The Eye (Jian Gui) (2002) |
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General | Extras | ||
Category | Fantasy |
Main Menu Introduction Menu Animation & Audio Featurette-Making Of Featurette-Pang Brothers Documentary Teaser Trailer-2 Theatrical Trailer-2 TV Spots Trailer-Eastern Eye Promo Reel, The Grudge, Dark Water, Ong Bak Trailer-Paranoia Agent, Parasite Dolls, Texhnolyze |
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Rating | |||
Year Of Production | 2002 | ||
Running Time | 94:01 (Case: 100) | ||
RSDL / Flipper | RSDL (54:54) | Cast & Crew | |
Start Up | Menu | ||
Region Coding | 1,2,3,4,5,6 | Directed By |
Oxide Pang Chun Danny Pang |
Studio
Distributor |
Applause Pictures Madman Entertainment |
Starring |
Angelica Lee Lawrence Chou Chutcha Rujinanon Yut Lai So Candy Lo Yin Ping Ko Pierre Png Edmund Chen Wai-Ho Yung Wilson Yip |
Case | Amaray-Transparent-Secure Clip | ||
RPI | ? | Music | Orange Music |
Video | Audio | ||
Pan & Scan/Full Frame | None |
Cantonese Dolby Digital 5.1 (448Kb/s) Cantonese dts 5.1 (768Kb/s) |
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Widescreen Aspect Ratio | 1.85:1 | ||
16x9 Enhancement |
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Video Format | 576i (PAL) | ||
Original Aspect Ratio | 1.85:1 | Miscellaneous | |
Jacket Pictures | No | ||
Subtitles | English | Smoking | Yes |
Annoying Product Placement | No | ||
Action In or After Credits | No |
The Eye is an interesting and genuinely scary supernatural tale that could be described as a cross between The Sixth Sense and The Ring. The 'blind girl in distress' plot has been used before, but the Pang Brothers manage to pack enough thrills and frights into the story to make it entertaining viewing.
Mun (Sin-Je Lee) has been blind since the age of two, and after nineteen years is undergoing an operation to have her sight restored. As her bandages are removed the world is nothing but a bright blur at first, but in time she begins to see strange shadows and moving objects in the dark corridors of the hospital. Circumstances force her to be discharged from hospital early, so she begins sessions with psychotherapist Dr Lo Wah (Lawrence Chow), a professional who intends to help her understand and interpret her new found eyesight. Her disturbing visions continue and her family starts to think she is flipping out, but her therapist has doubts about the presence of ghosts. Eventually she becomes so consumed by fear that she regresses back into darkness and ultimately finds herself back in the hospital where she originally recovered from her operation. A chance vision convinces the doctors of her plight and the race is on to locate the family of her donor organs in the hope that it may reveal the cause of her apparitions.
I was genuinely freaked out during my first viewing of this film. The effects, atmosphere and tension are amazing and the performances by this cast are great all round. However, I found the appearance of the psychotherapist played by Lawrence Chow way too young to be believable in his role. A therapist of his experience shouldn't have the physique of a high school kid. In addition to this, the film seems to lose pace in the second half. When we should be moving forward with some kind of resolution, we are given insight into our lead character's violin skills - which is interesting, but not the direction I think an audience on the edge of their seat would want to go.
According to the featurettes on this DVD, directors and twin brothers Oxide and Danny Pang drew their inspiration for this tale from a real-life event in which a woman with newly restored vision went mad and committed suicide. For me, the film is oddly reminiscent of the Madeleine Stowe film Blink (1994), which also deals with strange visions experienced by a violin-playing woman after receiving a corneal transplant. Questionable similarities aside, this film was massively successful in Asia and around the world, prompting the Pang Bros. to spawn a disappointing and vaguely related sequel that didn't nearly live up to the original. The Eye is far from a perfect horror/ thriller, but if you enjoy being frightened out of your wits then you might find a few worthwhile moments.
The video transfer is presented in the film's original theatrical aspect ratio of 1.85:1, with 16x9 enhancement.
The quality of the transfer is generally good, with a fair degree of sharpness and clarity. Finer detail is evident in images that show hair or other fine textures, however a small number of scenes appear a little softer than others. Shadow detail in the transfer is not the best I have seen, but is sufficient enough to reveal intended details and maintain tension in the right scenes. There was no low level noise evident in the transfer.
The colouring in this film isn't particularly bold and even borders on drab on some occasions. The almost monochromatic appearance is a common theme in horror films and it isn't particularly surprising to see the effect applied here. The cast still manage to have a natural look, so skin tones don't appear to be affected in any way.
The level of film artefacting present is above average for a film of this age. Positive and negative artefacts are visible, mostly due to dust, dirt and hairs. The source print is otherwise in good condition and doesn't suffer from any ugly scratches, excessive grain or damaged frames. Aliasing is absent and I didn't note any MPEG compression issues. The feature is encoded at a healthy MPEG bitrate of 7.3Mb/s.
