Rickie Lee Jones-Live at the Wiltern Theatre (1992) |
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General | Extras | ||
Category | Music | None | |
Rating | |||
Year Of Production | 1992 | ||
Running Time | 56:32 (Case: 58) | ||
RSDL / Flipper | No/No | Cast & Crew | |
Start Up | Programme | ||
Region Coding | 4 | Directed By | L. Johnson |
Studio
Distributor |
Umbrella Entertainment |
Starring |
Rickie Lee Jones Sal Bemard John Leftwich Mike O'Neil Keith Fiddmont Ed Mann Frank Morracco |
Case | Click | ||
RPI | $24.95 | Music |
Rickie Lee Jones Jimi Hendrix Richard Jones |
Video | Audio | ||
Pan & Scan/Full Frame | Full Screen, not known whether Pan & Scan or Full Frame | English Dolby Digital 2.0 (384Kb/s) | |
Widescreen Aspect Ratio | None | ||
16x9 Enhancement | No | ||
Video Format | 576i (PAL) | ||
Original Aspect Ratio | Unknown | Miscellaneous | |
Jacket Pictures | No | ||
Subtitles | English Titling | Smoking | No |
Annoying Product Placement | No | ||
Action In or After Credits | No |
I am no expert on Jazz so I had best describe the content of this disc by analogy. The music on this DVD reminds me of a big armchair, a very big, very padded reclining armchair...very laid back and relaxed.
Rickie Lee Jones released her first song in 1979 and has been entertaining audiences ever since. This disc features a live concert recorded at the Wiltern Theatre in 1992. The Wiltern Theatre is in Los Angeles and is supposed to be a fine example of art deco, though we see very little of the theatre on this disc. There are only a few stage spots in use and the majority of the picture is black...well, actually not quite black, which is one of the problems with this disc, but very dark nonetheless.
Rickie Lee Jones' web site is very interesting and she has obviously embraced the online concept fully. On her site you can purchase CDs as well as MP3 including full CD compilations or individual songs. You can also purchase the sheet music to her songs. It is a shame more artists do not do this.
1. Bye Bye Blackbird 2. Makin' Whoopee 3. It Must Be Love 4. The Last Chance Texaco 5. Up From The Skies 6. Dat Dere 7. I Won't Grow Up | 8. Don't Like Goodbye 9. We Belong Together 10. Coolsville 11. Easy Money 12. Moon Is Made Of Gold 13. Love Is Gonna Bring Us Back Alive |
The transfer is presented at an aspect ratio of 1.33:1 and is not 16x9 enhanced.
The image varies from soft to outright blurry. Shadow detail is also very poor and the black levels are terrible. If you look at just about any frame, outlines are very soft and blurred and there is a fair amount of video noise present as well.
There are very few colours present due to the lighting and the dark clothing worn by the artists. Where there is some light from a coloured spotlight, the colour is rendered reasonably.
There are a few MPEG artefacts such as some posterization on skin tones. An example can be seen at 34:42 on Jones' arm. There is also aliasing on some edges such as the white cloth behind Jones at 3:51. These artefacts are not obvious because they are mostly hidden in the blur.
There are no subtitles on this single sided single layered disc.
Sharpness | |
Shadow Detail | |
Colour | |
Grain/Pixelization | |
Film-To-Video Artefacts | |
Film Artefacts | |
Overall |
The solitary audio track is an English Dolby Digital 2.0 soundtrack with the surround flag set. This is strange as this is pretty much a mono soundtrack. Surround decoding it causes the audio to settle into the centre channel with little happening in either the mains or the surrounds. There really isn't a soundstage at all.
The dialogue quality of the songs is pretty good. I could understand most of the lyrics. Some of the comments in between the songs were a little hard to catch sometimes. There did not appear to be any problems with the audio sync.
If you are into modern Jazz then you may already have some of Rickie Lee Jones' songs in your collection and know her style of music. The rest can go to her website and listen to some of the sample MP3s to see if this is your kind of music.
There is a very small surround presence, more by accident than by design, but it is barely audible.
I was disappointed with the bass on this disc although this may be how it was intentionally mixed. The double bass is very quiet and there are only a couple of instances of the drums using the subwoofer.
Dialogue | |
Audio Sync | |
Clicks/Pops/Dropouts | |
Surround Channel Use | |
Subwoofer | |
Overall |
NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.
There is a Region 1 version of this disc as well as a Region 2 version available but information is sketchy and reviews non-existent. Unless the video suffered during the NTSC to PAL conversion I have to assume the video is the same. The audio, at least in Region 1, may be PCM rather than Dolby Digital but even that is hard to confirm.
.
The video is VHS quality or worse.
The audio is pretty much mono.
There are no extras apart from the subtitles feature at the start of each song.
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Audio | |
Extras | |
Plot | |
Overall |
Review Equipment | |
DVD | Skyworth 1050p progressive scan, using RGB output |
Display | Sony 1252q CRT Projector, Screen Technics matte white screen 16:9 (223cm). Calibrated with AVIA Guide To Home Theatre. This display device is 16x9 capable. |
Audio Decoder | Built in to amplifier/receiver. Calibrated with AVIA Guide To Home Theatre. |
Amplification | Sony STR-DB1070 |
Speakers | B&W DM305 (mains); CC3 (centre); S100 (surrounds); custom Adire Audio Tempest with Redgum plate amp (subwoofer) |