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Category | Action | Theatrical Trailer(s) | El Mariachi:
Yes, 1 - 1.33:1, non-16x9, Dolby Digital 2.0 Desperado: Yes, 1 - 1.33:1, non-16x9, Dolby Digital 2.0 |
Rating | Other Trailer(s) | El Mariachi:
No Desperado: Yes, 1 - Dolby Digital City |
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Year Released | El Mariachi:
1993 Desperado: 1995 |
Commentary Tracks | El Mariachi:
Yes, 1 - Robert Rodriguez (Director) Desperado: Yes, 1 - Robert Rodriguez (Director) |
Running Time | El Mariachi:
78:12 minutes Desperado: 100:17 minutes |
Other Extras | El Mariachi:
Featurette - The Ten Minute Film School (14 mins) Filmographies - Cast and Crew Short Film - Bedhead (10 mins) Desperado: Featurette - Ten More Minutes: An Anatomy of a Shootout (10 mins) Filmographies - Cast and Crew Music Videos, 2 - Los Lobos with Antonio Banderas Morena De Mi Corazon and Tito & Tarantula Back To The House That Love Built |
RSDL/Flipper | No/No |
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Start Up | Menu | ||
Region | 2,4 | Director | Robert Rodriguez |
Distributor |
Columbia TriStar |
Starring | El Mariachi:
Carlos Gallardo Consuelo Gomez Peter Marquardt Desperado: Antonio Banderas Joaquim De Almeida Salma Hayek Steve Buscemi Cheech Marin Quentin Tarantino |
Case | Transparent Amaray | ||
RRP | $34.95 | Music | El Mariachi:
Marc Trujillo, Alvaro Rodriguez, Chris Knudson, Cecilio Rodriguez and Eric Guthrie Desperado: Los Lobos |
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Pan & Scan/Full Frame | No | MPEG | None |
Widescreen Aspect Ratio | El Mariachi:
1.78:1 Desperado: 1.78:1 |
Dolby Digital | El Mariachi:
2.0 Desperado: 5.1 |
16x9 Enhancement | El Mariachi:
Yes Desperado: Yes |
Soundtrack Languages | El Mariachi:
Spanish (Dolby Digital 2.0, 256 Kb/s) German (Dolby Digital 2.0, 256 Kb/s) English Audio Commentary (Dolby Digital 2.0, 256 Kb/s) Desperado: English (Dolby Digital 5.1, 384 Kb/s) German (Dolby Digital 5.1, 384 Kb/s) English Audio Commentary (Dolby Digital 2.0, 192 Kb/s) |
Theatrical Aspect Ratio | El Mariachi:
1.66:1 Desperado: 1.85:1 |
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Macrovision | Yes | Smoking | Yes |
Subtitles | El Mariachi:
English Spanish German Czech Danish Finnish Greek Hebrew Hindi Hungarian Icelandic Norwegian Polish Swedish Turkish Desperado: as above except delete Spanish (!) |
Annoying Product Placement | No |
Action In or After Credits | No |
Desperado picks up a little while later. The Mariachi (now played by Antonio Banderas), after having witnessed the murder of his woman and losing his ability to play the guitar, is walking the streets. Bitter, and thirsty for revenge, he wanders into a town that looks exactly the same [it was shot in the same place], but Rodriguez never specifies any time or location so that's all fine. Along for the ride are the Mariachi's trusted partner (Steve Buscemi) and a new lover in the form of Salma Hayek, who is still in my opinion one of the single most overrated actors I have ever seen. Thankfully, her part in the film is quite minimal in terms of plot impact, but by the time the film is over, I was sorely wishing Navajas would rise from the dead to stick a few throwing knives in her. If I were the Mariachi, in fact, I would have thanked her for her surgical efforts by beating her to death. A terrible case of miscasting and poorly conceived lines, in any case. Cheech Marin puts in a great performance as a bartender loyal to local drug lord Bucho (Joaquim De Almeida). However, in this film the show is truly stolen by the knife-throwing Navajas (Danny Trejo, the Spanish Empire's answer to Arnold Schwarzenegger). This is a film where the saying "actions speak louder than words" really becomes true.
