Captivity (2007) |
BUY IT |
General | Extras | ||
Category | Crime |
Featurette-Making Of-The Making of "Captivity" Alternate Ending-Alternate Ending Deleted Scenes-Deleted Scenes |
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Rating | |||
Year Of Production | 2007 | ||
Running Time | 81:16 | ||
RSDL / Flipper | No/No | Cast & Crew | |
Start Up | Menu | ||
Region Coding | 4 | Directed By | Roland Joffé |
Studio
Distributor |
Roadshow Home Entertainment |
Starring |
Elisha Cuthbert Daniel Gillies Pruitt Taylor Vince Michael Harney Laz Alonso Maggie Damon Chrysta Olson Carl Paoli Trent Broin |
Case | Amaray-Opaque | ||
RPI | $29.95 | Music | Marco Beltrami |
Video | Audio | ||
Pan & Scan/Full Frame | Full Frame |
English Dolby Digital 5.1 (448Kb/s) English Dolby Digital 2.0 (224Kb/s) |
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Widescreen Aspect Ratio | 2.40:1 | ||
16x9 Enhancement |
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Video Format | 576i (PAL) | ||
Original Aspect Ratio | 2.40:1 | Miscellaneous | |
Jacket Pictures | No | ||
Subtitles | English for the Hearing Impaired | Smoking | No |
Annoying Product Placement | No | ||
Action In or After Credits | No |
Opening with a scene of inexplicable grotesque torture, an unknown is dispatched before we cut to the actual story - model Jennifer Tree (Elisha Cuthbert) is stalked by a sicko who quickly captures her and confines her to a cell where she is psychologically tortured. Various ludicrous scenarios play out (for example, Jennifer is trapped inside a box which slowly fills with sand) and then the reprehensible reshot scenes kick in (find Jennifer forced to witness the death-by-acid murder of a previous victim with the threat of being disfigured and killed herself, then forced to drink the liquified bodyparts of another previous victim, and finally forced to witness the murder of her dog instead of die herself - this sound like fun viewing to you?) Inamongst all of this nausea, Jennifer befriends another captive, Gary (Daniel Gillies) who she falls in love with due to the miracle of terrible filmmaking.A series of obvious and yet unbelievable twists play out as the film culminates in its final nonsensical act before leaving the DVD player forever.
Aside from the unwatchable reshot scenes - all of which differ severely in execution and tone from the rest of the film - Captivity is excruciatingly boring, shot like a poor first year student film without style, pace or rhythm. The film looks terrible and amateurish, with unbelievable acting from the entire cast, and despite clocking in at barely 80 minutes feels like an eternity to sit through. I'm not against horror films that include heavy content - find amazingly graphic French horror masterpiece À l'intérieur one of my favourite films of the year (also destined never to appear in Australia due to the extreme content) but Captivity is shallow and tasteless in a way that makes similarly disappointing "torture porn" entries Saw and Hostel look like Oscar winners. Consider this review a warning: there's so many things you can do in 80 minutes to enjoy this short life of yours, or things you can do to help others. Your time is precious - do not waste it on Captivity.
This is a very bright and lucid video transfer that boasts very bright and stunning colours, but falters in dark scenes - a major problem since so much of Captivity takes place in the dark. It's not that there's an abundance of low level noise - it's that many dark scenes have no detail at all. Add to this problems with grain and ugly aliasing in various places (even the early titles at 0:33 suffer) and you end up with an ugly transfer that suggests the majority of the film was shot in digital when it really demanded film.
Fortunately the film lacks even minor artefacts and has no interlacing, and features strong detail whenever there is enough light onscreen to see anything.
There are English subtitles, which were accurate in the scenes I sampled.
Sharpness | |
Shadow Detail | |
Colour | |
Grain/Pixelization | |
Film-To-Video Artefacts | |
Film Artefacts | |
Overall |
Both tracks are workman-like, and both are nearly identical. There's some kick from the bass in some of the nastier scenes involving a sledgehammer, and when firearms are onscreen, but otherwise there's little action in that department; likewise the surround doesn't get much of a workout even in scenes where our kidnapper moves around Jennifer like the xenomorph from Alien. This is not unexpected given the quality of the DVD, however I'm surprised that a 5.1 track is even offered here, where other regions were offered DTS and EX tracks.
The soundtrack itself has various issues, including exchanges between Jennifer and Gary that we can barely hear due to awful mixing, and lots of unnatural sound effects that detract from any immersion whatsoever this film might have offered. Music by Marco Beltrami is completely forgettable and adds no tension or interest to scenes.
Dialogue | |
Audio Sync | |
Clicks/Pops/Dropouts | |
Surround Channel Use | |
Subwoofer | |
Overall |
NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.
The video and audio transfers both have problems and do not enhance the viewing in any way.
There is no abundance of extras but what is here may please fans of the film.
Video | |
Audio | |
Extras | |
Plot | |
Overall |
Review Equipment | |
DVD | Sony Playstation 3 (HDMI 1.3) with Upscaling, using Component output |
Display | Benq PE7700. Calibrated with Digital Video Essentials (PAL). This display device has a maximum native resolution of 720p. |
Audio Decoder | Logitech 5500 THX. Calibrated with Digital Video Essentials (PAL). |
Amplification | Logitech 5500 THX |
Speakers | Logitech 5500 THX |