Pete Townshend-Music from Lifehouse (2000) |
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General | Extras | ||
Category | Music |
Booklet Menu Animation & Audio |
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Rating | |||
Year Of Production | 2000 | ||
Running Time | 100:20 | ||
RSDL / Flipper | RSDL | Cast & Crew | |
Start Up | Menu | ||
Region Coding | 2,4 | Directed By |
Hugo Currie Toby Leslie |
Studio
Distributor |
Warner Vision |
Starring | Pete Townsend |
Case | Soft Brackley-Transp | ||
RPI | $39.95 | Music | Pete Townsend |
Video | Audio | ||
Pan & Scan/Full Frame | Full Frame |
English Dolby Digital 5.1 (448Kb/s) English Linear PCM 48/16 2.0 (1536Kb/s) |
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Widescreen Aspect Ratio | None | ||
16x9 Enhancement | No | ||
Video Format | 576i (PAL) | ||
Original Aspect Ratio | 1.33:1 | Miscellaneous | |
Jacket Pictures | No | ||
Subtitles | None | Smoking | No |
Annoying Product Placement | No | ||
Action In or After Credits | No |
Following the phenomenal success of the rock opera Tommy, Pete Townsend from The Who decided to embark on a project of a similar nature yet larger and more ambitious in scope. The year was 1970 and the project was Lifehouse. A quote directly from the booklet that accompanies this disc is certainly the best way to provide some background to this story;
...it was originally planned as a film which would be an amalgam of science fiction, spirituality, eastern mysticism, rebellion, domination, and good rock and roll. It's a story set in post-apocalyptic society where environmental disaster has led to urban communities living indoors. Here, within the safety of their homes, the population live within their protective suits which are connected by cables to their TVs through which they are fed life experiences. Everything required to sustain the individual is provided this way: food, entertainment, news, advertising, even sex. All of this is under government control and censorship and is facilitated by a system known as The Grid.
A revolutionary hacks into The Grid and entices people to attend a real life event staged at the Lifehouse. This event just happens to be a rock concert performed by The Who, where those attending are able to remove their suits and experience the power of banned rock and roll.
When Pete Townsend announced this idea in 1971, the whole concept was either misunderstood, misinterpreted, or simply deemed impossible and too grand in scope to become reality. As a result, the film has never been made, and Pete Townsend has been carrying this project around with him for over thirty years in its incomplete form. A radio play was commissioned by the BBC in 1999, and this is also available as part of a six-CD box set that contains much of the original recordings and demos. This concert is not so much a culmination of the project, but simply a concert that sets out to celebrate the songs that are part of the Lifehouse experience. Maybe one day someone will come up with the funding for the film to become reality.
This disc features a concert performance that was recorded over two nights on February 25 and 26, 2000 at Sadler's Wells in London. Backed by the London Chamber Orchestra and a small band, Pete Townsend plays eighteen songs with the unbridled passion of someone who holds this whole project close to his heart. Songs featured include Song is Over, Baba O'Riley, and Won't Get Fooled Again, all of which appeared on The Who album Who's Next released in late 1971.
The following set is played in the one hundred minute performance;
1. Fantasia Upon One Note 2. Teenage Wasteland 3. Time Is Passing 4. Love Ain't For Keeping 5. Greyhound Girl 6. Mary 7. I Don't Know Myself 8. Bargain 9. Pure And Easy | 10. Behind Blue Eyes 11. Baba O'Riley 12. Let's See Action 13. Getting In Tune 14. Relay 15. Join Together 16. Won't Get Fooled Again 17. Song Is Over 18. Can You Help The One You Really Lve |
We are greeted with a transfer in the full screen aspect ratio of 1.33:1. Obviously there is no 16x9 enhancement.
This is not the greatest concert footage that I have experienced, which when the youth of the material is taken into consideration, is surprising. It is simply not as highly detailed or as sharp as some of the more recent titles I have viewed, but is still mostly pleasing nonetheless. There are some issues with shadow detail, though this would be more likely caused by the lighting for the show and is no doubt just as the audience present would have experienced it. There is no grain and no low level noise problems.
Overall, this is a fairly dark performance in terms of colour. With most of the performers wearing black clothing, they occasionally blend into the background. There is some of the usual concert-style intense blue lighting towards the end of the show that borders on oversaturation, but it is mostly well-controlled.
I noticed no MPEG artefacts. Video artefacts were also absent which was pleasing. Overall, this was a very clean transfer.
There are no subtitles present.
This disc is dual layered, but I was not able to spot the layer change.
Sharpness | |
Shadow Detail | |
Colour | |
Grain/Pixelization | |
Film-To-Video Artefacts | |
Film Artefacts | |
Overall |
There are two audio tracks available on this DVD for selection, a Dolby Digital 5.1 soundtrack at the higher bit-rate of 448 Kb/s and a PCM 2.0 soundtrack at 1536 Kb/s. I listened to the concert in its entirety with the Dolby Digital track and briefly sampled the PCM track on a couple of selected songs. The Dolby Digital 5.1 track is excellent, as is expected from all modern-day DVD releases of concerts. The listener is placed front and centre in the audience for much of the show and there is excellent separation of instruments and lyrics.
The lyrics were clear and well balanced in the overall soundmix. I noticed no audio sync problems.
There is in general some really great music on offer here. A real mix of acoustic, synthesised, and orchestral, all blended together to create a very distinct sound. A couple of the tracks are real gems and will definitely get repeat plays in my house. Songs such as Won't Get Fooled Again and Let's See Action are excellently performed.
There is a reasonable amount of surround activity, though mostly limited to the audience sounds. There are also scattered examples of various instruments being pushed to the rear channels particularly during Relay at 67:30.
The subwoofer is seamlessly integrated in the soundtrack, providing the right amount of low-end response when needed.
Dialogue | |
Audio Sync | |
Clicks/Pops/Dropouts | |
Surround Channel Use | |
Subwoofer | |
Overall |
There is not much on offer in the extras department, though the background information on the Lifehouse Project is a welcome addition.
An eight page booklet that explains in some detail the genesis of the Lifehouse project and how Pete Townsend came to put these shows on despite never fully realising the potential of the project as a whole.
NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.
Looks like the Region 1 disc is identical to the local product.
Fans of Pete Townsend and The Who will most certainly want this in their collections. While it lacks any extra content and the video is not up to the absolute high standard that I have come to expect, it is nonetheless an excellent disc with a very good Dolby Digital 5.1 soundtrack.
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Review Equipment | |
DVD | Loewe Xemix 5006DD, using RGB output |
Display | Loewe Calida (84cm). Calibrated with Video Essentials. This display device is 16x9 capable. |
Audio Decoder | Built in to amplifier/receiver. Calibrated with Video Essentials. |
Amplification | Harmon/Kardon AVR7000. |
Speakers | Front - B&W 602S2, Centre - B&W CC6S2, Rear - B&W 601S2, Sub - Energy E:xl S10 |