Gankutsuou: The Count of Monte Cristo-Volume 1 (2004) |
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General | Extras | ||
Category | Anime |
Main Menu Introduction Main Menu Audio & Animation Storyboard Comparisons-Act 1 Interviews-Crew-Director Featurette-Voice Actor's Comments Theatrical Trailer Credits-Textless Opening And Closing Trailer-Kaleido Star Collection, Pom Poko, Scrapped Princess Vol 5 DVD Credits |
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Rating | |||
Year Of Production | 2004 | ||
Running Time | 93:59 (Case: 100) | ||
RSDL / Flipper | Dual Layered | Cast & Crew | |
Start Up | Menu | ||
Region Coding | 4 | Directed By | Mahiro Maeda |
Studio
Distributor |
Gonzo Madman Entertainment |
Starring |
Jun Fukuyama Daisuke Hiragawa Kikuko Inoue Jûrôta Kosugi Yuri Lowenthal Naoko Matsui Mai Nakahara Chie Nakamura Jôji Nakata |
Case | Amaray-Transparent-Secure Clip | ||
RPI | $29.95 | Music | Jean-Jacques Burnell |
Video | Audio | ||
Pan & Scan/Full Frame | None |
English Dolby Digital 2.0 (224Kb/s) Japanese Dolby Digital 2.0 (224Kb/s) |
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Widescreen Aspect Ratio | 1.78:1 | ||
16x9 Enhancement |
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Video Format | 576i (PAL) | ||
Original Aspect Ratio | 1.78:1 | Miscellaneous | |
Jacket Pictures | Yes | ||
Subtitles |
English Titling English |
Smoking | No |
Annoying Product Placement | No | ||
Action In or After Credits | No |
Alexandre Dumas père's classic tale of revenge, Le comte de Monte Cristo, has been adapted for both the small and big screen on multiple occasions. First appearing in late 2004, Gankutsuou is perhaps the most intriguing take on the novel yet, combining a somewhat disconcerting experimental style of animation with a futuristic re-imagining of the Count's vengeance. In the year 5053, two young Parisian aristocrats, Viscount Albert de Morcerf and Baron Franz d'Epinay, take a vacation in the vast city of Luna on the moon's surface to enjoy the decadence and excesses of Carnivale. The pair make the acquaintance of the mysterious Count of Monte Cristo, who invites them to watch the Carnivale finale together - the execution of three men. Albert develops a fascination for the Count while Franz doubts his trustworthiness. When the Count rescues Albert from bandits, though, strong bond are formed and Albert and Franz become tied with the Count and his plans in more ways than they know.
In many ways, Gankutsuou is very faithful to the novel's plot and intent, the major difference being the setting. The architecture and fashion of 19th century France - the frills and ruffles of Romantic dandyism at their finest - are transported to a future world of space ships, high technology, and - later in the series - good old mechs. It's a great blend that has been used many times before in anime (Vampire Hunter D uses a similar style). What sets this series apart though is its highly original style of animation. Many elements are rendered in 3D - as is typical for GONZO releases - and colours are rich and vibrant. Characters are animated in 2D. Most interestingly though, is the manner in which clothing and hair is rendered. I am not sure exactly how to describe the effect - it is as though 3D textures have been laid down first, the characters layered over the top, and the inside of clothing and hair cut out to reveal the textures behind. Make sense? Trailers are available at Madman's website if you'd like a better idea. Be warned - the effect is disconcerting and even distracting for a while. I often found myself paying more attention to the textures at the expense of the plot during the first episode or so. I've also heard some viewers claim that the animation style literally caused headaches. Best to judge for yourself, though.
Once you are used to the style, the story itself is very good. Even though I know the plot of The Count of Monte Cristo, the series still managed a few surprising twists and turns and has been transported successfully into the future. The Count himself has a few more secrets than his classic counterpart and appears to have had a brush or two with the undead. . . The first four episodes included in Volume One are intriguing and, revealing just a few hints of what is to come, will suck you right in. Don't let the style put you off: give Gankutsuou a chance and you won't be disappointed.
Madman, of late, have been producing some fine quality transfers and Gankutsuou is no exception: the video quality is excellent. The series is presented in its original aspect ratio of 1.78:1, 16x9 enhanced.
Sharpness and detail are excellent and I noticed only minor instances of low level noise and pixelization. Colours belonging to the textured patterns are very rich, while 2D elements are rendered in a more subtle palette.
I did not notice any other MPEG artefacts, or artefacts of any kind for that matter. A very good transfer all round.
English subtitles and titles for onscreen Japanese text are included. They are in a yellow font (some dialogue is in white when dialogue overlaps) and are an accurate translation of the Japanese dialogue. Each episode is divided into five chapters.
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The audio transfer is quite good, but not as impressive as the video. Dolby Digital English 2.0 (default) and Dolby Digital Japanese 2.0 tracks are included, both surround encoded. The Japanese audio sounds a little better than the English and the English track has been transferred at a lower level than the Japanese.
Dialogue is clean without any hiss. Vocals have just a little more resonance in the Japanese track to my ear: the Count's voice in particular has more depth. Audio sync is about as good as it gets for anime.
The surrounds are fairly active in both tracks but sound just a little unrealistic: directional and ambient effects sound unnatural and obviously "recorded." Both tracks are quite immersive though. The subwoofer holds up the bottom end of the score and the rumbling of horse hooves and cars.
The credit songs and score were composed by Jean-Jacques Burnel who also performs the opening title. Anyone familiar with 1970s and 1980s British rock may recognise him as the bassist for The Stranglers. His work here is quite good, combining classical elements with electronica. The opening title is a lovely ballad and captures the feeling of old school classics like Monte Cristo perfectly.
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(20:15) - Act 1 is presented in storyboard form with a small window in the lower right corner playing the final product. The sketches are very crude and I personally don't get a lot from storyboards.
Director's Interview (5:08) - Director Mahiro Maeda is interviewed at the Uplink X convention in Shibuya. He describes the series as a "night-time soap opera" which is fairly apt. Part of his goal was put the sex back into the story. Audio is a little difficult to hear, but the feature is subtitled.
Voice Actor Comments (8:40) - The voice actors behind Albert, Franz, Peppo, and Mercedes summarise the first four episodes. Not a lot of value in this feature.
(1:40)
Textless Opening and Closing Credits (1:32 & 1:35)
Several other titles from Madman.
NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.
Apart from NTSC formatting, the Region 1 release is identical to ours.
The Region 2 Japan release contains only two acts per volume which are quite expensive.
Gankutsuou is an excellent futuristic adaptation of The Count of Monte Cristo presented in a somewhat disconcerting style of animation. If you can embrace the style then the series looks set to be a highly enjoyable retelling of the classic novel - faithful but with a few clever twists of its own.
Video is excellent.
Audio is very good but sounds a little unnatural.
Extras are a little insubstantial, but decent.
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Extras | |
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Overall |
Review Equipment | |
DVD | Sony DVP-S336, using Component output |
Display | LG Flatron Widescreen RT-28FZ85RX. Calibrated with THX Optimizer. This display device is 16x9 capable. |
Audio Decoder | Built in to amplifier/receiver. Calibrated with Digital Video Essentials (PAL). |
Amplification | Yamaha RX-V357 |
Speakers | DB Dynamics Belmont Series: Fronts: B50F, Centre: B50C, Rears: B50S, Sub: SW8BR |