Eternal Sunshine of the Spotless Mind: Special Edition (2004) |
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Eternal Sunshine of the Spotless Mind: Special Edition (2004) |
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| BUY IT |
| General | Extras | ||
| Category | Drama |
Dolby Digital Trailer Featurette-A Look Inside Eternal Sunshine of the Spotless Mind Featurette-A Conversation With Jim Carrey And Director Michel Gondry Audio Commentary-Michel Gondry (Director) And Charlie Kaufman (Writer) Deleted Scenes Music Video-"Light And Day" Performed By The Polyphonic Spree Featurette-Lacuna Commercial Featurette-Inside The Mind Of Michel Gondry Featurette-Anatomy Of A Scene: Saratoga Avenue Featurette-A Conversation With Kate Winslet And Director Michel Gondry Easter Egg |
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| Rating |
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| Year Of Production | 2004 | ||
| Running Time | 103:17 | ||
| RSDL / Flipper |
RSDL (70:41) Dual Disc Set |
Cast & Crew | |
| Start Up | Menu | ||
| Region Coding | 4 | Directed By | Michel Gondry |
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Studio
Distributor |
 Roadshow Home Entertainment |
Starring |
Jim Carrey Kate Winslet Gerry Robert Byrne Elijah Wood Thomas Jay Ryan Mark Ruffalo Jane Adams David Cross Kirsten Dunst Tom Wilkinson Ryan Whitney Debbon Ayer Amir Ali Said |
| Case | Amaray-Transparent-S/C-Dual | ||
| RPI | $34.95 | Music | Jon Brion |
| Video | Audio | ||
| Pan & Scan/Full Frame | None |
English Dolby Digital 5.1 (448Kb/s) English Audio Commentary Dolby Digital 2.0 (192Kb/s) English dts 5.1 (768Kb/s) |
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| Widescreen Aspect Ratio | 1.85:1 | ||
| 16x9 Enhancement |
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| Video Format | 576i (PAL) | ||
| Original Aspect Ratio | 1.85:1 | Miscellaneous | |
| Jacket Pictures | No | ||
| Subtitles | English for the Hearing Impaired | Smoking | Yes |
| Annoying Product Placement | No | ||
| Action In or After Credits | No | ||
This special 2 disc collector’s edition of Eternal Sunshine Of The Spotless Mind is identical to the original 1 disc release barring a second disc of special features. Those of you who have already read my original review, and just want to know the differences, cut down to the bottom now. Those of you who have not read my original review and would like to know what they’re in store for, please read on...
When I heard that the writer of Being John Malkovich and Adaptation had written an unusual love story that involved someone having their memories erased I was first in line to see the movie when it opened.
At the outset, let me announce my bias. For me Charlie Kaufman is the Hollywood writer who is revolutionising the industry, creating fringe stories that edge their way into the mainstream by deconstructing storytelling conventions without alienating the audience. This is a clever art, and his deft hand shows clearly in the calibre of his scripts.
Eternal Sunshine of the Spotless Mind (unless you are well read, you’ll have to watch the movie to discover the origins of the title) follows the relationship of Joel (Jim Carrey) and Clementine (Kate Winslet) from its fledgling beginnings to its tumultuous ends when Joel wakes up one day to discover that Clem has had their relationship erased from her memories via a new procedure invented by Dr. Howard Mierzwiak (Tom Wilkinson). In a fit of anger, Joel sets out to have Clem erased as well, but when he becomes aware of what is happening during the procedure and tries to change his mind, things take a turn for the surreal.
It’s hard to say much more without giving the rest of the film away, and for that reason I will refrain from commenting further on the plot. This is really one of those films that you have to go see with a fresh mind and clean slate. It raises a lot of issues to do with contemporary society, and our desire for a quick fix (often medical) to our problems, which ignores the underlying issues and prevents us from really moving on. It also examines the more bitter truths of relationships in contemporary society, and the nature of memory (although not quite to the extent that Memento does).
In terms of the film itself, I will just say that the production is flawless, the acting from all involved is excellent, particularly Jim Carrey (I never thought I would say that about a Carrey performance, but there you go) who puts aside his slapstick self to prove that he can actually act as part of an ensemble cast. The FX are also very clever, and the source of much amusement and ultimately fear.
I found this movie to be deeply insightful and ultimately very moving. What you make of it is up to you. But one thing is for sure – you should definitely see this movie, because it is just one of those films that will form a centrepiece for discussion for weeks afterwards, love it or hate it.
The movie is transferred here in its original aspect ratio of 1.85:1, 16x9 enhanced.
The image is crystal clear sharp, although it retains a particular film graininess that is very much part of the film, intended to achieve a sort of ‘documentary’ or ‘real life’ feel. If anything, this was clearer on DVD than it was at the cinema, though that might have just been the projectionist on the day.
The colour is well saturated, and colour plays an important role in the subtext of this film, so that is important. Shadow detail is a little grainy, but this is a product of the film stock, and you have no difficulty discerning what is going on.
Film-to-video transfer artefacts were negligible. I noticed nothing distracting.
