The General


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Details At A Glance

General
Extras
Category Comedy Theatrical Trailer(s) None
Rating Other Trailer(s) None
Year Released 1927 Commentary Tracks None
Running Time 74:56 minutes Other Extras Biographies - Cast
Short Feature Film - Cops
RSDL/Flipper No/No
Cast & Crew
Start Up Menu
Region 2,4 Director Buster Keaton
Clyde Bruckman
Studio
Distributor

Force Video
Starring Buster Keaton
Marion Mack
Glen Cavender
Jim Farley
Frederick Vroom
Joseph Keaton
Case Transparent Amaray
RRP $29.95 Music -

 
 
Video
Audio
Pan & Scan/Full Frame Full Frame MPEG None
Widescreen Aspect Ratio None Dolby Digital 2.0
16x9 Enhancement No Soundtrack Languages English (Dolby Digital 2.0 mono, 224 Kb/s)
Theatrical Aspect Ratio 1.33:1
Miscellaneous
Macrovision ? Smoking Yes
Subtitles None Annoying Product Placement No
Action In or After Credits No

Plot Synopsis

    Well, once again Force Video have come up with a classic in the annals of cinema history - and this time they venture to the United States and resurrect possibly the classic of classics from the immortal Buster Keaton. Just how good is this film? The last time I checked, the Internet Movie Database had it ranked #69 in the Top 250. As you check resources you will also be amazed that people believe that the American Film Institute was very remiss in not including this film in their Top 100 films of all time. Not bad for a film from 1927! And even today, this can still raise a genuine laugh - which is more than many modern comedies can do, and all on the strength of visual humour, since we are talking the silent era here.

    Johnnie Gray (Buster Keaton) is an engineer on the Western & Atlantic Rail Road, aboard his beloved #3 The General, during the American Civil War. Whilst visiting his beloved Annabelle (Marion Mack) in Marietta, the news arrives that the Union have attacked Fort Sumter and the rush is on to enlist in the southern forces. Johnnie tries (repeatedly) but is rejected as he is of more worth as an engineer on the railroad than as a soldier. Unfortunately his beloved Annabelle is none too impressed when she finds out and says she will never speak to him until he gets a uniform. Fast forward a year and Annabelle is on the train, with The General leading, heading to see her injured father when the train is hijacked by northern spies - with Annabelle in a freight car. Johnnie heads off in hot pursuit on a variety of vehicles, only to find himself in enemy territory. Lost, lonely and hungry, he breaks into a house, which just so happens to be the bivouac of the Union generals. Whilst gathering food, and hiding under a table, Johnnie hears the north's plans for a raid, as well as finds his beloved Annabelle captured. He rescues Annabelle and heads off south on a riotous chase to warn the southern forces.

    Whilst this is a fairly simple story line, like so many of Buster Keaton's films, there is no denying that this is a very funny film - even 72 years on. You may know what is coming, but Buster Keaton does it all with such style that you still laugh anyway. And there is no doubt that he was a master of visual comedy, for how else would films such as this still raise a laugh? You can even take the fun in the names of the characters in stride. What makes it even more remarkable is that it really is not a pure comedy; this is actually based upon a real story, with a suitably comical bent put to it by Buster Keaton. The General is one of the longer silent films of Buster Keaton but it never lets up from start to finish. It must have had a fairly sizeable budget, for there are no less than three steam locomotives used in the film and the cast must have numbered in the several hundreds. And it features one of the more impressive train crashes committed to film, that still looks damn good today. Whilst there is no doubt who the star of the film is, the supporting cast performed their roles admirably, and the direction was surprisingly tight for its day. All in all, this is a damn fine film that has held its age pretty well and is still enjoyable.

Transfer Quality

Video

    Well, of course being seventy two years old this has every right to be somewhat less than perfect. So yes there are flaws, but overall I felt that this was a surprisingly decent transfer.

    The transfer is presented in an aspect ratio of 1.33:1.

