The Way We Were: Collector's Edition (1973)

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Released 11-Apr-2001

Cover Art

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Details At A Glance

General Extras
Category Drama Theatrical Trailer
Audio Commentary-Sydney Pollack (Director)
Biographies-Cast & Crew
Rating Rated PG
Year Of Production 1973
Running Time 113:29
RSDL / Flipper RSDL (80:26) Cast & Crew
Start Up Menu
Region Coding 2,4 Directed By Sydney Pollack

Sony Pictures Home Entertain
Starring Barbra Streisand
Robert Redford
Bradford Dillman
Viveca Lindfors
Herb Edelman
Murray Hamilton
Patrick O'Neal
Lois Chiles
Case Brackley-Trans-No Lip
RPI $36.95 Music Marvin Hamlisch

Video Audio
Pan & Scan/Full Frame None English Dolby Digital 2.0 mono (192Kb/s)
English Dolby Digital 5.1 (448Kb/s)
French Dolby Digital 2.0 mono (192Kb/s)
French Dolby Digital 5.1 (448Kb/s)
German Dolby Digital 2.0 mono (192Kb/s)
German Dolby Digital 5.1 (448Kb/s)
Widescreen Aspect Ratio 2.35:1
16x9 Enhancement
16x9 Enhanced
Video Format 576i (PAL)
Original Aspect Ratio 2.35:1 Miscellaneous
Jacket Pictures No
Subtitles English
French Audio Commentary
German Audio Commentary
Dutch Audio Commentary
Smoking Yes, well, it is a seventies movie after all
Annoying Product Placement No
Action In or After Credits Yes, freeze of last scene of film accompanied by Barbra

NOTE: The Profanity Filter is ON. Turn it off here.

Plot Synopsis

    They just don't make movies like The Way We Were any more - a sentimental, some would say even corny, love story along the lines of Love Story. Have you ever noticed that these days filmmakers seldom make pure romantic dramas without at least combining it with either action or comedy? It's almost as they are afraid of being labelled "soppy".

    Well, this film at least is not afraid of being labelled soppy, or sentimental, or corny. It has a strangely appealing (to me, at least) melancholic feel about it that you only find in movies made in the seventies - the sort of melancholy I sometimes experience sitting say on a porch or a balcony watching the rain, and I can almost hear the violins surging in the background playing Memories ...

    Katie Morosky (Barbra Streisand) is a Jewish girl who is a passionate fighter for political causes. At the beginning of the film we see her entering a nightclub after a hectic day at work where she meets a uniformed Hubbell Gardner (Robert Redford) who is so exhausted that he's sleeping whilst sitting upright on a bar stool. The film then takes us on a very extended flashback into their college years - it turns out they met each other in college.

    At the time, Katie was a outspoken campus eccentric who was the President of the Young Communist League and fighting against the fascist rule of Spain. She seemed to be working at least three part-time jobs in between being a political activist to try and make ends meet. She was strangely attracted to and repulsed by her emotional, social as well as intellectual opposite - White Anglo Saxon Protestant (WASP) Hubbell Gardner. Hubbell likewise seemed to be intrigued by her political convictions, her passion and her daring to be different.

    We then return back to the "present" of the nightclub. Katie takes the very sleepy Hubbell back to her place and gradually an unlikely love relationship develops between the two characters. The rest of the film is about them struggling to maintain their relationship in spite of their differences. Ultimately, neither of them are really willing or able to change their character for the other.

    The film covers a fairly lengthy and eventful set of years, ranging from pre-World War II through the anti-Communist McCarthy era of the fifties and finally to the "present" day (presumably the seventies).

    How will it end? Well, if you have never watched the film before, I won't spoil the ending for you. Movie buffs may be interested to spot a very young Lois Chiles (Moonraker and Death on the Nile) as Carol Ann and James Woods (Against All Odds, Any Given Sunday) as Frankie McVeigh.

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Transfer Quality


    For a film that's old enough to be your teenage daughter entering uni (it is coming up to 18 years old) this widescreen 2.35:1 transfer (with 16x9 enhancement) comes up surprising well.

    The film source is relatively clean, apart from various small marks here and there. Fortunately for a film of its age, grain is not really an issue.

    Sharpness and detail is consistently good, but the colour is just a little bit off (though this not really the fault of the transfer but more the film stock used during the period). Black levels for the transfer are quite good and demonstrate that some care has been taken during the telecine transfer.

    The only artefacts I can detect are occasional shimmering and aliasing, plus slight posterization on the faces every now and then.

    The film seems to have a very comprehensive list of subtitles. Even the audio commentary is subtitled into three languages (unfortunately not including English). I turned on the English subtitles. Apart from the occasional mistake every now and then, it is reasonably faithful to the audio track but does not contain any cues for the hearing impaired.

