Five Easy Pieces


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Details At A Glance

 
General
Extras
Category Drama Theatrical Trailer(s) None
Rating Other Trailer(s) None
Year Released 1970 Commentary Tracks None
Running Time 94:14 minutes Other Extras Cast & Crew Bios
RSDL/Flipper No
Cast & Crew
Start Up Menu
Region 2,4 Director Rob Rafelson
Studio
Distributor

Columbia TriStar
Starring Jack Nicholson
Karen Black
Susan Anspach
RRP $34.95 Music Tammy Wynette

  
Video
Audio
Pan & Scan/Full Frame No MPEG None
Widescreen Aspect Ratio 1.78:1 Dolby Digital 2.0
16x9 Enhancement Yes Soundtrack Languages English (Dolby Digital 2.0 mono, 192 Kb/s) 
French (Dolby Digital 2.0 mono, 192 Kb/s)
German (Dolby Digital 2.0 mono, 192 Kb/s)
Italian (Dolby Digital 2.0 mono, 192 Kb/s)
Spanish (Dolby Digital 2.0 mono, 192 Kb/s)
Theatrical Aspect Ratio 1.85:1
Miscellaneous
Macrovision Yes Smoking No
Subtitles English
German
French
Dutch
Spanish
Italian
Portuguese
Arabic
Czech
Danish
Finnish
Greek
Hebrew
Hindi
Hungarian
Icelandic
Norwegian
Polish
Swedish
Turkish
Annoying Product Placement No
Action In or After Credits Yes

Plot Synopsis

    Before technology allowed film makers to construct outlandish, over-the-top mega productions where you just stare at the screen and throw popcorn down your throat, movies had to have a point. They had to have intelligent dialogue, and make you think. Actors had to actually act.

    One of the better actors of the last thirty years is Jack Nicholson. Between the late sixties and the early eighties, he actually gave his performances a soul, and made them believable. In Five Easy Pieces he gives a performance which earned him an Oscar nomination, and rightly so. Here is a man out of joint. He is intelligent, musically gifted and comes from a wealthy family. Yet, he drifts from job to job, and has an dim girlfriend (Karen Black) who spends most of her time just annoying him. When he learns his father is dying, he is confronted by a way of life he left behind.

    This movie runs at a nice, relaxed pace, reflecting the outlook of Jack's character Robert Dupea. There is no rush, just an examination of people and their ways. Indeed, the movie ends as it begins, and we are simply given a brief look at his life, with no actual closure. I enjoyed this movie and found it refreshing.

Transfer Quality

Video

    This is an excellent transfer for a film of this vintage, and only the most pedantic viewers would have cause for complaint.

    The transfer is presented in an aspect ratio of 1.78:1 and it is 16x9 enhanced. Some scenes do appear a little cramped, suggesting that the theatrical ratio may be wider than is presented here.

    The image is generally sharp. Detail is of course not up to today's transfers, but this is to be expected. Shadow detail is very good. There was little to no low-level noise. There was a hint of edge enhancement.

    The colours are slightly muted, but nevertheless very natural in appearance. Flesh tones seemed a little pale at times, but were generally well rendered.

    There were no MPEG artefacts during this movie, and this is a fine compression.

    Film artefacts are infrequent, and include the odd scratch and fleck of dirt. Of some disturbance are a multitude of vertical lines running down the entire screen between 61:18 and 61:49. Also, there is some luminance pulsing around 89:13. These can be easily forgiven given that this movie is 30 years old. Film-to-video artefacts are non-existent. There is no aliasing at all during this movie, which is always appreciated. Aspects of this transfer would put some contemporary transfers to shame!

Audio

    The soundtrack is unremarkable mono and often sounds distorted.

    There are five audio tracks: English Dolby Digital 2.0; French Dolby Digital 2.0; German Dolby Digital 2.0; Italian Dolby Digital 2.0 and Spanish Dolby Digital 2.0. All soundtracks are mono. I listened to the default English track.

    Dialogue was at times quite difficult to make out, especially early on in the movie. It did improve however, and was generally clear afterwards.

    There were no significant problems with audio sync apart from the occasional ADR re-recording.

    Credits for the music are given to various pianists, and Tammy Wynette, who graces us with some of her country-style music. This is essentially a dialogue driven movie, and I did not note much incidental music other than piano work actually played by characters in the movie themselves.

    The soundtrack is distinctly mono, and sounds very thin and compressed. High frequencies are often harsh, and there is no depth or presence to the soundtrack at all. Again, this movie was made thirty years ago, so no real complaints from me.

    The subwoofer was weeping to itself in the corner, feeling very left out.

Extras

    Nothing to see here. The packaging suggests extra trailers, however there are none.

Menu

    The static menu design is appropriately themed for the movie, and is not 16x9 enhanced.

Cast & Crew Biographies

R4 vs R1

    The R1 version is not available at the time of writing. It is slated for release on 14th December 1999. The R4 version is therefore preferred at this time.
[Ed. The announced features for this DVD in R1 are; Theatrical Trailer, Full Frame and Widescreen Anamorphic Version, Production Notes and Biographies. There is no particular reason to prefer either version of this DVD.]

Summary

    A very good dialogue driven movie. Yes - a dialogue driven movie. Rare these days, I know. I quite enjoyed Jack Nicholson's performance, and prefer his early and untainted work.

    The video quality is excellent given the age of the movie.

    The audio quality is poor.

    No extras apart from bios.

Ratings (out of 5)

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© Paul Cordingley
30th November 1999
Review Equipment
   
DVD Panasonic A350A; S-Video output
Display Pioneer SD-T43W1 125cm Widescreen 16x9
Audio Decoder Internal Dolby Digital 5.1 (DVD Player)
Amplification Sony STRDE-525 Dolby Pro-Logic / 5.1 Ready Receiver, 4 x Optimus 10-band Graphic EQ
Speakers Centre: Sony SS-CN35 100 watt, Main/Surrounds: Pioneer CS-R390-K 150-watt floorstanders, Subwoofer: Optimus 100-watt passive