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Category | Music | Theatrical Trailer(s) | No |
Rating | Other Trailer(s) | No | |
Year Released | 1999 | Commentary Tracks | No |
Running Time | 73:02 minutes | Other Extras | Biographies-Cast
Menu Audio and Animation |
RSDL/Flipper | No/No |
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Start Up | Menu | ||
Region | 2,4 | Director | Michael A Simon |
Distributor |
Warner Vision |
Starring | Tina Turner
Elton John Cher Brandi Whitney Houston Leann Rimes Faith Hill Mary Jane Blige Chaka Khan |
Case | TBC | ||
RPI | $39.95 | Music | Various |
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Pan & Scan/Full Frame | Full Frame | MPEG | None |
Widescreen Aspect Ratio | None | Dolby Digital | 5.1 |
16x9 Enhancement | No | Soundtrack Languages | English (Dolby Digital 5.1, 448 Kb/s)
English (Dolby Digital 2.0, 256 Kb/s) |
Theatrical Aspect Ratio | Full Frame |
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Macrovision | Yes | Smoking | No |
Subtitles | Danish
Dutch Finnish German French Italian Norwegian Portuguese Spanish Swedish |
Annoying Product Placement | No |
Action In or After Credits | Yes, in credits |
The selection of songs on offer is again not huge, and since this is a test pressing I have no cover to refer to, so hopefully I have the song titles right:
As for the rest? Forgettable indeed, especially the squeaky-voiced Brandi - I simply cannot believe that she is actually considered worthy enough to be considered a singer. I would rather listen to a squeaky flyscreen door. I have never understood why Chaka Khan was considered such a major artist, until now: in this company she is, even if her performance is barely above mediocre. It is sad to watch the decline of the career of Whitney Houston, but histrionics finally catch up with most people and she has now become enough of a joke that I can barely recall her first two solo albums, which were actually quite decent efforts. Her mother she definitely is not (a fine gospel/soul singer she was). Indeed, such is this collection of questionable performers that it is probably wise to mention the fact that Elizabeth Hurley and Sarah Michelle Gellar make little intros to a couple of the performances - definitely high points of the evening here.
Overall, this simply does not attain anywhere near the heights of the earlier concert and really if you need to indulge in just one Divas DVD, make it the earlier version.
The transfer is presented in a Full Frame format and is of course not 16x9 enhanced.
The transfer is another nicely detailed effort and is a nice sharp and clear effort that at least is close to the equal of the earlier concert. There is once again no hint of grain in the transfer to interfere with the nice shadow detail on display. There were no low level noise problems in the transfer.
The consistency in the video transfer is also highlighted by the consistency in the rendering of the colours. Again it is a nice, richly toned transfer that captures well the interior charm of The Beacon Theatre. There did not appear to be any problems with oversaturation of colours, not were there any problems with colour bleed.
There are no apparent MPEG artefacts in the transfer. There are no apparent film-to-video artefacts in the transfer. There are no apparent film artefacts in the transfer. The only problem that some may have, and I must admit that I found it mildly off-putting is that certain of the lighting effects create a blocky type of look to some shots of the audience. It is, however, definitely the lighting effects and not a problem with the transfer.
There are two audio tracks on the DVD, an English Dolby Digital 2.0 soundtrack and an English Dolby Digital 5.1 soundtrack. I listened to the Dolby Digital 5.1 soundtrack predominantly, as well as sampling the Dolby Digital 2.0 soundtrack.
The dialogue and vocals were clear and easy to understand throughout the Dolby Digital 2.0 soundtrack. Unfortunately, the Dolby Digital 5.1 soundtrack is a different matter altogether.
The real problem here is that the Dolby Digital 5.1 soundtrack has a very recessed vocal track, as well as a very low volume level overall. It is so recessed that I ended up turning up the volume about 25% above my normal listening levels in order to get anything like a decent amount of activity out of the speakers. The lack of punch is especially noted when you switch to the Dolby Digital 2.0 track without changing the volume level - it is a much more present soundtrack that really conveys a lot more vibrancy than the Dolby Digital 5.1 soundtrack.
The Dolby Digital 5.1 soundtrack also suffers somewhat from poor surround channel usage, most especially from the rear channels which really reinforces the lack of presence in the soundtrack. There was not a huge amount of use out of the bass channel, and the end result is a very poor Dolby Digital 5.1 soundtrack.
On the other hand, the DVD is blessed with a fine Dolby Digital 2.0 soundtrack that suited me just fine.
A very good video transfer.
A disappointing audio transfer, mainly due to the Dolby Digital 5.1 soundtrack.
A slightly better than nothing extras package, noteworthy more for the refreshing change in style than anything else.
Video | |
Audio | |
Extras | |
Plot | |
Overall |
© Ian Morris (have a
laugh, check out the bio)
24th July 2000
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DVD | Pioneer DV-515; S-video output |
Display | Sony Trinitron Wega 84cm. Calibrated with the NTSC DVD version of Video Essentials. |
Audio Decoder | Built in |
Amplification | Yamaha RXV-795. Calibrated with the NTSC DVD version of Video Essentials. |
Speakers | Energy Speakers: centre EXLC; left and right EXLR; and subwoofer ES-12XL |