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PLEASE NOTE: Michael D's is currently in READ ONLY MODE. Anything submitted will simply not be written to the database.
Lots of stuff is still broken, but at least reviews can now be looked up and read.
It Comes At Night (Blu-ray) (2017)

It Comes At Night (Blu-ray) (2017)

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Released 4-Oct-2017

Cover Art

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Details At A Glance

General Extras
Category Thriller Audio Commentary
Featurette-Making Of
Rating Rated MA
Year Of Production 2017
Running Time 91:34
RSDL / Flipper Dual Layered Cast & Crew
Start Up Ads Then Menu
Region Coding 4 Directed By Trey Edward Shults
Studio
Distributor
A24
Roadshow Home Entertainment
Starring Joel Edgerton
Christopher Abbott
Carmen Ejogo
Kelvin Harrison Jr
Riley Keogh



Case Standard Blu-ray
RPI $24.95 Music Brian McOmber


Video Audio
Pan & Scan/Full Frame None English DTS HD Master Audio 5.1
English Audio Commentary Dolby Digital 2.0 (448Kb/s)
English Descriptive Audio Dolby Digital 2.0 (448Kb/s)
Widescreen Aspect Ratio Varies
16x9 Enhancement
16x9 Enhanced
Video Format 1080p
Original Aspect Ratio Varies Miscellaneous
Jacket Pictures No
Subtitles English for the Hearing Impaired Smoking No
Annoying Product Placement No
Action In or After Credits No

NOTE: The Profanity Filter is ON. Turn it off here.

Plot Synopsis

    Once again, a marketing campaign in the US misrepresents a film resulting in it getting bad audience reactions despite good reviews. All too often this seems to occur in the US market as it seems to have with this film. If you read the audience reviews on IMDB for this film the vast majority give it 1 out of ten and complain about its lack of scares and action. The truth is this is NOT a horror film in the modern sense, although it was marketed as one. It is a psychological thriller set in a post-apocalyptic world which uses some techniques of the horror genre to produce an interesting film.

    After an unexplained apocalypse, Paul (Joel Edgerton) and his family are living in a remote house deep in the woods. They live in fear of some sort of virus which once it infects someone results in their death after much suffering. The house in owned by his father-in-law, Bud (David Pendleton) who has contracted the virus. The film kicks off with Paul and his son, Travis (Kelvin Harrison Jr) and his wife, Sarah (Carmen Ejogo) trying to get the old man outside whilst wearing gas masks and gloves to avoid contracting the disease themselves. Once outside, Paul shoots Bud in the head and then burns the body, assisted by his son and Bud's grandson, Travis. Needless to say, this is fairly traumatic for all involved including the audience. To try and avoid contact with the virus the family mostly stay inside and have boarded up all the entrances and windows except one which they keep locked from the inside and then have another door inside that locked as well, creating a buffer between them and the outside world. They are well armed and reasonably well provided for with food and water.

    Into this relatively controlled situation comes a new challenge. One night while they are asleep, someone breaks through their first door waking Paul and his family up. After a battle, the intruder is subdued and then dragged outside and tied to a tree, to work out if he is infected or not. The man, who says his name is Will (Christopher Abbott) tells Paul a story about how he has a family waiting 50 miles away while he looks for a better place for them to live. Paul must decide how to deal with the situation which will impact on all their futures. Will has a wife, Kim (Riley Keogh) and a young son called Andrew. Will Paul and Will be able to trust each other and what will be the outcome either way? What psychological effects will the situation have on either family as they try to survive?

    This is a very effective thriller that uses some ideas usually found in horror films such as dark, enigmatic music, shadowy corridors and closed doors combined with cinematic tricks such as changing aspect ratios to increase the tension. The aspect ratio varied between 2.39:1, 2.55:1 and 3.00:1, scene by scene, which helped to focus the audiences attention. The acting is universally strong across the cast including from Kelvin Harrison Jr who is really the focal point of the film. The writer/director is Trey Edward Shults and this is only his second feature film. It was a low budget production, shot on digital cameras in the woods near Woodstock in the US. The scoreby Brian McOmber is excellent, using various effects to ratchet up the tension and drive the film. The only other film I have seen that is something like this was another low budget film from a few years ago, Z for Zachariah. It should be noted that the "It" of the title refers to fear itself rather than anything specific. Joel Edgerton also served as Executive Producer.

    Those who enjoy intelligent and interesting psychological thrillers or post-apocalyptic films will get something out of watching this. Horror fans should probably rewatch one of the Saw films.

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Transfer Quality

Video

    The video is presented in 1080p. The transfer is generally very good but shows its lower budget roots with a layer of digital grain to be seen but this is not distracting and probably suits the style of the film anyway. Outdoor scenes fare best with strong colours and good detail. Darker scenes also looks pretty good but the grain is a little more evident.

    There are English for the hearing impaired subtitles available which are clear and easy to read. They are quite useful due to the sometimes muffled dialogue especially when said through gas masks.

Video Ratings Summary
Sharpness
Shadow Detail
Colour
Grain/Pixelization
Film-To-Video Artefacts
Film Artefacts
Overall

Audio

    The audio is excellent although this is not a big action film so it is subtle but enveloping. The main soundtrack is a lossless DTS HD-MA 5.1 track which is perfectly suitable for a film of this nature. It highlights the excellent music and burst to life during the more active sequences. Barking dogs and other noises are well placed around the soundscape. Other options include an Audio Descriptive Dolby Digital 2.0 track at 448 Kbps and the commentary again in Dolby Digital 2.0.

Audio Ratings Summary
Dialogue
Audio Sync
Clicks/Pops/Dropouts
Surround Channel Use
Subwoofer
Overall

Extras

    A small collection of extras.

Menu

    The menu features music and minor motion.

Human Nature : Creating "It Comes at Night" (29:35)

    This is a general making of featurette covering the writer/director's inspiration, getting Edgerton involved, the production and more. Probably a bit too long for the amount of content.

Audio Commentary - Writer/Director Trey Edward Shults and Actor Kelvin Harrison Jr

    A relaxed and chatty commentary which also includes some interesting trivia, anecdotes and on-set disagreements. They do a good job of talking through the film despite getting the giggles at times.

R4 vs R1

NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.

    This film is available around the world in the same format except that the Audio Descriptive track seems to be local only.

Summary

    A quality psychological thriller set in a post-apocalyptic world.

    The video quality is very good.

    The audio quality is excellent.

    The extras are good quality.

Ratings (out of 5)

Video
Audio
Extras
Plot
Overall

© Daniel Bruce (Do you need a bio break?)
Tuesday, October 17, 2017
Review Equipment
DVDPanasonic DMR-PWT500, using HDMI output
DisplaySharp LC52LE820X Quattron 52" Full HD LED-LCD TV . Calibrated with Ultimate DVD Platinum. This display device is 16x9 capable. This display device has a maximum native resolution of 1080p.
Audio DecoderBuilt into amplifier. Calibrated with Ultimate DVD Platinum.
AmplificationMarantz SR5005
SpeakersMonitor Audio Bronze 2 (Front), Bronze Centre & Bronze FX (Rears) + Sony SAW2500M Subwoofer

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