Dudley Do-Right
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Details At A Glance
General
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Extras
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Category |
Comedy |
Theatrical Trailer(s) |
Yes, 1 - 1.78:1 (16x9 enhanced), Dolby Digital 2.0 |
Rating |
|
Other Trailer(s) |
None |
Year Released |
1999 |
Commentary Tracks |
None |
Running Time |
79:17 Minutes |
Other Extras |
Cast & Crew Biographies
Production Notes
DVD-ROM Website Mirror |
RSDL/Flipper |
RSDL (48:11) |
Cast & Crew
|
Start Up |
Movie |
Region |
2,4 |
Director |
Hugh Wilson |
Studio
Distributor |
Columbia Tristar |
Starring |
Brendan Fraser
Sarah Jessica Parker
Alfred Molina
Eric Idle
Robert Prosky
Alex Rucco |
Case |
Transparent Amaray |
RRP |
$39.95 |
Music |
Steve Dorff |
Video
|
Audio
|
Pan & Scan/Full Frame |
None |
MPEG |
None |
Widescreen Aspect Ratio |
2.35:1 |
Dolby Digital |
5.1 |
16x9 Enhancement |
|
Soundtrack Languages |
English (Dolby Digital 5.1, 384 Kb/s)
German (Dolby Digital 5.1, 384 Kb/s) |
Theatrical Aspect Ratio |
2.35:1 |
Miscellaneous
|
Macrovision |
Yes |
Smoking |
No |
Subtitles |
English
Danish
Finnish
Dutch
German
Swedish
Norwegian
Polish
Czech
Hebrew
Greek |
Annoying Product Placement |
No |
Action In or After Credits |
No |
Plot Synopsis
For those who have no idea what the film's intended
audience is, consider that the film begins with a presentation of a Fractured
Fairy Tale, one of those quick cartoons that made up a portion
of the Rocky & Bullwinkle Show a long time ago. This
particular fairy tale, The Phox, The Box, And The Lox, sets
a sort of comical tone that, sadly, is not kept up that well by the live-action
film that is to follow. Why this presentation was not encoded as a separate
featurette is beyond me, but at least it is more entertaining than the
film itself. Dudley Do-Right, such as it is, is the story
of three central characters, all of them being rather simplistic in nature,
so don't expect anything that will stimulate your intellectual side. Dudley
(Brendan Fraser) aspires to be a mountie during the opening sequences,
and becomes one for the rest of the show, much in the same manner that
Snidley (Alfred Molina) aspires to become a well-known criminal
and fulfils that dream after the characters are introduced. Caught between
these two is Nell Fenwick (Sarah Jessica Parker), the token good
girl character common to all of these kinds of stories.
Essentially, this is the sort of thing you throw
on for your kids when you want to keep them amused for seventy-odd minutes
without stimulating their intellect to any degree. I think that, and the
fact that it is ranked a mere 3.9 out of 10 on the Internet Movie Database
after 225 votes, sums it all up for me. Another point you might care to
consider is the fact that the short blurb on the back of the cover pretty
much sums up the entire film, which is rarely a good sign in the world
of film plots. When DVD technology filters down into daycare centres, you
can expect to see this film being shown to a lot of bored children who,
if they're anything like me, will be trying their hardest to just sleep
through the whole thing and pretend it is a brain-sapping nightmare.
Transfer Quality
Video
This transfer is presented in an aspect ratio of 2.35:1
and it is 16x9 enhanced, which begs a single, rather simple question. Is
this some kind of weird policy for Universal, in that great, powerful films
such as The Thing miss out on
this essential feature, while pieces of utter dribble like this get it?
In any case, the transfer is razor-sharp from start to finish, with every
subtle nuance of the picture being perfectly clear. All the better to torture
you with. Shadow detail is perfect, with every important detail easy to
make out in the darkness - more's the pity when Sarah Jessica Parker
appears in darker shots. Low-level noise was not a problem at any time
in the main feature. The colour saturation is spot-on for the aims of the
film, which appears to have been to make a living cartoon, with all of
the tones having a pastel-like, but also real, feel.
MPEG artefacts were absent from the transfer, which
is to be expected when an eighty-minute film is compressed onto an RSDL
disc, but the transfer rate seems to be all over the place in many shots.
