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Category | Comedy/Horror | Theatrical Trailer(s) | Yes, 1 - 1.33:1, not 16x9 enhanced, Dolby Digital 2.0 |
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Other Trailer(s) | Yes, 1 - Dolby Digital City |
Year Released | 1989 | Commentary Tracks | None |
Running Time | 103:57 minutes | Other Extras | Biographies - Cast and Crew |
RSDL/Flipper | No/No |
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Start Up | Menu | ||
Region | 2,4 | Director | Ivan Reitman |
Distributor |
Columbia TriStar |
Starring | Bill Murray
Dan Aykroyd Sigourney Weaver Harold Ramis Rick Moranis Ernie Hudson Annie Potts |
RRP | $34.95 | Music | Randy Edelman |
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Pan & Scan/Full Frame | No | MPEG | None |
Widescreen Aspect Ratio | 2.35:1 | Dolby Digital | 5.1 |
16x9 Enhancement | Yes | Soundtrack Languages | English (Dolby Digital 5.1, 384 Kb/s)
French ( Dolby Digital 2.0 , 192 Kb/s) German (Dolby Digital 2.0 , 192 Kb/s) Italian (Dolby Digital 2.0 , 192 Kb/s) Spanish (Dolby Digital 2.0 , 192 Kb/s) |
Theatrical Aspect Ratio | 2.35:1 |
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Macrovision | Yes | Smoking | No |
Subtitles | English
French German Italian Spanish Dutch Arabic Czech Danish Finnish Greek Hebrew Hindi Hungarian Icelandic Norwegian Polish Portuguese Swedish Turkish |
Annoying Product Placement | No |
Action In or After Credits | Yes, in credits |
Torn apart by the ramifications of their exploits in Ghostbusters, the members have gone their slightly separate ways. Peter Venkman (Bill Murray) is the host of a hokey television show "World of the Psychic"; Egon Spengler (Harold Ramis) is undertaking some quasi serious scientific research; Raymond Stantz (Dan Aykroyd) runs "Ray's Occult Books" and does children's parties as "The Ghostbusters" with Winston Zeddemore (Ernie Hudson) as a sideline; and Dana Barrett (Sigourney Weaver) is now a single mother earning a crust as an art restorer whilst trying to get back into an orchestra. But this is New York and even for that town, weird things start to happen again to Dana, so naturally she calls her old friends to explain things. As they begin to investigate, they start to uncover all sorts of ghoulish delights under the streets of Manhattan, mostly connected to the attempts of Vigo the Carpathian to return to this mortal coil after being trapped in some hinterland of ghosts since his demise, in multiple ways, in 1610 - his current form being in a painting being restored at the museum where Dana works.
Ivan Reitman has distinguished Ghostbusters II from the original Ghostbusters by emphasizing a single ghoulish entity with a few minor helpers rather than having multiple ghostly entities, and to a large extent that is why the film works quite well. The material however is not quite as good as the original, giving less for the main cast to work with. Nonetheless, Bill Murray, Harold Ramis, Dan Aykroyd and Sigourney Weaver do a pretty good job with what is on offer. Because of the fundamental difference in the film, there are less special effects to drool over than in the original film, but what is on offer comes over in a very believable way (inasmuch as anything is believable in the film!), indicating the quality of the effects work.
The video transfer is presented at an aspect ratio of 2.35:1, and it is 16x9 enhanced.
The transfer is very sharp and clear throughout, with some nice definition; frankly the clarity on offer here leaves a lot of recent films for dead. Indeed, this transfer gives the impression of this being a much more recent film than it is and really highlights the superb job that Columbia TriStar are in general doing with their transfers. Shadow detail could not quite compete with the very best of recent films, but is never less than good.
Colours are very well rendered, and are very vibrant in their way. Whilst the colours generally are not flashy or gaudy, they are not oversaturated and have a very nice look to them, that comes across in a very believable manner.
There were no MPEG artefacts seen and if there were any video artefacts, then I missed them. With a ten year old film I was sort of expecting a bundle of film artefacts, and am pleased to report their almost total absence - and even those that were present were not especially noticeable and at no time a distraction to the film.
There are five soundtracks on the DVD. The default track is English Dolby Digital 5.1 with the balance being Dolby Digital 2.0 surround-encoded tracks in French, German, Italian and Spanish. I listened to the default English Dolby Digital 5.1 soundtrack.
Dialogue was clear and easy to understand at all times.
There did not seem to be any audio sync problems at all with the transfer.
The music score to the film comes from Randy Edelman, and whilst being rather derivative from the original film, is not too bad and contributes as much as it needs to the film.
The remastered 5.1 soundtrack is especially noticed in the surround channel detail, although I have to say that I felt that the surround channels, most noticeably the rear channels, have been mixed just a little on the quiet side. Not a big issue, and they certainly do not lack detail at all. The resultant soundscape however is just a little more frontal than I would have liked or expected. At one point around the 71:10 mark it did sound as if the 5.1 soundtrack dropped out to a 2.0 soundtrack, but this is again not an especially big issue as it came during a dialogue sequence.
The subwoofer gets some good workout here, although even in my newly recalibrated system the bass was just a little overstrong: however, my views on bass differ to most peoples, and therefore most will probably not have any sort of problem with the mix at all.
A wonderfully remastered video transfer.
A very good quality audio transfer.
A not too inspiring collection of extras, but since I (and presumably Columbia TriStar) suspect that most will buy this in conjunction with Ghostbusters, can be lived with thanks to the great transfer.
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© Ian Morris
12th October 1999
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DVD | Pioneer DV-515; S-video output |
Display | Sony Trinitron Wega 84cm |
Audio Decoder | Built in |
Amplification | Yamaha RXV-795 |
Speakers | Energy Speakers: centre EXLC; left and right EXLR; and subwoofer ES-12XL |