K.D. Lang
Harvest Of Seven Years
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Details At A Glance
General
|
Extras
|
Category |
Music Video |
Theatrical Trailer(s) |
None |
Rating |
|
Other Trailer(s) |
None |
Year Released |
1991 |
Commentary Tracks |
None |
Running Time |
71:55 Minutes
(Not 60 Minutes as per packaging) |
Other Extras |
None |
RSDL/Flipper |
No/No |
Cast & Crew
|
Start Up |
Movie |
Region |
2,3,4,5,6 |
Director |
Jim Gable |
Studio
Distributor |
Warner Reprise
Warner Vision |
Starring |
K.D. Lang |
Case |
Super Jewel |
RRP |
$39.95 |
Music |
K.D. Lang |
Video
|
Audio
|
Pan & Scan/Full Frame |
Full Frame |
MPEG |
None |
Widescreen Aspect Ratio |
None |
Dolby Digital |
None |
16x9 Enhancement |
No |
Soundtrack Languages |
English (Linear PCM 48/16 2.0, 1536Kb/s) |
Theatrical Aspect Ratio |
1.37:1 |
Miscellaneous
|
Macrovision |
? |
Smoking |
Yes, sort of |
Subtitles |
None |
Annoying Product Placement |
No |
Action In or After Credits |
No |
Plot Synopsis
K.D. Lang is one of those performers where the
strength of her media image has become somewhat more powerful than the
quality of her performances, although there is no denying that the woman
can sing, and sing well. Perhaps it is the pedestrian style of the music
that leads me to this conclusion, because the slow, lounge chair style
of the songs that she is most famous for certainly doesn't excite me in
any way. In any case, Harvest Of Seven Years, as the title suggests,
is a compilation of seven years from this vocalist's moderately remarkable
career. Specifically, this is a compilation of the first seven years of
her career, with nineteen songs on offer that contain some surprises for
those of us who have grown used to the Lang style as it has been known
since the Ingénue album. An excellent example is the
opening song found on this DVD, Friday Dance Promenade; who
would have thought that this particular lounge singer got her start on
a Country music show? If anything, The Harvest Of Seven Years
will prove to you that K.D. Lang is capable of singing more than
lazily-paced pop songs, even if the pop element never truly goes away.
Okay, I'm not the biggest fan of this woman and her
music, for reasons I just cannot quite put my finger on, but this is certainly
a worthwhile purchase for those of us who seek her video performances in
digital. The tracklisting for this DVD is as follows:
-
Friday Dance Promenade
-
Bopelena
-
Polly Ann
-
Pine & Stew
-
Hanky Panky
-
Johnny Get Angry
-
Don't Be A Lemming Polka
-
Pay Dirt
-
Turn Me Round
-
Three Cigarettes In An Ashtray
-
Crying
-
Turn Me Round (Live At The 1988 Winter Olympics, Calgary Alberta)
-
Honky Tonk Angels
-
Trail Of Broken Hearts
-
Pullin' Back The Reins
-
Crying (Live)
-
Ridin' The Rails
-
So In Love
-
Barefoot
-
End Credits
Okay, so there's really only seventeen
songs once you take out the live versions of songs that exist elsewhere
on the disc in studio form. Perhaps the fact that nineteen songs from my
personal music collection would take a four-hour DVD to store makes me
biased, but there's certainly worse performers that are more highly placed
in the Top 40. If your idea of a good song allows for constant repetition
of the rhythm figure as long as the vocals are well-performed (in other
words, if you are incapable of doing what I call "listening past the top
layer"), then the programme content is certainly worth considering.
Transfer Quality
Video
Considering that the technical specifications of the
disc, as specified on the back of the case, make it clear that this programme
was filmed and produced with VHS in mind, I am amazed that this DVD looks
as good as it does. The transfer is presented Full Frame, and appears to
have been shot with a Betacam recorder a lot of the time, so obviously
it is not 16x9 enhanced. The transfer is clear and reasonably sharp in
that K.D. Lang, who is almost always the main focus of each shot,
can be easily made out. The detail apparent in most shots is somewhat reduced
by the fact that this music video was shot specifically for a low-resolution
medium, but all things considered, what we have here is not too bad at
all. The shadow detail in most of the presentation is poor, with the black
parts of the transfer being just that - large expanses of black with no
detail readily apparent in them. Surprisingly, there did not seem to be
any low-level noise apparent in any part of the transfer.
The colour saturation is really all over the place
in this transfer, with some of the songs exhibiting oversaturation, while
others were perfectly accurate. Johnny Get Angry features
some of the most oversaturated skin tones I have seen in a music video,
whereas Don't Be A Lemming Polka, which follows immediately
afterward, is perfectly smooth and natural where colours are concerned.
