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Category | Drama | Theatrical Trailer(s) | Yes, 1 |
Rating | Other Trailer(s) | Yes, 1 - Columbia Tristar DVD Promo | |
Year Released | 1990 | Commentary Tracks | None |
Running Time | 110 minutes | Other Extras | Cast & Crew Filmographies |
RSDL/Flipper | No/No |
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Start Up | Menu | ||
Region | 4 | Director | Joel Schumacher |
Distributor |
Columbia Tristar |
Starring | Kiefer Sutherland
Julia Roberts Kevin Bacon William Baldwin Oliver Platt |
Case | Transparent Amaray | ||
RRP | $34.95 | Music | James Newton Howard |
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Pan & Scan/Full Frame | None | MPEG | None |
Widescreen Aspect Ratio | 2.35:1 | Dolby Digital | 2.0 |
16x9 Enhancement | Yes | Soundtrack Languages | English (Dolby Digital 2.0 )
French (Dolby Digital 2.0 ) |
Theatrical Aspect Ratio | 2.35:1 |
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Macrovision | Yes | ||
Subtitles | English
French Dutch Arabic |
Smoking | Yes |
Flatliners is fundamentally a "what-if" movie - What if you could stop your heart and experience clinical death? What if you could be revived and live to tell about the experience? Five medical students do exactly that - Nelson (Kiefer Sutherland), Joe (William Baldwin), Labraccio (Kevin Bacon), and Rachel (Julia Roberts) all "flatline" for increasing periods of time whilst Steckle (Oliver Platt) looks on.
The events that occur before, during and after they "flatline" make for a riveting two hours. Excellent cinematography and music help set the mood. Even Julia Roberts, whom I despise with a vengeance, is tolerable in this movie, mainly because she doesn't say very much.
The transfer is presented at an aspect ratio of 2.35:1, 16x9 enhanced.
The transfer was sharp and clear throughout. Shadow detail was excellent, and no low level noise was apparent.
The colours were well rendered at all times. In particular, many scenes were very strongly blue-lit, and these were all clear and free of noise.
No MPEG artefacts were seen. Film-to-video artefacts consisted of a few wobbles in the picture early on, though this is more likely to be a part of the original film rather than an artefact as such. Film artefacts were virtually non-existent, an excellent characteristic of this transfer.
Dialogue was hard to hear at times, particularly early on in the movie, where ambient music tended to drown it out. This improved towards the latter part of the movie, but nonetheless remained somewhat muffled throughout. This was a significant problem with this transfer, though not a truly bad problem. This movie, whilst not being totally dialogue-driven, nonetheless relies heavily on dialogue, so unintelligible dialogue is a real issue. Having said that, however, the movie is credited as being created in Dolby Stereo, so we have been treated to a remix which sounds much better than the original audio as seen on the Theatrical Trailer.
There were no audio sync problems.
The score by James Newton Howard was basically an ambient score, and in conjunction with the excellent cinematography was superb in creating the appropriate atmosphere.
The surround channel was used for music, and was moderately enveloping at these times. Frequently, however, the surrounds fell silent, and there was little to no ambient background sound in this channel. As mentioned above, at times, the surround sound tended to drown out the dialogue, but this never became a major issue.
The .1 channel received signal from my surround processor, and there was lots of bass in the music mix being sent to the subwoofer.
The video quality is very good, especially considering the film's age.
The audio quality is acceptable, though a significant amount of dialogue is hard to hear which is a pity.
The extras are limited but acceptable.
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Extras | |
Plot | |
Overall |
© Michael Demtschyna
21st April 1999
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DVD | Pioneer DV-505, using S-Video output |
Display | Loewe Art-95 95cm direct view CRT in 16:9 mode, via the S-Video input. Calibrated with the NTSC DVD version of Video Essentials. |
Audio Decoder | Denon AVD-2000 Dolby Digital AddOn Decoder, used as a standalone processor. Calibrated with the NTSC DVD version of Video Essentials. |
Amplification | 2 x EA Playmaster 100W per channel stereo amplifiers for Left, Right, Left Rear and Right Rear; Philips 360 50W per channel stereo amplifier for Centre and Subwoofer |
Speakers | Philips S2000 speakers for Left, Right; Polk Audio CS-100 Centre Speaker; Apex AS-123 speakers for Left Rear and Right Rear; Yamaha B100-115SE subwoofer |