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PLEASE NOTE: Michael D's is currently in READ ONLY MODE. Anything submitted will simply not be written to the database.
Lots of stuff is still broken, but at least reviews can now be looked up and read.
An Audience with Billy Connolly (Universal) (1985)

An Audience with Billy Connolly (Universal) (1985)

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Released 5-Apr-2002

Cover Art

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Details At A Glance

General Extras
Category Comedy None
Rating Rated M
Year Of Production 1985
Running Time 50:25
RSDL / Flipper No/No Cast & Crew
Start Up Menu
Region Coding 4 Directed By Alasdair Macmillan
Studio
Distributor

Universal Pictures Home Video
Starring Billy Connolly
Case ?
RPI $36.95 Music None Given


Video Audio
Pan & Scan/Full Frame Full Frame English Dolby Digital 2.0 (224Kb/s)
Widescreen Aspect Ratio None
16x9 Enhancement No
Video Format 576i (PAL)
Original Aspect Ratio 1.33:1 Miscellaneous
Jacket Pictures No
Subtitles None Smoking No
Annoying Product Placement No
Action In or After Credits No

NOTE: The Profanity Filter is ON. Turn it off here.

Plot Synopsis

    An Audience With Billy Connolly was filmed live at the Albert Hall in 1985 for London Weekend Television. The audience is a veritable who's who of Britain - the camera moves over the audience on many occasions and each time a recognisable face is visible.

    The show only runs for 50 minutes and is extremely funny from start to finish. In fact, it is almost a disappointment to reach the end as all you want to do is start over. Billy Connolly has the ability to leave you gasping for breath with sore sides and tears in your eyes from the laughter. His skit about funny ads in the local paper including 'big slippers' is pure comedic genius.

    The chapter headings give a reasonable indication of the routines included in this show:

    Billy Connolly fans will recognise these and remember the routines that go with them - even my typing their names out has brought back the laughter that the routines invoked.

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Transfer Quality

Video

    Unfortunately, this transfer has been taken from a master that has been carried over a composite signal at some stage. This, combined with a most unfortunate choice for Billy's shirt, has lead to a number of problems, in particular cross colouration.

    The show is presented at 1.33:1 and of course is not 16x9 enhanced.

    Sharpness is pretty much what you would expect for a TV show recorded in 1985 - pretty good for the close-ups and pretty bad for the longer shots. There is not a great deal of shadow on the Albert Hall stage with all the lighting, but the blacks that are present are more grey than black and there is fair amount of low level noise present.

    There is also not a great deal of colourful material on offer. Billy is dressed in black and white clothing and the stage does not have any colourful backdrops. This is probably intentional as you are there to see and listen to the man. Skin tones are fairly accurate albeit a little washed out under the lights.

     There are no MPEG induced artefacts present. 50 minutes worth of video material with reasonable encoding fits onto a single layer with no problems. The problems arise from the fact that the material has been through a composite link at some stage. The most obvious effect of this is cross colouration. Billy's shirt, which has a black and white leopard skin pattern, is probably the worst possible choice for something to wear on TV. Depending on the level of close-up, the black and white pattern hits just the wrong frequency and breaks up into some of the worst cross colouration that I have seen. Blues and yellows are clearly visible, and as it changes as he moves it is somewhat distracting. There also a halo around the shirt. This does not appear to be edge enhancement as no other objects have the halo but some form of video ringing. The best example of all of the problems can be seen at 1:53. This also affects other parts of the image giving us a bit of shimmer. There is also quite a bit of video noise.

    There are no subtitles.

    This is a single layered disc.

Video Ratings Summary
Sharpness
Shadow Detail
Colour
Grain/Pixelization
Film-To-Video Artefacts
Film Artefacts
Overall

Audio

    The audio is a perfectly functional English Dolby Digital 2.0 soundtrack.

    Dialogue quality is spot-on throughout - you won't miss a single line of Billy's patter. There are no problems with the audio sync.

    There is no music, surround nor subwoofer activity.

Audio Ratings Summary
Dialogue
Audio Sync
Clicks/Pops/Dropouts
Surround Channel Use
Subwoofer
Overall

Extras

   This is a very bare bones disc. Nothing but the show is present.

Menu

    A very simple static menu with no music.

Censorship

    There is censorship information available for this title. Click here to read it (a new window will open). WARNING: Often these entries contain MAJOR plot spoilers.

R4 vs R1

NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.

    There does not appear to be a Region 1 version of this disc.

Summary

    If this has been censored it it is great shame. Either way, it is still 50 minutes of classic Billy Connolly, even if it was aimed at a TV audience.

    The combination of composite video and Billy's shirt is not a good one.

    The audio is perfectly functional

    Where oh where are the extras?

Ratings (out of 5)

Video
Audio
Extras
Plot
Overall

© Terry McCracken (read my bio)
Wednesday, March 13, 2002
Review Equipment
DVDSkyworth 1050p progressive scan, using RGB output
DisplaySony 1252Q CRT Projector, 254cm custom built 1.0 gain screen. Calibrated with AVIA Guide To Home Theatre. This display device is 16x9 capable.
Audio DecoderBuilt in to amplifier/receiver. Calibrated with AVIA Guide To Home Theatre.
AmplificationSony STR-DB1070
SpeakersB&W DM305 (mains); CC3 (centre); S100 (surrounds); custom Adire Audio Tempest with Redgum plate amp (subwoofer)

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