GoldenEye


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Details At A Glance

General
Extras
Category Bond Theatrical Trailer(s) Yes, 1
Rating Other Trailer(s) None
Year Released 1995 Commentary Tracks Yes, 1 - Martin Campbell (Director) and Michael G. Wilson (Producer)
Running Time 125 minutes Other Extras Booklet
RSDL/Flipper No/No
Cast & Crew
Start Up Menu
Region 4 Director Martin Campbell
Studio
Distributor

Warner Brothers
Starring Pierce Brosnan
Sean Bean
Izabella Scorupco
Famke Janssen
Joe Don Baker
RRP $34.95 Music Eric Serra

 
Video
Audio
Pan & Scan/Full Frame No MPEG None
Widescreen Aspect Ratio 2.35:1 Dolby Digital 5.1
16x9 Enhancement Yes Soundtrack Languages English (Dolby Digital 5.1)
English Audio Commentary (Dolby Digital 2.0)
Theatrical Aspect Ratio 2.35:1    
Macrovision ?    
Subtitles English
English for the Hard of Hearing
   

Plot Synopsis

    GoldenEye is classic Bond. All of the appropriate elements are here - a suave, sophisticated, wise-cracking Bond (Pierce Brosnan), a suitably glamorous femme fatale (Xenia Onatopp - Famke Janssen) who has somewhat of a 'crush' on Bond, a bevy of beauties with one main squeeze (Natalya Simonova - Izabella Scorupco), a nasty villain (Alec Trevelyan - Sean Bean), a world-threatening plot (GoldenEye), M (Judy Dench), Q (Desmond Llewelyn), gadgets, and spectacular stunt sequences.

    The basic premise of GoldenEye is that the Soviet Union has a space-based weapon which has the capacity to knock out all electronic devices in a targeted area of the Earth. Of course, the key to this weapon falls into the wrong hands, and it is up to Bond, James Bond, to save the day, all without a hair out of place or messing up his suit.

    In my opinion, this is a better movie than the other Bond movie currently available in Region 4, Tomorrow Never Dies. The cracking pace of the spectacular and way over the top opening sequence is kept up pretty much all of the way throughout, and we are given little time to recover from one action sequence before we are plunged into the next.

    My personal favourite sequences from this movie were the tank sequence, where Bond drives over the police cars, and the sequences involving the wicked-looking armoured train.

Transfer Quality

Video

    The video transfer of this movie is essentially perfect. Like Tomorrow Never Dies, this is also a reference quality disc in the video department. Indeed, I can duplicate large slabs of text between these two reviews, as they are both superb discs.

    The transfer is presented at an aspect ratio of 2.35:1, 16x9 enhanced. The DVD cover indicates incorrectly that this disc is formatted at an aspect ratio of 1.85:1.

    The transfer was razor sharp and crystal clear. I felt that a few of the scenes with copious amounts of haze in them were very slightly grainy, but this was nit-picking. Shadow detail was spot on at all times. No low level noise was apparent.

    The colours were beautifully rendered and consistent throughout the entire movie.

    No MPEG artefacts were seen. Film-to-video artefacts were not a problem with this transfer. Even scenes which can cause aliasing problems were impeccably transferred. There was trivial aliasing seen on one shot of the grille of Bond's Aston-Martin, but that was about the extent of it. Film artefacts were extremely rare and pretty much went unnoticed.

Audio

    There are two audio tracks on this DVD, the default English Dolby Digital 5.1, and an alternative English Audio Commentary Track, in Dolby Digital 2.0.

    Dialogue was always very clear and easy to understand.

    There were no audio sync problems at all with this disc.

    The music by Eric Serra is suitably Bond, ranging from sophisticated background music to exciting chase sequence music. The musical score frequently underscores the on-screen action. Of particular note, the opening theme song, GoldenEye, by Tina Turner is more in keeping with the Bond style than is the opening theme song of Tomorrow Never Dies.

     The surround channels were aggressively used for music and special effects. I felt that the only improvement that could have been made to this soundtrack was to add in more surround ambience. I felt that some non-action scenes lacked a little in this aspect. Otherwise, this is a superbly enveloping and aggressively directional surround mix.

    The .1 channel was often used for the numerous special effects and for the music. You can expect complaints from the neighbours with this soundtrack, since there are a lot of crashes, gunshots and explosions to give the subwoofer a decent workout.

Extras

    There are a reasonable selection of extras on this disc.

Menu

    The menu design is very plain, but straightforward to navigate. There is an option under the Special Features called Film Soundtrack. This appears to do nothing except start the movie with the normal English 5.1 soundtrack and with subtitles on. I can only surmise that this indicates that an Isolated Music Score was intended for this DVD but did not make it onto the disc for some reason.

Audio Commentary

    Martin Campbell (Director) and Michael G. Wilson (Producer) provide an excellent commentary track. This is presented as a Dolby Digital 2.0 soundtrack. The two of them discuss the movie in the centre channel with the movie soundtrack mixed in at a low level behind their discussion. Martin Campbell has a lot of interesting things to tell us about this movie, and he tells us about them enthusiastically. There is a minor audio glitch in the commentary track at 116:08 - 116:09.

Theatrical Trailer

    This is present, presented at an aspect ratio of 2.35:1, 16x9 enhanced. Interestingly, the sound mix is Dolby Digital 2.1, with surround-encoded information. This goes to show the importance of the subwoofer to the Bond movie genre, if even the theatrical trailer is specifically encoded to use it.

Booklet

    An 8 page booklet discusses production issues quite extensively and is well worth the reading time.

Summary

    GoldenEye is one of the better Bond offerings, presented on an outstanding DVD. A number of the scenes on this DVD are demo quality material. In fact, it is good enough overall to make it into my Hall Of Fame.

    The video quality is reference quality.

    The audio quality is very near to reference quality.

    The extras present are good, with an excellent audio commentary, but even more would have been welcome.

Ratings (out of 5)

Video
Audio
Extras
Plot
Overall

© Michael Demtschyna
6th February 1999

Review Equipment
DVD Pioneer DV-505, using S-Video output
Display Loewe Art-95 95cm direct view CRT in 16:9 mode, via the S-Video input. Calibrated with the NTSC DVD version of Video Essentials.
Audio Decoder Denon AVD-2000 Dolby Digital AddOn Decoder, used as a standalone processor. Calibrated with the NTSC DVD version of Video Essentials.
Amplification 2 x EA Playmaster 100W per channel stereo amplifiers for Left, Right, Left Rear and Right Rear; Philips 360 50W per channel stereo amplifier for Centre and Subwoofer
Speakers Philips S2000 speakers for Left, Right; Polk Audio CS-100 Centre Speaker; Apex AS-123 speakers for Left Rear and Right Rear; Yamaha B100-115SE subwoofer