    If the term "sepia toned" means little to you, it will after you have seen this film. Something approaching true black and white is reserved for night scenes, and most of the film is sepia toned. Overall, the general transfer is reasonably bright, and certainly not a murky transfer at all, with more definition than I was expecting. Unfortunately, there was a degree of variability to the transfer but this never descended into anything that I would remotely call shocking. It is however not an especially sharp transfer. Shadow detail is, as to be expected, reasonably poor, and thankfully most of the film is set in bright daylight. This is also far less susceptible to editing jumps than other films I have seen.

    As I said, this black and white transfer is sepia toned which is not too unpleasant a view once you get used to it (I have not seen such a film for quite some time). There is a degree of depth to the transfer that is somewhat better than the previous Force Video efforts that I have seen. The nighttime scenes in definite black and white come up very vibrantly in comparison, although a little depth is lost in doing so.

    There did not appear to be any significant MPEG artefacts. Film-to-video artefacts were not a problem either. However, there are, as to be expected, plenty of film artefacts, mainly blotches on the print which I believe (and some one who is more knowledgeable will not doubt correct me if I am incorrect) is the result of mildew. Overall though, I found these blotches less annoying than perhaps I should have. There were no really grotesque scratches, dirt marks or breaks that have been a problem on other black and white transfers of the era.

Audio

    A silent film, and you want audio demonstration? From the height of the silent film, the accompanying orchestral sound is none too shabby.

    There is only one soundtrack on the DVD, an English Dolby Digital 2.0 mono soundtrack.

    Dialogue, what dialogue? It may help if you can lip read though.

    And you are never going to get that music into sync with the lips, no matter what you do!!

    The musical contribution to the film is uncredited, but it is suitably evocative through the use of well know tunes associated, correctly or otherwise, with the civil war.

    This is quite a decent mono soundtrack and the music comes through quite nicely, without being too "present" and distracting from the film.

Extras

    And even Eureka Video (through Force Video) have worked out what the word "extras" means.

Menu

    The standard menu design adopted for most of these releases by Eureka Video (through Force Video).

Biographies - Crew

    Actually only a biography for Buster Keaton, and somewhat lacking in length and detail.

Short feature film - Cops

    And here we have the special of the package. This is another film from Buster Keaton, albeit of a very slightly earlier vintage (coming from 1922), running just over eighteen minutes. It is presented in the obligatory 1.33:1 aspect ratio with Dolby Digital 2.0 mono sound. What makes this so special, apart from being another dose of Buster Keaton, is the fact that this is a surprisingly fine transfer. Indeed, apart from a minute or so between 9:00 and 10:00, where there were extensive film artefacts, this is an almost unblemished transfer. Quite crisp black and white, that really does stand out from the main feature; if all films of this era were of the same quality we would be very delighted indeed. The story is quite comical if a little predictable, but well worth a watch. This is a nice, imaginative addition to the package.

R4 vs R1

   The Region 4 version misses out on:    The Playhouse is another Buster Keaton short feature from 1921, running about twenty three minutes. On the presumption that the transfer quality is similar, this additional short feature would have to tip the scales in favour of the Region 1 version I would reluctantly suggest.

Summary

    The General is definitely an important film that holds up surprisingly well for its age. The transfer was somewhat better than I expected and it is a genuinely funny film. My father watched his first DVD by watching this and he thoroughly enjoyed it, commenting upon how relatively clean the transfer was for its age. This would rate as the best of the Force Video films from the silent era that I have seen to date. Damn glad to add this one to the collection and I would encourage all to check this out - it deserves to be in every Top 100 list.

    The overall video quality is surprisingly good for a film of this vintage.

    The overall audio quality is good for a film of this vintage.

    Whilst there is still room to improve, this is a good extras package.

Ratings (out of 5)

Video
Audio
Extras
Plot
Overall

© Ian Morris
30th November 1999

Review Equipment
   
DVD Pioneer DV-515; S-video output
Display Sony Trinitron Wega 84cm. Calibrated with the NTSC DVD version of Video Essentials.
Audio Decoder Built in
Amplification Yamaha RXV-795. Calibrated with the NTSC DVD version of Video Essentials.
Speakers Energy Speakers: centre EXLC; left and right EXLR; and subwoofer ES-12XL