| Rare Birds (Rental) (2001) |   | 
 
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| General | Extras | ||
| Category | Comedy | Main Menu Audio Theatrical Trailer | |
| Rating | ? | ||
| Year Of Production | 2001 | ||
| Running Time | 96:57 | ||
| RSDL / Flipper | No/No | Cast & Crew | |
| Start Up | Menu | ||
| Region Coding | 4 | Directed By | Sturla Gunnarsson | 
| Studio Distributor |  Universal Pictures Home Video | Starring | William Hurt Andy Jones Molly Parker | 
| Case | ? | ||
| RPI | Rental | Music | Jonathan Goldsmith | 
| Video | Audio | ||
| Pan & Scan/Full Frame | None | English Dolby Digital 5.1 (448Kb/s) English Dolby Digital 2.0  (224Kb/s) | |
| Widescreen Aspect Ratio | 1.78:1 | ||
| 16x9 Enhancement |  | ||
| Video Format | 576i (PAL) | ||
| Original Aspect Ratio | Unknown | Miscellaneous | |
| Jacket Pictures | No | ||
| Subtitles | None | Smoking | Yes | 
| Annoying Product Placement | No | ||
| Action In or After Credits | No | ||
This transfer, which is 16x9 enhanced, has been made in an aspect ratio of 1.78:1. I wasn't able to find out the original aspect ratio but I'll venture it was 1.85:1.
    While there was no sign of low level noise, and the shadow  detail was very good, the most disappointing aspect of this transfer was that it  was lacking in sharpness. Note, however, that there was one scene, starting at  18:38, which intentionally used soft focus to distinguish a dream  sequence from the rest of the story. There's also some very slight edge  enhancement, but this is not frequently apparent.
 
    A very vivid full colour palette is on display in this  movie, which makes extensive use of bright colours and beautifully captures the  stunningly coastline and rugged landscape of Newfoundland. Unfortunately, there  is some colour bleeding which can be seen occasionally such as at 48:40  and 18:45. 
 
    Some very subtle aliasing can be seen from time to time if  you look really closely. The only significant problem is the quite  noticeable pixelization from time to time. I didn't  spot a single film artefact.
 
No subtitles are provided.
    As this is a single layer disc so there is no layer  change.
| Sharpness |    | 
| Shadow Detail |     | 
| Colour |      | 
| Grain/Pixelization |    | 
| Film-To-Video Artefacts |      | 
| Film Artefacts |      | 
| Overall |    | 
    Two English audio tracks are provided: the default is  Dolby Digital 5.1 and the alternative track is Dolby Digital 2.0 surround  encoded. I listened to the 5.1 track in its entirety and sampled the 2.0 track.  The 5.1 audio provides a slightly richer sound and, of course, has the advantage  of the dedicated LFE channel which is used to good effect in this sound track.
 
    The dialogue is mostly clear,  but the odd word is hard  to understand because of the accents. For this reason there are a few times when  the subtitles would have been handy. 
 
    There were no audio sync problems. 
 
    The subtle musical score by Jonathan Goldsmith  nicely complemented the story.
 
    All channels are used to generate a 360 degree sound-field  to place you right inside the movie. While this is not an action film there are  still a number of opportunities available to use directional sound effects and  this movie makes the most of these particularly with respect to the front  channels.
 
    The subwoofer is used quite effectively on a number of  occasions, primarily to accentuate the effect of the sea breaking on the rocks.
| Dialogue |    | 
| Audio Sync |      | 
| Clicks/Pops/Dropouts |      | 
| Surround Channel Use |      | 
| Subwoofer |     | 
| Overall |     | 
    The extras are limited to just a trailer. 
 
    The 1.78:1 aspect ratio menu is 16x9 enhanced and features  Dolby Digital 2.0 mono audio. No animation is provided. 
 
NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.
The Region 4 version of this disc misses out on:
The Region 1 version of this disc misses out on:
Since the R4 is a rental only disc at this stage, fans of the movie should hope that when it's released to buy it will contain the additional features of the R1 while keeping the Dolby Digital 5.1 audio track.
Rare Birds is a quirky comedy that is only likely to appeal to a select audience. If you liked Waking Ned Devine then I'll venture that you'll like this movie too.
The video quality was a disappointing due a number of problems but mostly because of the lack of sharpness..
The audio quality is very good except for some hard-to-understand dialogue.
The extras are limited to a single trailer.
| Video |    | 
| Audio |     | 
| Extras |  | 
| Plot |    | 
| Overall |    | 
| Review Equipment | |
| DVD | Pioneer DV-515, using S-Video output | 
| Display | Sony VPL-VW10HT LCD Projector, ScreenTechnics 16x9 matte white screen (254cm). Calibrated with AVIA Guide To Home Theatre. This display device is 16x9 capable. | 
| Audio Decoder | Built in to amplifier/receiver. Calibrated with Video Essentials. | 
| Amplification | Yamaha RXV-995 | 
| Speakers | Front L&R - B&W DM603, Centre - B&W LCR6, Rear L&R - B&W DM602, Sub - Yamaha YST-SW300 |