Joe Cocker

Across From Midnight Tour


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Details At A Glance

General
Extras
Category Music Theatrical Trailer(s) None
Rating g.gif (1187 bytes) Other Trailer(s) None
Year Released 1997 Commentary Tracks None
Running Time 86:07 Minutes  Other Extras None
RSDL/Flipper No/No
Cast & Crew
Start Up Movie
Region 1,2,3,4,5,6 Director Egbert Van Hess
Studio
Distributor
WarnerVision.gif (3121 bytes)
Warner Vision
Starring Joe Cocker
Jack Bruno
Gene Black
Warren McRae
Steve Grove
Ken Stange
Maxine Sharpe
Stacey Campbell
Mark Alexander
Case Amaray
RRP $39.95 Music Joe Cocker
 
 
Video
Audio
Pan & Scan/Full Frame Full Frame MPEG None
Widescreen Aspect Ratio None Dolby Digital 5.1
16x9 Enhancement No Soundtrack Languages English (Dolby Digital 5.1, 448Kb/s)
Theatrical Aspect Ratio 1.33:1
Miscellaneous
Macrovision Yes Smoking No
Subtitles None Annoying Product Placement No
Action In or After Credits Yes, applause and music during credits

Plot Synopsis

    Joe Cocker is an artist who can be frequently heard in households belonging to both my immediate and extended family, so I was quite curious to see how well a live rendition of his songs would come up on our beloved format. I have to admit, it's worth listening to his songs just to hear his gravely, rough voice, and to watch his rather epileptic-looking stage presence. One of the things that separates him from the rest of the pack is the quality of session musicians he surrounds himself with. As the session band sits in the background playing the music that Cocker lays his vocals over, it is often apparent in the way that they are playing that not only were they chosen for their ability, but they were given music befitting that ability. When the musicians are exerting themselves in a musical sense, they certainly seem to be quite enjoying themselves. The tracklisting for this DVD is as follows:    In other words, most of the video is a collection of Joe Cocker's greatest hits, some of which made me want to hit the fast forward button, while others were surprisingly enjoyable. One disappointment was the decidedly second-rate rendition of Up Where We Belong. The problem isn't with the band or with Cocker, but the backing vocalists, one of which also takes over the main female half of the duet. Maxine Sharpe and Stacey Campbell do nothing but clash with Joe Cocker during Up Where We Belong, which is a terrible shame given that this is one of the real crowd-pullers on this DVD. Apart from this slight problem, however, the performance contained on this DVD is first-rate and is a worthy addition to the DVD collection.

Transfer Quality

Video

    For a concert video, this transfer is not too bad, although it isn't exactly great, either. The transfer is presented Full Frame, and is not 16x9 enhanced.

    The transfer is amazingly sharp, so much so that one can make out the way light shines from the sweat under Joe Cocker's neck. However, this is tempered by the fact that shadow detail is generally quite average, with little or no discernible detail in the darker portions of the transfer. Although this is evident throughout the transfer, a particularly interesting example is at 29:58, where the edges of Joe Cocker's black shirt are all but impossible to discern from the black background around him. On a positive note, however, this obviously makes life a lot easier for the compression. No low-level noise could be seen in the darker portions of the picture, which is also a plus considering how generally dark the transfer is.

    When the stage lighting isn't flooding in, the colour saturation is quite accurate and realistic, with flesh tones and costumes coming up quite accurately in the final image. Lens flare, however, is a significant problem with this transfer, although the problem seems to be more with the stage lighting simply being too bright. Often, a stage light can be seen throwing rays of colour into the picture that become somewhat distracting. When red stage lights are visible in the picture, the flare seems to have a faint degree of undersaturation in them, as if they were deliberately toned down in the editing process.

    MPEG artefacts were not noticed during the concert, which is certainly one reason to be thankful for the low lighting. Given how active the overall picture is, the potential for MPEG artefacts is certainly much greater than what was reached here. Aliasing is plentiful, but extremely minor overall with its restriction to the stage props, which only shimmer very faintly. Considering how many shots there are of musical instruments on this DVD, the aliasing is remarkably well controlled. Film artefacts are generally non-existent, although the occasional white spot became apparent from time to time.

Audio

    The audio transfer is presented with a single soundtrack: English in Dolby Digital 5.1, with no downmixes or alternate formats being available. It would have been nice if a Linear PCM soundtrack was provided, but this is a minor omission in the grand scheme of things.

    The music was well-mixed, with all the instruments having plenty of space to breathe within the sound field, and the vocals are easy to understand at all times. At least, Joe Cocker's vocals were easy to understand at all times. The backing vocals were, by comparison, quite dull and lifeless, being well and truly recessed at times when they should have been as lively in the mix as the rest of the band. This, however, is not the fault of the audio transfer, as it is pretty difficult to screw up the vocal tracks on Up Where We Belong unless the secondary vocals were poorly performed in the first place.

    The music on this DVD is a fairly comprehensive representation of the Joe Cocker songs that have been played on the radio or released as singles, but there are no obscure album-only songs here as far as I can tell. The best songs on this DVD are those that don't make any use of backing vocals, as I cannot stress enough how badly these backing vocals clash with the primary vocals. It could not be more obvious during With A Little Help From My Friends that the women entrusted with the backing vocals haven't heard the original recordings of the songs. Their inherent lack of subtlety is quite damaging to the songs at times, which is a real pity considering how much potential there is in these songs.

    The surround presence on this DVD is nothing special, and can be described as the result of having the music mixed into the rears at a lower volume. Obviously, the separation into six speakers helps considerably by giving the instruments room to breathe, but there seems to be no immersive qualities in the surround field at all. Not that this is necessarily bad in and of itself, but it is a tad disappointing. Another disappointing aspect is the recessed and quiet feel of the overall soundtrack, which does not suit the style of the music at all. In any case, the subwoofer had a wonderful time supporting the bass, but there weren't that many other sounds in the mix to give it more to do.

Extras

Menu

    The menu is simply a listing of chapter stops, and is not 16x9 enhanced. It is not enhanced in any manner, as a matter of fact.

R4 vs R1

    This disc is identical the world over.

Summary

    Joe Cocker: Across From Midnight Tour is a good performance marred slightly by poorly chosen backing vocalists, presented on a good DVD.

    The video quality is very dark overall, but very good.

    The audio quality is excellent.

    There are no extras.

Ratings (out of 5)

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Extras  
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© Dean McIntosh (my bio sucks... read it anyway)
July 29, 2000. 
Review Equipment
   
DVD Grundig GDV 100 D, using composite output; Toshiba SD-2109, using S-video output
Display Panasonic TC-29R20 (68 cm), 4:3 mode, using composite input; Samsung CS-823AMF (80 cm), 16:9 mode/4:3 mode, using composite and S-video inputs
Audio Decoder Built In (Amplifier)
Amplification Sony STR-DE835
Speakers Panasonic S-J1500D Front Speakers, Philips PH931SSS Rear Speakers, Philips FB206WC Centre Speaker, JBL Digital 10 Subwoofer