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PLEASE NOTE: Michael D's is currently in READ ONLY MODE. Anything submitted will simply not be written to the database.
Lots of stuff is still broken, but at least reviews can now be looked up and read.
Beyond the Mat (1999)

Beyond the Mat (1999)

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Released 7-Feb-2001

Cover Art

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Details At A Glance

General Extras
Category Wrestling Theatrical Trailer
Biographies-Cast & Crew
Rating Rated M
Year Of Production 1999
Running Time 98:14
RSDL / Flipper No/No Cast & Crew
Start Up Menu
Region Coding 2,4 Directed By Barry W. Blaustein
Studio
Distributor
Imagine Entertainmnt
Universal Pictures Home Video
Starring Mick Foley
Jake "The Snake" Roberts
Terry Funk
The Rock
Vince McMahon
Case Amaray-Transparent
RPI $36.95 Music Nathan Barr


Video Audio
Pan & Scan/Full Frame Full Screen, not known whether Pan & Scan or Full Frame English Dolby Digital 2.0 (192Kb/s)
Widescreen Aspect Ratio None
16x9 Enhancement No
Video Format 576i (PAL)
Original Aspect Ratio 1.33:1 Miscellaneous
Jacket Pictures No
Subtitles None Smoking Yes
Annoying Product Placement No
Action In or After Credits No

NOTE: The Profanity Filter is ON. Turn it off here.

Plot Synopsis

    As the biggest wrestling fan on the site, I simply had to review Beyond The Mat. This is evidence to show people who insist that wrestling is fully scripted and who say that wrestlers don't get hurt, because they do.

    Director Barry W. Blaustein has been a wrestling fan his entire life and when the opportunity arose to create a film of his favourite pastime, he jumped at the chance. Taking around five years to acquire all the footage and information, he created a film on what I still call the "Male Soap Opera", but it wasn't always like that. It's a film about what wrestlers go through to entertain the crowd and to make it bigger and better. But it is also a film about what happens after wrestling.

    The film follows three wrestlers in particular; Terry Funk, Mick Foley (otherwise known as Mankind/Cactus Jack/Dude Love) and Jake "The Snake" Roberts. Beyond The Mat shows that there is a lot more to wrestling than what happens in the ring. Most of the wrestlers have issues that they need to deal with, especially Jake Roberts and his estranged daughter.

    For a more recent fan like myself (I started to watch wrestling consistently in around 1998), this documentary is very insightful and did make me think of what some of the wrestlers go through to get to where they are today. Just being able to get a trial with one of the big wrestling organizations (WWF, WCW) was hard enough, but to be considered was something else.

    If you're a wrestling fan, see this film. If you're not, see it anyway, as it appeals to non-fans too - my mother even watched it, and normally she hates all forms of wrestling.

Don't wish to see plot synopses in the future? Change your configuration.

Transfer Quality

Video

    This is a transfer only limited by its source materials. It is presented in an aspect ratio of 1.33:1 and is not 16x9 enhanced.

    This film was shot on 16mm film and also on videotape, giving it a documentary look and feel. The difference between the two types of footage is instantly noticeable. Take Chapter 3 for instance - it was obviously shot on film due to the rough look it has and the large amounts of grain present. The clarity of the transfer fluctuates during the film. For the most part, it is a little soft and diffuse, although the scenes filmed on video do improve on this when compared to the ones shot on film. Shadow detail is very limited for the most part, especially in the scenes shot in the WWF arena. Low-level noise was spotted at 8:15. This further backs up my assertion that some of the film was shot with analogue video equipment.

    Colour was satisfactory, without being vibrant. Reds, such as the large amount of blood in this film, showed up well.

    As stated above, grain was a major problem in the transfer, but this is to be expected from 16mm film which is normally quite grainy. Some spots were exhibited on the print. No real mastering problems existed in this transfer, except for small cases of aliasing such as the one at 5:40.
  

Video Ratings Summary
Sharpness
Shadow Detail
Colour
Grain/Pixelization
Film-To-Video Artefacts
Film Artefacts
Overall

Audio

   A lacklustre audio transfer accompanies the film.

    The only audio track on this disc is an English Dolby Digital 2.0 mix, which I listened to.

    Most of the dialogue (Blaustein's narration) has been looped over the film and is easily understandable, while other dialogue recorded on location such as some of Jake Robert's answers are very indistinct and nearly incomprehensible. As no ADR work as such is used on a film like this, you have to expect such things, although subtitles would have been a welcome addition.

    The audio sync was perfect.

    The mix itself sounds very monophonic, with all of the sound blended into the centre of the sound field. Beyond The Mat was originally recorded in Dolby Surround, but that has not been reproduced here unfortunately.

Audio Ratings Summary
Dialogue
Audio Sync
Clicks/Pops/Dropouts
Surround Channel Use
Subwoofer
Overall

Extras

    A rather pitiful selection of extras are present on this disc.

Menu

    A static screen of a few wrestlers featured in the film. No music or animation is present.

Theatrical Trailer (2:22)

    Presented in an aspect ratio of 1.33:1, it is not 16x9 enhanced. It is quite grainy but does compare to the main feature.

Biographies (5)

    Biographies for Mick Foley, Terry Funk, Jake "The Snake" Roberts, The Rock and Director Barry W. Blaustein.

R4 vs R1

NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.

    There are two versions of this film available in Region 1, a normal R-rated version and an Unrated Director's Cut, although they are the same supplement-wise.

    The Region 1 misses out on:

    The Region 4 misses out on:     The winner by far is Region 1. If you must have this disc then import it, as I will be doing.

Summary

    Beyond The Mat is an excellent film.

    The video quality is great for what could be done with limited source materials - too bad the source materials couldn't have been in better condition.

    The audio quality is acceptable but boring.

    The extras should have been better. Much better.

Ratings (out of 5)

Video
Audio
Extras
Plot
Overall

© Andrew Siers (I never did my biography in primary school)
Wednesday, February 28, 2001
Review Equipment
DVDPioneer DV-626D, using Component output
DisplayToshiba 34N9UXA. Calibrated with Video Essentials.
Audio DecoderBuilt in to DVD player.
AmplificationYamaha CX-600 Pre-Amp, Yamaha MX-600 Stereo Power Amp for Mains, Yamaha DSP-E300 for Center, Teac AS-M50 for Surrounds.
SpeakersMain Left and Right Acoustic Research AR12s, Center Yamaha NS-C70, Surround Left and Right JBL Control 1s

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