stephen King became a cheap movie-maker's delight, seemingly releasing a new novel every other week, he wrote the odd brilliant novel. Whilst, in my opinion, The Shining is his master work (also brought to the screen masterfully by the late Stanley Kubrick), Carrie is certainly one of his best and most accessible works.

    If you haven't seen the movie before, here's the plot: A young, timid and shy Carrie (played perfectly by Sissy Spacek) has her first (and belated) female-only bodily movement in the school showers, and is teased ruthlessly by her peers. To her aid comes a caring teacher, who punishes the girls for their unthoughtful behaviour. Meanwhile, Carrie must suffer her insane and super-religious mother who is clearly off her rocker, so to speak, and is the root cause of Carrie's odd ways. Her mother (Piper Laurie) thinks that everything shy of breathing is a sin, and walks around crying, chanting and generally being hysterical about everything. Then, for the first time in her life, Carrie is asked out on a date - to the end-of-year prom no less, and eventually accepts. However, at the prom she is once again turned on by the other school-girls and things get nasty. Carrie has always had telekinetic powers, and they get used to full effect in the final scenes.

    Whilst the scare value of this movie has diminished over the years, it still has its moments, and Sissy Spacek is just brilliant and really makes the movie. John Travolta, on the other hand, is lousy and it is a wonder that he is listed as a "star." His part is small, and his acting is non-existent. I am surprised he got any more work after this. William Katt, on the other hand, has a very large part and is indeed very good as the high school teenage heart-throb who takes Carrie to the prom. If you like classic Stephen King, then this is your movie.

Transfer Quality

Video

    The transfer is presented in an aspect ratio of 1.78:1, and it is not 16x9 enhanced.

    The image is on the soft side, and is not especially clear or detailed. It would seem that the transfer is quite old, since it lacks the vibrancy of modern efforts. Also to its detriment is the lack of anamorphic enhancement, which severely reduces any hope of much detail. Had this movie been touched, restored and given the proper treatment, I have no doubt it would improve immensely. What we have here is a lacklustre presentation that simply isn't up to scratch, and was obviously the cheap option for MGM. Shadow detail was definitely on the poor side, with many night-time scenes suffering for it. There was no low-level noise.

    Colours were a little on the muted side, which dated the look of the movie. Whilst their was no chroma noise, there was oversaturation of reds and blues in the final scenes of the movie during the prom. Blues were particularly badly rendered, looking very washed-out.

    There were no MPEG compression artefacts during the movie, nor were there any film-to-video artefacts. This is perhaps one of the best non-16x9 transfers I have seen with regards to aliasing problems - there simply weren't any. After a while, I forgot I was watching a non-enhanced transfer because of the lack of this tell-tale sign. Film-to-video artefacts were present during the opening of the movie, but settled down and never imposed on the rest of the film.

    This disc is RSDL formatted, with the layer change occurring during Chapter 23 at 64:39 minutes. This placement is very good, and is not intrusive at all. I am just surprised a movie this short would need to be RSDL at all, but I am not about to complain.

Audio

    There are five soundtracks on this disc, with only the English version being Dolby Digital 5.1. The rest are all in Dolby Digital 2.0 mono, and are German, French, Italian and Spanish.

    Dialogue was at all times clear and easy to understand.

    Lip-syncing was not a problem during the movie.

    The score, by Pino Donaggio is rarefied, with much of the movie being in silence apart from dialogue. When it does appear, it is suitably jarring and typical of its time. The music is surprisingly clear and spacious sounding, with a wide soundstage which is doubtless due to the 5.1 remastering.

    The surround channels were used aggressively, and stunningly well at times. If you closed your eyes, you could almost imagine this to be a recent movie.

    The subwoofer was used mildly and to good effect.

Extras

Menu

    The menu is nicely themed and fairly easy to navigate. One things which I am not in favour is the recent usage of a pre-menu language selection; the disc should detect the language the player is set to and use that, not make you specify it again.

Theatrical Trailer (2:02)

    Presented in an aspect ratio of 1.33:1, non 16x9 enhanced and in Dolby Digital 2.0 mono.

Booklet

   A good read, with some good information. I can only laugh, however, when the booklet boasts that this DVD has been "encoded to take full advantage of high resolution "widescreen" television sets." Of course it hasn't, since it is not 16x9 enhanced.

R4 vs R1

    Both versions seem to be identical on the whole, so the R4 version would be the preferred choice. Non-16x9 NTSC is ugly at its very best, whereas PAL is sufferable at this level.

Summary

    Classic Stephen King brought to life wonderfully. A damn good horror.

    The video is a disappointment given that it is not 16x9 enhanced, however it holds up quite well.

    The audio has been upgraded to 5.1, and is very good, however a mono soundtrack for the purists amongst us would have been welcome...

    A theatrical trailer is all the extras you need, according to MGM.

Ratings (out of 5)

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© Paul Cordingley
29th January, 2000.
Review Equipment
   
DVD Panasonic A350A S-Video output
Display Pioneer SD-T43W1 125cm Widescreen 16x9
Audio Decoder Internal Dolby Digital 5.1 (DVD Player)
Amplification Sony STRDE-525 5x100 watts Dolby Pro-Logic / 5.1 Ready Receiver; 4 x Optimus 10-band Graphic EQ
Speakers Centre: Sony SS-CN35 100 watt; Main & Surrounds: Pioneer CS-R390-K 150-watt floorstanders; Subwoofer: Optimus 100-watt passive