Michael Crawford

In Concert


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Details At A Glance

General
Extras
Category Concert Theatrical Trailer(s) None
Rating Other Trailer(s) None
Year Released 1998 Commentary Tracks None
Running Time 65:00 minutes Other Extras Biography
RSDL/Flipper No/No
Cast & Crew
Start Up Menu
Region 2,3,4,5,6 Director
Studio
Distributor

Warner Vision Australia
Starring Michael Crawford 
RRP $39.95 Music Andrew Lloyd Webber et al

  
Video
Audio
Pan & Scan/Full Frame Full Frame MPEG None
Widescreen Aspect Ratio None Dolby Digital None
16x9 Enhancement No Soundtrack Languages English (Linear PCM 48/16 2.0, 1536 Kb/s)
Theatrical Aspect Ratio 1.33:1
Miscellaneous
Macrovision Yes Smoking No
Subtitles English
English for the Hearing Impaired
Annoying Product Placement No
Action In or After Credits No

Plot Synopsis

    Michael Crawford is familiar to me for one role, and one role only - Frank Spencer. If that name means nothing to you, then you won't have a problem accepting this man as an acclaimed performer of the stage. If it is a familiar name, then like me, you might be a bit wary of listening to this man sing in front of a large audience. Fear not. This is a performance by an accomplished singer, staged for the television at the Cerritos Center in Los Angeles - and a swank place it is too.

    The songs are as follows: Gethsemane, Galway/I'll Take You Home Kathleen, Tonight, Before the Parade Passes By, When I Fall In Love, Love Changes Everything, The Phantom Of The Opera, All I Ask Of You, Music Of The Night, Not Too Far From Here, On Eagle's Wings, and Spirit of the Living God.

    Michael Crawford intersperses these songs with anecdotes and thoughts in a very warm and intimate manner, which is a feat to do in front of a large audience. He comes across as a very warm and charismatic man, and the audience just love him, giving him fully three standing ovations. I remember fondly seeing The Phantom Of The Opera a number of years ago, and the songs from that musical, as sung on this disc, sent shivers down my spine - especially the song of the same name. It is clear why he was garnered with award after award for his rendition of The Phantom.

    Highly recommended if you like Michael Crawford. I will never watch another Some Mothers Do 'av' 'em in quite the same light.

Transfer Quality

Video

    This concert was performed especially for television, and as such has been filmed on video in an aspect ratio of 1.33:1, and is naturally non-16x9 enhanced. This is a very, very good transfer, and is very nearly reference apart from a problem I will name below.

    Sharpness is a problem for this transfer, and the culprit goes by one name: 'edge enhancement', a name which strikes fear and terror into the hearts of us who are anal about picture quality. Whilst definition is certainly acceptable for the most part, important detail is lost in long shots of both the audience and the stage, which is a real shame because the image could have been exceptional. I understand that since this has been targeted for television from the outset, edge enhancement has been jacked up, but the technician's hand has slipped a bit on this one and been a bit heavy-handed. Apart from that, the image is textbook perfection, and smooth as silk, with absolutely no low-level noise. Shadow detail was exemplary at all times.

    The production quality for this concert is very slick, and the stage lighting is superb and dramatic. Luckily, the colours on this disc are rendered wonderfully, being fully saturated and natural looking, with absolutely no chroma noise or bleeding. Reds, blues, greens and yellows give nice dramatic cues and are very important for this presentation.

    There were only a few instances of minor MPEG artefacting, and apart from that was not a problem, with no other artefacting of any kind.
 

Video Ratings Summary
Sharpness
Shadow Detail
Colour
Grain
Film-to-Video Artefacts
Film Artefacts N/A
Overall

Audio

    There is one soundtrack on this disc, being an English 16 bit, 48KHz Linear PCM 2.0 soundtrack running at 1.536 Megabits per second, and is without fault of any kind.

    Dialogue was very clear and crisp both during the performances and the interludes, with no lip-sync problems.

    The audio has a very natural sound to it, and has been engineered with care. Crisp and clean, with a full sound, the songs come across very nicely and will please the most discerning critic in this regard. I listened to the soundtrack variously in both stereo and Pro-Logic mode, and found the latter to be far nicer in terms of imaging and presence, anchoring Michael firmly in the centre with the audience in the mains and rears.

    The subwoofer got good use, nicely rendering the bass and adding important weight to the performance.
 

Audio Ratings Summary
Dialogue
Audio Sync
Clicks/Pops/Dropouts
Surround Channel Use
Subwoofer
Overall

Extras

Menu

    The menu is static.

Song Selections (12)

Biography

R4 vs R1

    Both versions are identically featured, so the choice is easy. You just can't beat PAL video, so go with our R4 version.

Summary

    An entertaining performance from a man who knows how to treat an audience, and quite enjoyable.

    The video transfer is very good, only let down by excessive edge enhancement which could have been avoided.

    The audio is essentially perfect, capturing the concert nicely.

    Nothing much in the way of extras.

Ratings (out of 5)

Video
Audio
Extras
Plot
Overall
© Paul Cordingley ( read my bio)
4th May, 2000. 
Review Equipment
   
DVD Panasonic A360 (S-Video output)
Display Rear Projection Pioneer SD-T43W1 125cm Widescreen 16x9
Audio Decoder d t s 5.1 & Dolby Digital 5.1 (DVD Player internal decoder)
Amplification Sony STRDE-525 5x100 watts Dolby Pro-Logic / 5.1 Ready Receiver; 4 x Optimus 10-band Graphic EQ
Speakers Centre: Sony SS-CN35 100 watt; Main & Surrounds: Pioneer CS-R390-K 150-watt floorstanders; Subwoofer: Optimus 100-watt passive