    This is a single sided dual layered disc (RSDL) with the layer change occurring at 80:26. Although the freeze is noticeable, it is not that annoying.

Video Ratings Summary
Shadow Detail
Film-To-Video Artefacts
Film Artefacts


    There are no less than six audio tracks on this disc (seven if you count the audio commentary track) in three languages (English, French, German). We get both the original mono soundtrack (Dolby Digital 2.0 mono encoded at 192 Kb/s) as well as a remixed version in Dolby Digital 5.1 (448 Kb/s) for each of the three languages. I listened to the English Dolby Digital 5.1 track.

    In general, I was quite impressed by the soundtrack given the age of the film and the fact that it was originally released in mono. Dialogue sounded clear and natural sounding (apart from very occasional scenes where the characters are whispering but even then you can catch what they are saying if you listen intently enough). There are no audio synchronization issues.

    Some have criticized the music soundtrack of this film as being overly repetitious - basically we get to hear the theme song ("Memories") played in just about every saccharine sweet and sentimental variation that you imagine. If you didn't particularly care for the tune to begin with, I think you will be pretty sick of it well before the end. Personally, I quite like the song, think it fits the film very well and didn't mind it at all. Right at the end, we get the full orchestral treatment with the theme song swelling to fill the loudspeakers accompanying Katie and Hubbell hugging each other. The effect is calculated to bring tears to your eyes and make you reach for the hankie. Well, it worked in my case. The music also sounded pretty full-bodied and rich which is again somewhat surprising given the age of the film.

    The original soundtrack is in mono and has been remixed into Dolby Digital 5.1. Needless to say, dialogue is still very much centred in front and the other speakers are mainly used for the music and very occasional ambient noises. The rear surrounds and subwoofer are hardly used but again that's not surprising.

Audio Ratings Summary
Audio Sync
Surround Channel Use


    This disc is billed as a "Collector's Edition" and comes with a reasonable set of extras, including a lengthy retrospective documentary and a director's commentary track. The menus are pretty uninspiring (no 16x9 enhancement) and seem to feature a lot of grain.

Theatrical Trailer (2:25)

    This main message promoted in this trailer seems to be that we will finally get to see Robert Redford and Barbra Streisand together in a romantic drama, which I suppose is a pretty powerful marketing message. It is presented in an aspect ratio of 1.85:1 with no 16x9 enhancement. The transfer is softer that that of the film, but is still quite acceptable. The soundtrack is in Dolby Digital 2.0. The trailer comes with French, German, and Dutch subtitles.

Featurette - "The Way We Were - Looking Back" (61:36)

    This is a fairly lengthy retrospective documentary (though not quite the 70 minutes as claimed on the packaging) featuring excerpts from the film (presented at 2.35:1 letterboxed with no 16x9 enhancement) together with interviews (presented in full frame) with:     What I really liked about this documentary is that it shows quite a lot of deleted scenes, some of which are quite intriguing. I would have liked to have been able to individually select each deleted scene from the menu, not to mention being able to watch a version of the film with some of the more critical deleted scenes added back in, but I respect director Sydney Pollack's final decision to omit these scenes. Notably absent from this documentary is Robert Redford.

    The documentary comes with French, German, and Dutch subtitles. Despite the length of the documentary, there are surprisingly few MPEG artefacts - which is a good sign as it means the DVD authors have not overly compressed it.

Audio Commentary

    This is one of the few commentaries that I have listened to (featuring director Sydney Pollack) that is not just about how the film was made and anecdotes about the cast and crew, but an actual commentary on the film itself - Sydney talks about some of the scenes and explains the motivation of the characters and what they were thinking. I found the commentary fascinating to listen to, although some might object to being "spoon fed" the interpretation of the film.

Biographies-Cast & Crew

    This features stills highlighting the talent profiles and filmographies of:

R4 vs R1

NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.

    The Region 4 version misses out on:     The Region 1 version misses out on:     All in all, I would rate both versions as essentially the same, apart from PAL vs NTSC formatting.


    I can't say I'm too displeased with The Way We Were - one of the classic romance films of all time presented on a DVD with the usual high standards of audio and video quality we've come to expect from Columbia Tristar, plus a reasonable collection of extras.

Ratings (out of 5)


© Christine Tham (read my biography)
Thursday, May 10, 2001
Review Equipment
DVDPioneer DV-626D, using Component output
DisplaySony VPL-VW10HT LCD Projector, ScreenTechnics 16x9 matte white screen (203cm). Calibrated with Video Essentials. This display device is 16x9 capable.
Audio DecoderBuilt in to amplifier/receiver. Calibrated with Video Essentials.
AmplificationDenon AVR-3300
SpeakersFront left/right: B&W DM603; centre: B&W CC6S2, rear left/right: B&W DM601

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