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PLEASE NOTE: Michael D's is currently in READ ONLY MODE. Anything submitted will simply not be written to the database.
Lots of stuff is still broken, but at least reviews can now be looked up and read.
Australian Idol-Greatest Moments (2003)

Australian Idol-Greatest Moments (2003)

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Released 3-Nov-2003

Cover Art

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Details At A Glance

General Extras
Category Documentary Main Menu Introduction
Menu Animation & Audio
Music Highlights-Video Jukebox
Featurette-Final 12 Profiles
Featurette-Andrew G And James' Favourite Clip
Featurette-Special Idol Moments
Featurette-Original Auditions
TV Spots-Australian Idol Ads
Rating Rated PG
Year Of Production 2003
Running Time 126:55
RSDL / Flipper RSDL (90:08) Cast & Crew
Start Up Menu
Region Coding 1,2,3,4,5,6 Directed By None Given
Studio
Distributor
Fremantle Media
BMG
Starring James Mathison
Andrew Günsberg
Marcia Hines
Ian Dickson
Mark Holden
Guy Sebastian
Shannon Noll
Cosima Devito
Paulini Curuenavuli
Rob Mills
Levi Kereama
Rebekah Lavauney
Kelly Cavuoto
Case Amaray-Transparent
RPI $29.95 Music None Given


Video Audio
Pan & Scan/Full Frame None English Dolby Digital 2.0 (320Kb/s)
Widescreen Aspect Ratio 1.78:1
16x9 Enhancement
16x9 Enhanced
Video Format 576i (PAL)
Original Aspect Ratio 1.78:1 Miscellaneous
Jacket Pictures No
Subtitles None Smoking No
Annoying Product Placement Yes
Action In or After Credits Yes

NOTE: The Profanity Filter is ON. Turn it off here.

Plot Synopsis

     Okay - true confessions time. My entire family were totally addicted to this show. Sundays were spent together watching the performances, and the Monday "voting" shows would elicit a flurry of phone calls back and forth to discuss the relative merit or scandal of the loss of each departee. I'll even confess to the odd phone vote or two (I'm so ashamed, but I'm sure the counselling will kick in eventually.)

     It's hard to know precisely what makes a program like this so addictive. Perhaps it's the illusion that we have come to know these contestants somehow. Certainly there is some genuine talent on display, and occasional comic relief. Moreover, there is genuine human drama - we recognise how vulnerable these performers make themselves, and I think we make some vicarious connection to their triumphs and bomb-outs. If you're reading this, you probably also shared an interest in the show, at whatever level, so, what do we get served as the "Greatest Moments" ?

     Well, there's nothing new to see, as you'd probably expect. The main feature program runs for 126:55 minutes - with all the controversy and tragedies and triumphs highlighted in all their glory. The show hosts, James Mathison and Andrew G (you'd probably call yourself "G" too, if your last name was Günsberg) are the narrators of the DVD, linking the scenes together. These two really developed well over the course of the series into relaxed and capable presenters.

     The major focus of the feature is the finals series and the efforts and experiences of the final 12. Most of the judging input from Ian Dickson, Marcia Hines and Mark Holden is edited from this feature - with just a few small excerpts from them. There is somewhat more content of these three in the extras section.

     Seen together in this way, the overall impression is of what a genuinely lovely bunch of people these 12 finalists are. The loving support they showed to little Lauren Buckley on her exit night was really quite a touching moment. As the departure of each finalist is covered, a mini-tribute to that performer is shown - a nice touch.

     The format shows a précis of the audition process and then each finals episode. A few songs from each episode are presented in full, with the other songs sung that night shown in a "highlights" version. The songs that are performed in full are:

PERFORMER

SONG

PERFORMER

SONG

Full Cast

Rise Up

Matt Chadwick

If

Peter Ryan

Your Song

Cle Morgan-Wooton

That's The Way Love Goes

Lauren Buckley

Moondance

Kelly Cavuoto

Mascara

Rebekah LaVauney

Heading In The Right Direction

Levi Kereama

Superstitious

Rob Mills

You Don't Treat Me No Good No More

Rob Mills

If I Could

Paulini Curuenavuli

Freeway of Love

Paulini Curuenavuli

Almost Like Being In Love

Cosima DeVito

Hot Stuff

Cosima DeVito

R-E-S-P-E-C-T

Cosima DeVito

You Don't Have To Say You Love Me

Shannon Noll

What About Me

Shannon Noll

New York, New York

Shannon Noll

Working Class Man

Shannon Noll

What About Me (Sydney Opera House)

Guy Sebastian

You're the Voice

Guy Sebastian

Climb Every Mountain

Guy Sebastian

Crazy Love

Guy Sebastian

When I Get You Alone

Guy Sebastian

Angels Brought Me Here

     All the expected dramas are there, including *that* dress and the maelstrom it raised and the hoopla and fuss over the final. If you loved the series, you may well enjoy a revisit, and it's an antidote to the utterly horrid World Idol that just aired (no, that's not jingoism speaking, Kurt deserved to win, but the production values were abysmal.)

     Long term, it's doubtful that this is a DVD that will stand the test of time. Soon enough, another burning passion will attract our collective attention and this will probably rapidly become a little tag note in pop culture history, but it's overall a charming and reasonably harmless note. I shan't enter into any controversy of personal favourites, or the "Cosima Decision" or any of the other dramatically argued points from the show - there are still chat rooms raging with those debates. Instead, I will say - if you truly enjoyed the series you may enjoy a second look. It's basically a little bubble of entertainment - ephemeral but quite pretty.

