|
|
|
||
Category | Drama | Theatrical Trailer(s) | Yes, 1 plus 2 TV spots |
Rating | Other Trailer(s) | None | |
Year Released | 1997 | Commentary Tracks | Yes, 1 - Taylor Hackford (Director) |
Running Time | 138 minutes | Other Extras | Cast & Crew Biographies
Production Notes |
RSDL/Flipper | RSDL (74:04) |
|
|
Start Up | Movie | ||
Region | 4 | Director | Taylor Hackford |
Distributor |
Warner Home Video |
Starring | Keanu Reeves
Al Pacino Charlize Theron Jeffrey Jones Judith Ivey Craig T. Nelson |
Case | Snapper | ||
RRP | $29.95 | Music | James Newton Howard |
|
|
||
Pan & Scan/Full Frame | None | MPEG | None |
Widescreen Aspect Ratio | 2.35:1 | Dolby Digital | 5.1 |
16x9 Enhancement | Yes | Soundtrack Languages |
|
Theatrical Aspect Ratio | 2.35:1 | ||
Macrovision | Yes | ||
Subtitles |
|
At its heart, The Devil's Advocate is a moral tale about good and evil, and the choices we make. It slowly and surely builds in tension until the climactic end sequence. Other than being a little slow to begin with, and Al Pacino and Keanu Reeves starting off a little stiff and uninspired, the movie soon picks up and remains very intriguing all of the way through the remainder of the movie. There is some excellent acting here, from all of the leads, and in particular from Al Pacino in the end sequence which in the hands of a lesser actor could have descended into the farcical.
The transfer was very sharp and very clear. Shadow detail was generally excellent, and no low level noise was apparent.
The colours were all perfectly saturated, with warm deep browns and clear greens.
No MPEG artefacts were seen. Film-to-video artefacts consisted of somewhat excessive aliasing at times from the usual aliasing culprits. One particular night panning shot of New York is particularly severe in this regard. Fortunately, the majority of the movie does not exhibit this artefact. Film artefacts were excessive given the recent vintage of this movie, and became somewhat distracting at times.
This disc is an RSDL disc, with the layer change occurring at 74:04, between Chapters 24 and 25. This is slightly disruptive to the movie, but as always, it is far less distracting than having to get up to flip the disc.
Dialogue was virtually always clear and very easy to understand, although I missed a few words on occasion due to the thick accents being used. Understandable dialogue is critically important to a dialogue-driven movie such as this one.
There were no audio sync problems.
The music was composed by James Newton Howard, who is rapidly becoming my favourite screen composer ever since I started taking notice of this credit. I have found that his scores always superbly fit the movies they are written for without ever becoming obtrusive like some other screen composers such as John Williams. The score for this movie is another fine example of his work, with the music underpinning the on-screen emotion and drama perfectly.
The surround channels were frequently used for music and occasional ambience. They are nicely enveloping without being spectacular in this regard.
The .1 channel was used moderately for music.
The video quality is acceptable, albeit with a few more flaws than I would expect from a movie of this recent vintage.
The audio quality is good, and pleasantly enveloping even though this is a dialogue-driven movie.
The extras are limited in extent except for the excellent audio commentary. This is a movie that cries out for a Making Of featurette, particularly in regards to the end sequence.
Video | |
Audio | |
Extras | |
Plot | |
Overall |
© Michael Demtschyna
12th March 1999
|
|
DVD | Pioneer DV-505, using S-Video output |
Display | Loewe Art-95 95cm direct view CRT in 16:9 mode, via the S-Video input. Calibrated with the NTSC DVD version of Video Essentials. |
Audio Decoder | Denon AVD-2000 Dolby Digital AddOn Decoder, used as a standalone processor. Calibrated with the NTSC DVD version of Video Essentials. |
Amplification | 2 x EA Playmaster 100W per channel stereo amplifiers for Left, Right, Left Rear and Right Rear; Philips 360 50W per channel stereo amplifier for Centre and Subwoofer |
Speakers | Philips S2000 speakers for Left, Right; Polk Audio CS-100 Centre Speaker; Apex AS-123 speakers for Left Rear and Right Rear; Yamaha B100-115SE subwoofer |