Pathfinders: In the Company of Strangers (2011)
Trailer-x 6 but none for this film
|Year Of Production||2011|
|Running Time||91:40 (Case: 96)|
|RSDL / Flipper||Dual Layered||Cast & Crew|
|Start Up||Ads Then Menu|
|Region Coding||4||Directed By||Curt A. Sindelar|
Curt A. Sindelar
Michael Conner Humphreys
Jon Ashley Hall
|Pan & Scan/Full Frame||None||
English dts 5.1 (768Kb/s)
English Dolby Digital 5.1 (448Kb/s)
|Widescreen Aspect Ratio||2.35:1|
|Video Format||576i (PAL)|
|Original Aspect Ratio||2.35:1||Miscellaneous|
|Subtitles||English for the Hearing Impaired||Smoking||Yes|
|Annoying Product Placement||No|
|Action In or After Credits||No|
I recently reviewed the Blu-ray release of Pathfinders: In the Company of Strangers here. The following plot synopsis is adapted from that review. .
Pathfinders: In the Company of Strangers is “based upon the untold true story”: on the night before D-Day, a group of American pathfinders dropped into Normandy to mark the drop zones with beacons and lights for the paratroops who would spearhead the invasion of Nazi occupied France. As the story has it, the Pathfinders were a scratch team assembled from volunteers from different airborne units in the last weeks before D-Day. Their drop zone in Normandy turned out to be in the middle of a German infantry regiment, and they had only 30 minutes to set up the beacons that would guide the invasion’s paratroopers. The point is made that if they fail, the paradrops fail, so the invasion fails. One wonders if the fate of the invasion, and the war, would really rest on such a slender thread.
Pathfinders is not a good film. The dialogue and acting are strictly B-feature and the lack of a budget is always apparent. There are no wide establishing shots of the airborne camp, the airfield or the French countryside: instead we get to see one tent and one DC-3 on an open field. There are also numerous characters, mostly indistinguishable from each other, who mostly sit around talking. As well, the romantic subplot between Captain McRoberts (Christopher Serrone) and an English girl is poorly written and intrusive. Of the pathfinders, the few who do stand out include Lieutenant Weaver (Ryan Findley), Pfc. Livingstone (Michael Conner Humphreys) and Pfc. Rigs (Billy Reynolds).
Once the group parachute into France, the film does build some interest. In the dark, with scattered paratroopers in small groups wandering around bumping into Germans, the low budget restrictions can be more easily hidden – the darkness covers the lack of depth and detail and all you need is a few weapons and a few actors, no more than 5 or 6 in any scene. You can also get away with limited equipment – one open car, a motorcycle and a few soldiers in grey represent the German defenders. In these sequences the film does show the chaotic nature of hedgerow fighting in the dark, with gunfire fire and sounds coming from everywhere, and the film does build some tension as the soldiers try to set up the beacons in time to guide the incoming aircraft. Yet even here the pacing and editing is uneven: some shots are held static for a long time, seemingly at random, while in contrast profuse and jumbled intercutting and blurred camerawork give a very film school feel. It is if the directors try every technique they have been taught, sometimes in one scene, but it comes across as amateurish.
While Pathfinders tells a little known story about an undoubtedly brave group of men, the chunky dialogue, wooden acting, film school editing and miniscule budget undermine their story.
Pathfinders is presented in an aspect ratio of 2.35:1, which I suspect is the original ratio, and is 16x9 enhanced.
The colours have been desaturated: they are dull and drab with browns, khaki, greys and dull greens throughout. Skin tones thus took on a copper tone. Blacks were good, and shadow detail mostly OK, although there were some murky patches. However in the chaotic fighting in the dark, detail was acceptable. I did not notice any marks or artefacts.
The English subtitles for the Hearing Impaired are in a clear white font that, from the portion sampled, follow the dialogue exactly. Extra audio information is fairly limited.
Audio is a choice from English DTS 5.1 at 754 Kbps and Dolby Digital 5.1 at 448 Kbps. The DTS at this low Kbps sounds flat and muffled, and in fact in this instance the Dolby Digital is sharper, cleaner and should be selected.
Dialogue occasionally was indistinct, but it really didn’t matter as little of interest was being said. The surrounds were used for ambience, music and gunshots, but there were no panning effects worth noting. Gunshots from the various weapons were OK but the explosions of hand grenades were bland and lacking in oomph. The subwoofer was fairly subdued, mostly a rumble of ambient noise when the soldiers were in France and music.
The music is credited to Chris Hurn, Philip Delorenzo, Lilli Turner and Steve Averill. It did a reasonable job of supporting the visuals without being memorable.
Lip Synchronisation was fine.
|Surround Channel Use|
These trailers play on start up (and need to be individually skipped). They can also be selected from the “Extras” menu: The Bridge (1:07), Like Dandelion Dust (2:25), The Airlift (3:51), The Trial (2:03), Manolete (1:43) and The Debt (2:14).
There was no trailer for Pathfinders included although I know one exists as it appears on other Eagle titles I have recently reviewed. The company seems to have taken the decision not to include in the extras package the film’s trailer. I may be alone, but I do like a film’s trailer included to see how it was sold to audiences.
18 film images. Background music, use the remote to advance.
I could not find a current Region 1 US release. There is a Region B UK DVD release, but its specifications are not listed. Our release is fine.
Pathfinders: In the Company of Strangers is “based upon the untold true story” however the chunky dialogue, wooden acting, film school editing and minuscule budget do not do justice to these brave men.
The video and audio are nothing special but are OK. Extras are minimal.
|DVD||Sony BDP-S350, using HDMI output|
|Display||LG 42inch Hi-Def LCD. This display device has not been calibrated. This display device is 16x9 capable. This display device has a maximum native resolution of 1080p.|
|Audio Decoder||NAD T737. This audio decoder/receiver has not been calibrated.|
|Speakers||Studio Acoustics 5.1|