Video - Desperado
There is one moderate MPEG artefact that you really can't miss in this presentation of the film. As the Mariachi walks along the bar to stop a patron from causing trouble, his outline blends and blurs into the lights on the wall behind him. Annoying, sure, but given that the rest of the film is almost perfectly faultless, I wouldn't sweat it. You may notice the occasional film-to-video spot in some frames of either film, but I've yet to see a pre-1998 DVD that doesn't contain the occasional artefact of this kind.
As I mentioned, this disc is a flipper. While it is probably the only flipper in existence that justifies its existence as a flipper, it is a fingerprint magnet, and will need constant cleaning. I advise keeping a Chux handy whenever you plan on viewing either film on this disc.
Audio - Desperado
The audio on this film is presented in Dolby Digital 5.1, which really does the butt-kicking gunshots and (especially) the knife-impact sounds real justice. Again, we are presented with a choice of two languages - this time English or German. Curiously enough, subtitles for the people of the country where Rodriguez got his start are completely absent, as is an audio track. I doubt there's that many people in Region 4 who speak Spanish as their only language but it would have been nice to hear some of the dialogue in what is inarguably the most threatening-sounding of the four acknowledged Latin-based languages (the others are English, Italian, and French in case you don't already know). Hell, the audio for the entirety of the film itself could have been crap and it still would have attracted a rave review from me as long as the song that accompanies the credits was well presented. Spanish is such a wonderful language truly designed to accompany the guitar.
Theatrical Trailers
While the trailer for El Mariachi is somewhat plain and grainy, it still makes a nice bonus. The trailer for Desperado is just typical Hollywood wankery. Both are presented in the standard ratio of 1.33:1 with stereo sound. Nothing to get excited about, but certainly nothing to spew about either.
Featurettes
I'll save us some time and combine my thoughts on the featurettes into the one heading. Bedhead apparently won some awards, although I suspect they were for the typical trickiness that Rodriguez injected into them. I see little to rave about with that one, but that's because it looks like it was shot on similar budget constraints to one of my home movies. The Ten Minute Filmschool spends fifteen minutes explaining exactly how the director managed to get such a great look out of a film which cost him less than a new car would. I think the blowhards who created The Blair Witch Project could learn a thing or two from Rodriguez, it's that interesting. Ten Minutes More: Anatomy Of A Shootout explains how the director conceived and rehearsed what I believe to be one of the most anarchic shootout sequences in film history. The films in question might just be two more action films, but they're two of the best-made action films in history, and the making-of featurettes reflect this very well. All of them are presented in full-screen, 4:3 format with stereo sound, a nice change from most other featurettes of their kind.
Director's Commentary - Robert Rodriguez (Director/Editor/etc)
Robert is a delight to listen to, especially if you have any interest in film-making techniques. Having been blown away by some of the most expensive and thorough effects in film history midway through 1999, it was fun to hear about some of the most low-key ones in the history of filmmaking. Unlike some films that have some of the most boring and masturbatory commentaries I've ever heard (Matrix, anyone?), I find the commentaries (especially the one for El Mariachi) as much fun as the films themselves. I've only ever listened to one other commentary track that I like this much, and it isn't available in Region 4 yet.
The video quality on both films is exemplary except for one small problem about eight minutes into Desperado. The quality of El Mariachi is better than anyone has any right to expect.
El Mariachi's audio quality is somewhat substandard, but what can you expect when it was recorded on a Radio Shack mono unidirectional microphone? As for Desperado, anyone who loves the way Spanish musicians play a song will be in heaven. The other sounds are on the same par.
As for the extras, well, they bring a whole new meaning to the argument that DVDs store and deliver much more for your buck. There's thirty-five dollars worth of entertainment in the extras section alone.
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DVD | Grundig GDV 100D |
Display | Panasonic 51cm and 68cm televisions |
Audio Decoder | None |
Amplification | Sony STR-DE535 |
Speakers | Pioneer SJ-1500D, set of five with garage-built subwoofer comprised of salvaged Sony woofer and Samick bass amplifier components |