Eric Bibb-Live at The Basement (2002) |
BUY IT |
General | Extras | ||
Category | Music |
Interviews-Cast Music Video-Kokomo - Live at thebasement.com.au |
|
Rating | |||
Year Of Production | 2002 | ||
Running Time | 56:23 (Case: 84) | ||
RSDL / Flipper | No/No | Cast & Crew | |
Start Up | Menu | ||
Region Coding | 1,2,3,4,5,6 | Directed By | Ross Wood |
Studio
Distributor |
Warner Vision |
Starring |
Eric Bibb Dave Bronze |
Case | Amaray-Transparent-Secure Clip | ||
RPI | $29.95 | Music | Eric Bibb |
Video | Audio | ||
Pan & Scan/Full Frame | Full Frame | English Dolby Digital 5.1 (448Kb/s) | |
Widescreen Aspect Ratio | None | ||
16x9 Enhancement | No | ||
Video Format | 576i (PAL) | ||
Original Aspect Ratio | 1.33:1 | Miscellaneous | |
Jacket Pictures | No | ||
Subtitles | None | Smoking | No |
Annoying Product Placement | No | ||
Action In or After Credits | Yes, end titles over slow motion footage |
Gospel and blues singer/guitarist Eric Bibb is certainly no stranger to Australia, having played in a number of venues since 2001. In fact, as I am writing this review (September 2003) he is currently touring a number of cities in Australia. This is a recording of a performance held on 21 March 2002 at Sydney's "The Basement" Jazz night club, and forms part of the "Live At The Basement" webcast and DVD series.
Eric Bibb was born in New York City in 1951. His father, Leon Bibb, was a singer in the 1960s. He has released several albums in the last six years, the most recent being Natural Light.
In this concert, Eric performs on stage with long time collaborator and producer of some of his albums Dave Bronze on bass. Eric performs a selection of 14 songs from various albums, along with some stage talk and anecdotes.
I found this a reasonably enjoyable concert. All the songs were pleasant to listen to, even if none of them particularly grabbed my attention.
1. Good Stuff 2. Shingle By Shingle 3. Needed Time 4. Lonesome Valley 5. Don't Ever Let Nobody Drag Your Spi 6. Sebastian's Tune 7. Got To Do Better | 8. Panama Hat 9. To Know You Is To Love You 10. No More Cane On The Brazos 11. Right On Time 12. For You 13. In My Father's House 14. I Heard The Angels Singin' |
We get a full frame PAL transfer, presumably in the intended aspect ratio (although given the recent age of the recording I would have expected them to frame this in 16x9).
Now, this is the way all concert DVD video transfers should look. The concert appears to be captured on digital video, and the images are razor sharp with fully saturated and vibrant colours.
The transfer is pretty much reference quality, with the only video artefacts that I spotted being occasional minor aliasing around guitar strings and very minor Gibb's effect ringing towards the end.
Detail levels are extremely high, and I can clearly distinguish every pore and bead of sweat on Eric's face, the texture of his Panama hat, and even the brand name and model number of the microphone.
There are no subtitle tracks on this single sided single layered disc.
Sharpness | |
Shadow Detail | |
Colour | |
Grain/Pixelization | |
Film-To-Video Artefacts | |
Film Artefacts | |
Overall |
There is only one audio track: English Dolby Digital 5.1 (448Kb/s).
This is also a reference quality audio transfer. I've been to the Basement night club, and the audio track captures the acoustics of the rather small and cramped venue very well, with an overall slightly bright sound and the low ceilings creating a fairly "live" soundstage.
This appears to be a discrete 5.1 audio track, with the rear channels mainly used for ambience and audience noises. I could quite easily believe that somehow I had been transported into the venue whilst sitting in my living room.
The subwoofer channel is lightly used to support the low frequencies of the music.
Eric's dialogue in between songs comes through clearly and I did not notice any audio synchronization issues.
Dialogue | |
Audio Sync | |
Clicks/Pops/Dropouts | |
Surround Channel Use | |
Subwoofer | |
Overall |
Extras include an interview featurette and a music video.
The menu is full frame and static. However, there are brief menu transitions. For some reason, the disc does not load properly on my Panasonic DVD-RP82 (I had to manually select Title 3 to get it going) although it loaded correctly on my Sony DVP-S336 and on a PC running PowerDVD 4.0.
This is presented in full frame and Dolby Digital 2.0 (224Kb/s). Eric is captured at various locations at the Rocks and around the Sydney Opera House. He talks about various subjects including his music, his career, his sidekick Dave Bronze, songwriting, working with his dad Leon, and includes a performance of the song Matilda (which is inspired by his daughter Matilda as well the Melbourne suburb of St. Kilda) and Sebastian (an instrumental about his son Sebastian).
This features Eric Bibb performing Kokomo at the thebasement.com.au studio. It is presented in full frame and Dolby Digital 2.0 (224Kb/s).
NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.
This disc is currently not available in R1, although there is an NTSC R0 version of this disc (with identical features) also available.
This is a recording of a performance by blues singer/guitarist Eric Bibb together with Dave Bronze on bass. The performance was held at the Basement jazz night club in Sydney in 2002.
The video transfer is of reference quality.
The audio transfer is of reference quality.
Extras include an interview and a music video.
Video | |
Audio | |
Extras | |
Plot | |
Overall |
Review Equipment | |
DVD | Panasonic DVD-RP82, using Component output |
Display | Sony VPL-VW11HT LCD Projector, ScreenTechnics 16x9 matte white screen (254cm). Calibrated with Video Essentials/Ultimate DVD Platinum. This display device is 16x9 capable. |
Audio Decoder | Built in to amplifier/receiver. Calibrated with Video Essentials/Ultimate DVD Platinum. |
Amplification | Denon AVC-A1SE (upgraded) |
Speakers | Front and surrounds: B&W CDM7NT, front centre: B&W CDMCNT, surround backs: B&W DM601S2, subwoofer: B&W ASW2500 |