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| Category | Thriller | Theatrical Trailer(s) | None |
| Rating |
| Other Trailer(s) | None |
| Year Released | 1997 | Commentary Tracks | None |
| Running Time | 93 minutes | Other Extras | Animated Main Menu
Animated Scene Selections Booklet |
| RSDL/Flipper | No/No |
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| Start Up | Language Selection, then Aspect Ratio, then Menu | ||
| Region | 2,4 | Director | Mikael Saldmon |
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Distributor |
Polygram |
Starring | Morgan Freeman
Christian Slater Randy Quaid Minnie Driver Edward Asner Richard Dysart Betty White |
| Case | Super Jewel | ||
| RRP | $34.95 | Music | Christopher Young |
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| Pan & Scan/Full Frame | Pan & Scan | MPEG | None |
| Widescreen Aspect Ratio | 2.35:1 | Dolby Digital | 5.1 |
| 16x9 Enhancement | Yes | Soundtrack Languages | English (Dolby Digital 5.1)
Spanish (Dolby Digital 5.1) |
| Theatrical Aspect Ratio | 2.35:1 |
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| Macrovision | ? | ||
| Subtitles | English
English for the Hearing Impaired Spanish Dutch |
Smoking | No |
Tom enlists the help of the local sheriff (Randy Quaid), and runs into Karen (Minnie Driver), the obligatory love interest in this story.
They slush around in the rain a lot and lots of shooting and other action ensues. Ho hum.
The transfer is presented at an aspect ratio of 2.35:1, 16x9 enhanced. The disc is a dual layer disc, with a Pan & Scan version of the movie on the other layer of the disc.
The transfer is sharp and clear, though some scenes tended to be a little grainy. Shadow detail was pretty good, especially considering that the majority of this movie takes place in the rain, and in the dark. No low level noise was apparent.
The colours were generally quite muted and had a bluish tinge about them, except for scattered scenes such as in the church where the colours were vibrant and vivid.
No MPEG artefacts were seen. Film-to-video artefacts went unnoticed. Film artefacts were rare.
The dialogue was pretty much always clear and easy to understand, though some words here and there were a little hard to make out.
Significant portions of the audio on this disc are marginally out of sync, though this is only noticeable if you particularly look for this problem.
The score, by Christopher Young, is the usual run-of-the-mill action thriller movie score.
The surround channels were well used for ambience, with the storm mixed all around, and for music and special effects. Overall, it is quite an enveloping soundtrack.
The .1 channel was used moderately heavily, especially towards the end of the movie.
The video quality is pretty good in general, and given that it is 16x9 enhanced, is clearly superior to the Region 1 version.
The audio quality is above average.
The extras are limited.
| Video |  |
| Audio |  |
| Extras |   |
| Plot | |
| Overall | |
© Michael Demtschyna
29th June 1999
Amended 1st July 1999
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| DVD | Pioneer DV-505, using S-Video output |
| Display | Loewe Art-95 95cm direct view CRT in 16:9 mode, via the S-Video input. Calibrated with the NTSC DVD version of Video Essentials. |
| Audio Decoder | Denon AVD-2000 Dolby Digital AddOn Decoder, used as a standalone processor. Calibrated with the NTSC DVD version of Video Essentials. |
| Amplification | 2 x EA Playmaster 100W per channel stereo amplifiers for Left, Right, Left Rear and Right Rear; Philips 360 50W per channel stereo amplifier for Centre and Subwoofer |
| Speakers | Philips S2000 speakers for Left, Right; Polk Audio CS-100 Centre Speaker; Apex AS-123 speakers for Left Rear and Right Rear; Yamaha B100-115SE subwoofer |