This leads me to believe that the occasions of oversaturation in the transfer
are inherent in the source material. Some slight colour bleeding was noted
during the oversaturated portions of the transfer, as well as those which
weren't quite so oversaturated, but this was much better controlled than
I was expecting. Some chroma noise occasionally found its way into long
shots of K.D. Lang with a microphone, but this was also quite minor
and well-controlled compared to what one would expect of the source material.
MPEG artefacts generally weren't discernible at any
point in the transfer, although I am certain that one or two made their
presence known for the briefest of moments during the more active performances.
Film-to-video artefacts consisted of some very mild aliasing on chrome
lines such as on the stage during Chapter 6 (Johnny Get Angry).
Once again, I am surprised at how well-controlled this artefact really
is, as the source material used to comprise this DVD is hardly what one
would call ideal for artefact control. Film artefacts were mostly absent
from the presentation, and mostly confined to Chapter 11 (Crying,
which is incidentally a duet with the late Roy Orbison).
Audio
Now, so far the videotape vintage of this DVD has not
significantly hindered it, but I must stress those two important words:
so far. Sadly, the audio transfer is problematic at best, in spite of being
presented in Linear PCM at a sample rate of 1536 kilobits per second. In
a nutshell, the audio transfer is lacking resolution, and it would not
surprise me to learn that it is merely recycled and upconverted from the
original VHS master. To get an idea of the worst problem in this audio
transfer, one can simply record a sample of their favourite music into
a CD-quality WAV file, downconvert it to radio quality, and then upconvert
it back to CD-quality. The sound on this DVD gives the distinct impression
that this is what has occurred here, with the between-song speeches in
particular suffering a high-frequency whine that can only be attributed
to extra resolution being added where there was none to begin with. The
first few songs on the DVD also suffer this malady, with the vocals having
a whiny, digitally-distorted sound while the instruments have a compressed,
frequency-limited feel. This improved dramatically after Chapter 9 (Turn
Me Round), but this conversion artefact still plagued the programme
to some extent. Audio sync was not a problem during the material that was
recorded live, but it could not be more obvious that the promotional videos,
what few there were on this disc, were mimed.
K.D. Lang's voice, being the primary focus
of this presentation, was clear and easy to make out at all times, even
when hobbled by this high-frequency whine. I'll give her this much as a
performer: even when she is held back by severe technical limitations,
she manages to get across that she is perfectly capable of singing and
singing well. Similarly, the music is well-written within its own stylistic
confines, and it is obvious that Lang chooses her session musicians well.
However, the main focus here is the vocals, and they are exceptionally
easy to make out in spite of the resolution hassles in the general audio
transfer.
Being a straight stereo mix, there was no surround
presence to speak of, another reflection of the fact that this programming
was recorded at a time when six channel mixes were a fantasy element over
the horizon. In spite of the limitations, this audio mix gave a distinct
impression that K.D. Lang was seated right next to me, singing along
with the music. Whether this was because of the high volume and resolution
of this audio mix, or simply because of the strength of the performance,
I really cannot say for certain. The subwoofer was called into action frequently
in order to support the bass and drums, as well as the occasional dose
of backing vocals, and did this all without making itself conspicuous.
Extras
There are no real extras on this disc, although a small
piece of paper listing K.D. Lang's releases on CD is included.
Menu
Little more than a chapter selection menu, and not a
particularly attractive one at that. It does not appear to be 16x9 enhanced,
which would be pointless since the rest of the programming certainly isn't.
R4 vs R1
The Region 4 and Region 1 versions of this disc appear
to be identically featured. I was unable to locate any information about
the casing afforded to this title in Region 1, but if the audio mix is
the same, then I would have to sadly state that you're better off buying
neither version.
Summary
K.D. Lang - The Harvest Of Seven Years
is a good music video presented on a problematic DVD.
The video quality is very good considering that digital
video was still a fantasy element when the programme and its source material
were made.
The audio quality is highly problematic, and strongly
suggests upconversion from an analogue music video.
The extras are non-existent.
Video |
|
Audio |
|
Extras |
|
Plot |
|
Overall |
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© Dean McIntosh (my
bio
sucks... read it anyway)
July 13, 2000.
Review Equipment
|
|
|
DVD |
Grundig GDV 100 D, using composite output; Toshiba SD-2109,
using S-video output |
Display |
Panasonic TC-29R20 (68 cm), 4:3 mode, using composite
input; Samsung CS-823AMF (80 cm), 16:9 mode/4:3 mode, using composite and
S-video
inputs |
Audio Decoder |
Built In (Amplifier) |
Amplification |
Sony STR-DE835 |
Speakers |
Panasonic S-J1500D Front Speakers, Philips PH931SSS Rear
Speakers, Philips FB206WC Centre Speaker, JBL Digital 10 Subwoofer |