There is next to no dirt on the print, which is excellent, and certainly nothing noteworthy or distracting. You will spot the odd fleck of dust here and there, but only if you go hunting for it.
Subtitles are available in English for the Hearing Impaired only. The are clear and easy to read, and convey the intended meaning of the dialogue without being word for word.
The dual-layer pause is at 70:41. It occurs during a scene change, and while noticeable is not terribly distracting.
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Audio is available in English 5.1 Dolby Digital Surround (448Kb/s) and English 5.1 DTS (768Kb/s).
Dialogue is nicely mixed, and is clear on both the Dolby Digital track and the DTS track. I noticed no audio sync issues.
There is a lot of surround sound information, coming not just from left and right front but also left and right rear, and sometimes even going diagonally through the sound field. Great stuff.
The score, which plays an important part in setting the mood for this film, is given a great mix here, with all the clarity of DTS that adds just that little extra bit to the film.
The DTS beats the Dolby Digital track in the bass department, with some stunning subwoofer use during some of those erasure scenes, which at times had the hairs pricking up on my neck.
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All menus are presented in 1.78:1, 16x9 enhanced. They are static and silent.
Presented in 2.0 Dolby Surround, this commentary is worth listening to, although it starts out a little slow, and Gondry has a very thick French accent that is hard to understand sometimes. There is a lot of interesting information imparted here about the production of the movie, and a few anecdotes here and there, and every-now-and-then some real insight from Kaufman.
Presented in 2.0 Dolby Stereo, 1.33:1 Full Frame, this is a little promotional behind the scenes featurette. Includes interviews with the majority of cast and crew.
Presented in 2.0 Dolby Stereo, 1.33:1 Full Frame, this is a fairly in-depth interview with actor Jim Carrey and director Michel Gondry. Includes a lot of behind-the-scenes footage.
Presented in 1.85:1, 16x9 enhanced, with 2.0 Dolby Stereo sound, there are four deleted scenes here. While these cuts are fairly rough, they give you the gist of what was meant to be conveyed. Worth a look to see the creative direction that the director and editor chose.
Presented in 2.0 Dolby Stereo, 1.85:1 Letterbox, this is a cute little music clip utilising footage from the film and then having the characters’ mouths and various objects in the frame sing the lyrics.
Presented in 2.0 Dolby Stereo, 1.33:1 Full Frame, this is a commercial for the mind erasing process featuring Tom Wilkinson.
Presented in 2.0 Dolby Stereo, 1.33:1 Full Frame, this is a pretty detailed series of interviews with people focusing on the style and creative genius of director Michel Gondry.
Presented in 2.0 Dolby Stereo, 1.33:1 Full Frame, this looks at the making of the Saratoga Avenue scene where Joel and Clem have their last fight.
Presented in 2.0 Dolby Stereo, 1.78:1 Letterboxed (non-16x9 enhanced), this is an in-depth interview with actor Kate Winslet and director Michel Gondry done in California in September 2004.
Presented in 1.85:1, Letterboxed (non-16x9 enhanced), with 2.0 Dolby Stereo sound, there are seven deleted scenes here which restore two whole subplots. These are very interesting, and it would be quite the change to see these re-edited back into the film. Whether it would be a change for the better, who knows? But it would be interesting, as these scenes are not at all bad.
Presented in 1.33:1, with 2.0 Dolby Stereo sound, this is a little cartoon film apparently done by Joel. It’s quite dodgy, but very funny. You can find this by highlighting Joel’s foot as he lies in the snow next to the other menu selections.
NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.
There is a single-disc R1 and single disc R4 release that are both identical to the first disc of this release.
The R1 2-Disc Special Edition release includes:
Either I was not given this booklet to review, or it is not present in the R4 release. If someone could confirm this for me, I would be appreciative.
Eternal Sunshine Of The Spotless Mind was one of the great love stories of 2004. A lot of comments were made about my original review of this film, indicating that it managed to polarise the viewing community rather well. Love it or hate it, you have to respect a film that can do that. I love this film, and although I’m not sure the second disc adds a whole lot to it, I do recommend this version over the original release if only for the Deleted Scenes on Disc 2 which complete the story so well.
The video transfer is extremely good, and even having now re-viewed it on my new projection system, it holds up extremely well.
The 5.1 DTS track is awesome, giving a scary depth to some of the mind-wiping scenes. The 5.1 Dolby Digital track is good, but not as good.
The extras are outstanding – I found that I didn’t have the urge to do the ironing or pack the dishwasher while watching them as I feel so often when I’m watching special features.
| Video | |
| Audio | |
| Extras | |
| Plot | |
| Overall | |
| Review Equipment | |
| DVD | Momitsu V880N Deluxe, using DVI output |
| Display | Hewlett Packard ep7120 DLP Projector with 80" Widescreen HDTV Projector Screen. Calibrated with Video Essentials/Digital Video Essentials. This display device is 16x9 capable. |
| Audio Decoder | Built in to amplifier/receiver. Calibrated with Video Essentials/Digital Video Essentials. |
| Amplification | Marantz SR7000 |
| Speakers | Digital Accoustics Emerald 703G - Centre, Front Left & Right, Rear Left & Right Satellites, Subwoofer |