Film-to-video artefacts consisted of some very occasional aliasing on patterned
clothing, but the most notable example of this was barely registered, being
confined to Sarah Jessica Parker's chequered cloak, which shows
very slight aliasing throughout parts of Chapters 6 and 7, about fifteen
minutes into the film. Some shimmering also appears around the edge of
the brim of
Brendan Fraser's Mountie hat, but this is also an occasional
and very minor problem. Film artefacts were not noticed at any time in
the main feature, reflecting the youth of the film and the excellent condition
that the source material has been kept in.
This disc is presented in the RSDL
format, with the layer change coming in at 48:11.
This is right in the middle of a conversation (albeit a very stupid one),
and the Toshiba SD-2109 takes a good portion of a second to negotiate it,
making the placement patently unacceptable.
Audio
Matching the plot-quality inversion in the video transfer
is an audio presentation that is seriously inversional to the quality of
the film itself. The audio is presented in a choice of two languages, both
of them in Dolby Digital 5.1: the original English dialogue, and a 5.1-channel
dub in German. The dialogue was equally stupid in both languages, so I
decided to stick with the less interesting choice of the original English,
which happened to be the default. The dialogue is clear and easy to understand
at all times, even when it was spoken by Brendan Fraser, although
Alfred Molina does get a little bit annoying after a while. Audio
sync was never a problem at any point in the main feature, although I would
have preferred something to make the sound effects a little more interesting,
such as a major delay in the sounds of the explosions.
The music provided by Steve Dorff was your
average comical score with a certain similarity to the Looney Tunes theme
at times, reflecting the cartoon origins of the story. Much of the music
has a certain heard-it-before feel, but it is well-suited to the onscreen
action with the inherent idiocy of the characters reflected in the simple-mindedness
of the cues. Thankfully, there is no contemporary music to intrude upon
the feel of the film until the ending credits, which is a wise choice when
you think about the silliness in the film's premise.
The surround channels received a moderate amount
of use to support the music, but this was mostly a front mix with some
surround elements. A few directional sound effects, most notably the sound
of the Mounties charging and the tanks exploding, were noticed from time
to time, but they were few and far between. The subwoofer had very little
to do in this mix, spending a good proportion of the film with nothing
to do at all.
Extras
An eighty-minute film on an RSDL disc generally translates
into a lot of extras. Sadly, Universal have once again decided to isolate
a very large proportion of the DVD buying community by making most of them
DVD-ROM only.
Menu
The menu is built upon stills from the film, and it
is 16x9 enhanced. The tradition for ugly and hard-to-navigate menus on
Universal discs continues.
Cast & Crew Biographies
Biographies are provided for Brendan Fraser,
Sarah Jessica Parker, Alfred Molina, Eric Idle, Alex
Rocco, Robert Prosky, and director Hugh Wilson. They
are reasonably extensive, but the print is rather small.
Production Notes
These notes provide a description of what motivated
the film's production and the technical challenges it presented.
DVD-ROM Content
This appears to merely be a mirror of the film's
website, which makes me wonder why the hell it is included on the DVD
in the first place. This could have been put to far better use by including
an alternate version of the film where Sarah Jessica Parker is replaced
by something pleasant to look at.
R4 vs R1
The Region 4 version of this disc misses out on;
-
DTS Soundtrack (encoded at 768 Kb/s instead of the traditional 1536 Kb/s)
There is nothing that would lead me to recommend either
version over the other, as the DTS soundtrack reportedly sounds little
different from the Dolby Digital soundtrack, and on-the-fly switching for
comparison is not possible.
Summary
Picture Dudley Do-Right riding a horse
against an army of tanks and infantry with machine guns. Like a lot of
traditional comic book heroes from the past being brought into the present,
it just doesn't work. The DVD is just fine.
The video quality is almost reference material.
The audio quality is somewhat limited in presence,
but the fidelity is fine.
The extras are pretty ordinary.
Video |
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Audio |
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Extras |
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Plot |
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Overall |
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© Dean McIntosh (my bio
sucks... read it anyway)
May 31, 2000.
Review Equipment
|
|
|
DVD |
Toshiba SD-2109, using S-video output |
Display |
Samsung CS-823AMF (80 cm), 16:9 mode/4:3 mode, using
composite and S-video inputs |
Audio Decoder |
Built In (Amplifier) |
Amplification |
Sony STR-DE835 |
Speakers |
Panasonic S-J1500D Front Speakers, Philips PH931SSS Rear
Speakers, Philips FB206WC Centre Speaker, JBL Digital 10 Subwoofer |