An English subtitle stream is activated by default, and is easy to follow. The font is yellow with a black outline and the text appears to be free of any grammatical errors. The subtitles translate the Cantonese and Thai dialogue in the film and skip several lines of English.
This disc is dual layered, with the layer transition placed in a silent fade to black between scenes at 54:54. This position is completely unobtrusive and doesn't interrupt the flow of the film at all.
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There are two Cantonese language soundtracks accompanying this film on DVD. The default soundtrack is Dolby Digital 5.1 (448Kb/s). A dts alternative is also included, encoded at 768Kb/s. On the disc these soundtracks are labelled vaguely as Chinese, and on the setup menu they are listed as Cantonese. Although it makes little difference to my western ear, I was a little confused when a line in the script cites the characters as communicating in Mandarin. There are also several lines of Thai and English dialogue in the film. I was interested to discover that this film was screened theatrically with a Dolby Digital EX soundtrack, and this mix appears to have surfaced in Region 2.
The dialogue is prominent in the mix and rarely becomes dominated by loud effects and the like. The ADR appeared to be relatively solid, however this was understandably difficult for me to gauge. The few lines of English in the film seem to be well synced to the actor's lip movements. Audio sync is fine throughout.
Surround channel usage is constant and enveloping. Dialogue and other effects are generally confined to the front soundstage, while the rears are used for elements of the score, dedicated effects and atmospherics. At 14:08 a door can be heard distinctly opening behind the viewer in the rear left channel, and a disorienting swirling effect is used at 15:30 and 54:20, attacking the audience from all angles. The surround experience is very effective and succeeds in making the film believable and terrifying.
In comparing the Dolby Digital and dts soundtracks I found a number of differences. The Dolby Digital option is mastered at a slightly higher volume and is noticeably brighter. The extra brightness makes it a little harsh on some occasions, particularly when presenting higher register elements such as string orchestrations and screams. I found the dts track contains some nice depth, but seems to lack the surround impact I felt in the Dolby Digital equivalent. If I were to watch the disc again, I doubt I would bother manually switching to the dts soundtrack.
I found the film's score disappointing. It is overly electronic and sounds cheap, like someone pieced the MIDI files together on their PC at home. It manages to raise tension in the right moments, but certainly isn't a score I would add to my CD collection.
The subwoofer does a great job of lifting the bottom end of these soundtracks. At 73:50 the sub picks up the rhythm in the score, but the true workout comes in the film's finale, an enormous explosion that will really rattle your windows if you have the volume at a decent level.
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Overall |
This is a very well presented DVD. Even the Madman logo screen is animated and themed around the film.
This brief Making Of includes some footage taken on the set and contributions from Actors Sin-Je Lee and Lawrence Chow discussing the challenges inherent in their roles. Producers Lawrence Cheng and Peter ho-sun Chan recite the real event that inspired this story, which is interesting. This short featurette is presented in 1.33:1, with Cantonese audio and burned-in English subtitles.
We are introduced to twin brothers Oxide and Danny Pang via the praise of Producers and Actors who appeared in the previous Making-Of. The Brothers themselves then give us an in-depth look at the tanker scene, including footage taken on the set during the film's production. This short featurette is essentially an extension of the above Making-Of; presented in 1.33:1, with Cantonese audio and burned-in English subtitles.
There are two teaser trailers, two theatrical trailers and a TV spot. None are 16x9 enhanced.
Trailers are included for The Grudge, Dark Water, Ong Bak, Paranoia Agent, Parasite Dolls and Texhnolyze. The obligatory Eastern Eye promo reel is also included.
NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.
Tartan in the UK have released this film twice on DVD. The first was a disc with extras similar to ours, but only with stereo audio. A Collector's Edition was released in August of 2004, adding Dolby Digital EX and dts-es audio tracks, but omitting many of the extras.
The Hong Kong Region 3 NTSC disc includes trailers and dts audio.
While we don't have any 6.1 channel audio tracks, the Region 4 does seem to be a good package in comparison to other regions.
The video transfer is good.
The audio transfer is great.
The extras are brief, but worthwhile.
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Review Equipment | |
DVD | Denon DVD-3910, using Component output |
Display | Panasonic TX76PW10A 76cm Widescreen 100Hz. Calibrated with Video Essentials/Digital Video Essentials. This display device is 16x9 capable. |
Audio Decoder | Built in to amplifier/receiver. Calibrated with Video Essentials/Digital Video Essentials. |
Amplification | Denon AVR-2802 Dolby EX/DTS ES Discrete |
Speakers | Orpheus Aurora lll Mains (bi-wired), Rears, Centre Rear. Orpheus Centaurus .5 Front Centre. Mirage 10 inch sub. |