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Category | Thriller | Theatrical Trailer(s) | None |
Rating | Other Trailer(s) | None | |
Year Released | 1994 | Commentary Tracks | None |
Running Time | 123 minutes | Other Extras | Cast & Crew Biographies
Production Notes |
RSDL/Flipper | No/No |
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Start Up | Movie | ||
Region | 4 | Director | Barry Levinson |
Distributor |
Warner Brothers |
Starring | Michael Douglas
Demi Moore Donald Sutherland Caroline Goodall Dennis Miller |
RRP | $29.95 | Music | Ennio Morricone |
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Pan & Scan/Full Frame | No | MPEG | None |
Widescreen Aspect Ratio | 2.35:1 | Dolby Digital | 5.1 |
16x9 Enhancement | Yes | Soundtrack Languages | English (Dolby Digital 5.1) |
Theatrical Aspect Ratio | 2.35:1 | ||
Macrovision | ? | ||
Subtitles | English
Arabic Polish Greek Czech Turkish Hungarian Icelandic Croatian English for the Hearing Impaired |
Tom Sanders (Michael Douglas) works for Digicom, a company in the computer hardware and Virtual Reality business. Digicom is involved in a merger worth $100 million dollars to its owner, Bob Garvin (Donald Sutherland). Problem is, their new flagship product has a pretty significant production problem, which Tom needs to sort out before the imminent merger. Meredith Johnson (Demi Moore), an ex-flame of Tom's, is made Tom's boss, and is given the task of discrediting him, and forcing him to resign. She charges that Tom sexually harassed her. Tom charges that Meredith sexually harassed him.
Once this is over with, Tom needs to sort out the production problem, which is a major conspiracy on the part of Digicom.
The first two thirds of this movie are excellent. The movie moves along at a cracking pace. Michael Douglas and Demi Moore play their roles superbly, with just the right amount of malice. Roma Maffia is the hard-nosed lawyer for Tom and is excellent in her role. The last third, whilst still quite good, sags just a little.
I have two criticisms of this movie. Firstly, I found that all of the interconnected threads in this movie were a little too loosely connected for my tastes, making it a little hard to work out what was happening. As well as that, when the loose ends were tied up at the end of the movie, it seems somehow not to quite make sense. Considerable suspension of disbelief was required at times during this movie. Secondly, I thought that the Virtual Reality footage was unnecessary eye candy and served only to distract us from the otherwise excellent script.
The transfer is presented at an aspect ratio of 2.35:1, 16x9 enhanced.
The transfer was mostly clear, except for scenes marred with aliasing. Shadow detail was good. No low level noise was apparent.
The colours were clear and well-saturated throughout.
No MPEG artefacts were noted. Aliasing was often present, particularly in scenes with venetian blinds, indoor office scenes and scenes with the ferry. Whilst not as bad as the worst Warner Brothers transfers, it wasn't far off, with the aliasing being a major distraction at times. Some film artefacts were present during the movie, but they remained at an acceptable level.
Dialogue was usually clear and audible. Some dialogue, especially at the start of the movie, was a little hard to hear.
There were no audio sync problems with this disc.
The unremarkable musical score is by Ennio Morricone.
The surround channels were lightly used for music. There was little ambience and nothing in the way of special effects in the surrounds. Nonetheless, the soundtrack was acceptably enveloping.
The .1 channel was hardly used at all.
The video quality is acceptable, with substantial aliasing artefacts.
The audio quality is clear but not particularly inspiring..
The extras are very limited.
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Audio | |
Extras | |
Plot | |
Overall |
© Michael Demtschyna
17th February 1999
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DVD | Pioneer DV-505, using S-Video output |
Display | Loewe Art-95 95cm direct view CRT in 16:9 mode, via the S-Video input. Calibrated with the NTSC DVD version of Video Essentials. |
Audio Decoder | Denon AVD-2000 Dolby Digital AddOn Decoder, used as a standalone processor. Calibrated with the NTSC DVD version of Video Essentials. |
Amplification | 2 x EA Playmaster 100W per channel stereo amplifiers for Left, Right, Left Rear and Right Rear; Philips 360 50W per channel stereo amplifier for Centre and Subwoofer |
Speakers | Philips S2000 speakers for Left, Right; Polk Audio CS-100 Centre Speaker; Apex AS-123 speakers for Left Rear and Right Rear; Yamaha B100-115SE subwoofer |