Don't wish to see plot synopses in the future? Change your configuration.

Transfer Quality

Video

     The transfer is presented in an aspect ratio of 1.78:1, 16x9 enhanced and is not too shabby a transfer at all.

     The transfer is mostly quite acceptable in the luminance department. There is little low level noise present and shadow detail is quite good. The Outside Broadcast shots are all of lesser quality than the studio shots, and certainly the OB shots show considerably less ability to hold shadow detail, but since they are not overly prevalent this is acceptable.

     Colour was handled quite well. The studio lighting was pushed right over the top with neon blues and blazing red gels on the audience. The DVD coped with these extremes, with only expectable halation as a consequence. Skin tones were generally good. Again, there is a disparity between the colour capabilities of the OB shots compared to the studio ones.

     There was some aliasing present, and a small amount of moiré to be seen, but again, surprisingly little given the locations. Andrew G and James Mathison present the linking narration from a directing suite with banks of display screens behind them, which stay pretty much put without excessive moiré. The OB is again guilty when it comes to excessive motion blur, which fortunately does not plague the studio presentations. Overall, this is an extremely clean and well presented disc.

     There are no subtitles on this disc.

     This disc is an RSDL disc, with the layer change placed at 90:08. It is quite a "chunky" change, where the image hangs for half a second or so, but is not overly disruptive to the flow of the feature.

Video Ratings Summary
Sharpness
Shadow Detail
Colour
Grain/Pixelization
Film-To-Video Artefacts
Film Artefacts
Overall

Audio

     There is one audio track on this disc - English Dolby Digital 2.0 surround-encoded sound.

     The dialogue was clear and easy to understand at all times. There were occasional buzzes which were somewhat disruptive. The audio sync presented no problems throughout the presentation.

     Well, it's all about the music. Given its television origins, there were times when the musical quality suffered the indignity of a slightly hollow sound. The general lack of direction in the sound channelling meant that everything felt a little "mushed" up together - band, vocals and audience response. And yet, there was one curious moment when, during an audition scene, suddenly the judges' voices came only from the left speaker, which was rather disconcerting.

     There was no real use of the surround channels, and the subwoofer was inactive.

Audio Ratings Summary
Dialogue
Audio Sync
Clicks/Pops/Dropouts
Surround Channel Use
Subwoofer
Overall

Extras

     A good selection of extras are present.

Menu

     The menu design is 1.33:1 with Dolby Digital 2.0 audio. The main menu features James and Andrew popping up and down suggesting what to select. One curious aspect of the menu is that the "back" button is represented just by four little dots configured in a square - err - yeah, that just immediately suggests "back" to me (sigh).

Video Jukebox

     A selection of songs from each performer. On offer is:

Almost Like Being in Love - Paulini

Angels Brought Me Here (Final) - Guy

Climb Every Mountain - Guy

Crazy in Love - Guy

Don't Leave Me This Way - Paulini

Every Little Step I Take - Levi

Freeway of Love - Paulini

Heading In The Right Direction - Rebekah

Hot Stuff - Cosima

If - Matt

If I Could - Rob

Lady Marmalade - Lauren et al

Mascara - Kelly

Moondance - Lauren

Movin' On (Final) - Marcia

New York, New York - Shannon

R.E.S.P.E.C.T. - Cosima

Superstition - Levi

That's The Way Love Goes - Cle

What About Me - Shannon

What About Me (Final) - Shannon

When Doves Cry - Guy

When I Get You Alone (Final) - Guy

When The War Is Over - Cosima

Working Class Man - Shannon

You Don't Have To Say You Love Me - Cosima

You Don't Treat Me No Good - Rob

You Don't Own Me - Courtney

You're The Voice - Guy

Your Song - Peter

Final 12 Profiles

     Point and click for a mini profile on each finalist.

Australian Idol Ads (3:04)

     Do not go here. It's simply the meaningless product push of various merchandisers. They were annoying enough on telly - don't encourage them.

James' & Andrew's Favourite Clip (5:09)

     I shan't spoil the surprise. It sure wasn't my favourite, but it was memorable!

Special Idol Moments (15:32)

     Clips of auditions, Marcia, Mark and Dicko in full flight, and various bits and pieces. You've seen it before, but it's sorta fun.

Original Auditions (8:03)

     Shannon's and Guy's first auditions.

R4 vs R1

NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.

     This DVD is only available in R4.

Summary

     Yes, we know it's manufactured and manipulated and rah, rah, rah. But it's also surprisingly good natured, there's some authentic talent, and some glorious displays of the lack thereof. All in all, it's harmless fun on a not insulting transfer.

Ratings (out of 5)

Video
Audio
Extras
Plot
Overall

© Mirella Roche-Parker (read my bio)
Tuesday, January 06, 2004
Review Equipment
DVDSinger SGD-001, using S-Video output
DisplayTeac 76cm Widescreen. Calibrated with Video Essentials. This display device is 16x9 capable.
Audio DecoderBuilt in to amplifier/receiver. Calibrated with Video Essentials.
AmplificationTeac 5.1 integrated system
SpeakersTeac 5.1 integrated system

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