Cleopatra Jones (1973) |
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General | Extras | ||
Category | Action | None | |
Rating | |||
Year Of Production | 1973 | ||
Running Time | 84:58 | ||
RSDL / Flipper | No/No | Cast & Crew | |
Start Up | Menu | ||
Region Coding | 2,4 | Directed By | Jack Starrett |
Studio
Distributor |
Warner Home Video |
Starring |
Tamara Dobson Bernie Casey Brenda Sykes Shelley Winters |
Case | Amaray-Transparent-Secure Clip | ||
RPI | $14.95 | Music |
J.J. Johnson Joe Simon |
Video | Audio | ||
Pan & Scan/Full Frame | None | English Dolby Digital 2.0 (192Kb/s) | |
Widescreen Aspect Ratio | 2.35:1 | ||
16x9 Enhancement |
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Video Format | 576i (PAL) | ||
Original Aspect Ratio | 2.35:1 | Miscellaneous | |
Jacket Pictures | No | ||
Subtitles |
English English for the Hearing Impaired |
Smoking | Yes, it was the 70s! |
Annoying Product Placement | No | ||
Action In or After Credits | No |
Arguably a highlight of the Blaxploitation era of American film in the 70s, Cleopatra Jones mixes the suave attitude of James Bond with the jive-talking street cred of Shaft and applies it to a strong female lead character, a formula that was unique in its time.
Cleopatra Jones (Tamara Dobson) is an American special agent that spends most of her time overseas busting large-scale drug operations. When she torches a Turkish poppy plantation, the mobsters back home in the U.S.A. get rather p***** off and plot a scheme that will force her to return to her hometown and face retribution from the furious dealers.
Cleo's local organised crime gang is led by the maniacal Mummy (Shelley Winters), an unpredictable character that dishes out punishment on her boys like it's going out of fashion. Mummy's thugs manage to get into plenty of trouble of their own, and with names like Pickle, Doodlebug and Snake what do you expect!
This film is thirty years old this year, and a lot of the scenes that would have been intense back then are a bit laughable by today's standards, particularly the action and karate skills. This feature spawned a sequel that doesn't match the class of the original, but is worth watching for interest's sake. All obvious faults aside, Cleopatra Jones is a well crafted great bit of fun and is light and entertaining enough to stand up to many repeat viewings.
This is a good video transfer for a film of this vintage. Cleopatra Jones was shown theatrically in an aspect of 2.35:1, and the transfer to DVD is presented in the same ratio, complete with 16x9 enhancement.
The overall transfer is a pleasure to watch and doesn't present any major problems. There is a good degree of sharpness present, with many examples of film-like detail. Black levels appear consistently solid and exhibit good shadow detail. I didn't detect any low level noise in this transfer.
Colours appeared a little on the yellow side, but were consistent for their part. There were no signs of bleeding or oversaturation in this transfer.
The film itself has been nicely restored and is generally artefact free, apart from some small positive and negative specs of dirt that seem to be concentrated around reel changes. All of the film artefacting is kept well within a tolerable level in my opinion, and is not overly distracting. There are some slight instances of aliasing and small reel change marks to be found, but these are similarly unobtrusive. I didn't notice any MPEG compression issues with this transfer.
I watched the film for more than half an hour with subtitles enabled and didn't come across any problems at all. The English subtitles are accurate to the spoken word and are paced well with the dialogue of the film.
This is a single layered disc, so no layer transition is present.
Sharpness | |
Shadow Detail | |
Colour | |
Grain/Pixelization | |
Film-To-Video Artefacts | |
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Overall |
The original English audio is presented as it was many years ago - Dolby Digital 2.0 mono.
Dialogue is almost always easy to understand, although there were a couple of occasions where I needed the subtitles to help me understand some of the 70s-style jive. The film's ADR work and audio sync is spot-on at all times and doesn't present any real issues. There is one scene in the film that utilises some location audio (50:09) and the vocal delivery comes across a bit crackly and distorted, however this is only brief.
The music of the film is wonderfully retro, with funky bass-lines and wah-wah guitar that plant the film firmly in the 70s era. The action scenes use some different rhythms such as Indian tabla and percussion to help build tension, and work very nicely.
The mono soundtrack performed well throughout, but was generally unimpressive and showed a limited dynamic range. There was certainly no surround activity or subwoofer usage present.
Dialogue | |
Audio Sync | |
Clicks/Pops/Dropouts | |
Surround Channel Use | |
Subwoofer | |
Overall |
Absolutely nothing, I'm sad to say. The menu system is static, silent and includes 16x9 enhancement. The main menu graphics feature a large, tacky Warner Bros. logo.
NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.
The video transfer is good for a film of this age and has been nicely restored.
The audio transfer represents the original mono soundtrack well, but doesn't go any further.
There are no extras.
Video | |
Audio | |
Extras | |
Plot | |
Overall |
Review Equipment | |
DVD | Pioneer DV-525, using Component output |
Display | Panasonic TX76PW10A 76cm Widescreen 100Hz. Calibrated with Video Essentials. This display device is 16x9 capable. |
Audio Decoder | Built in to amplifier/receiver. Calibrated with Video Essentials. |
Amplification | Denon AVR-2802 Dolby EX/DTS ES Discrete |
Speakers | Orpheus Aurora lll Mains (bi-wired), Rears, Centre Rear. Orpheus Centaurus .5 Front Centre. Mirage 10 inch sub. |