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PLEASE NOTE: Michael D's is currently in READ ONLY MODE. Anything submitted will simply not be written to the database.
Lots of stuff is still broken, but at least reviews can now be looked up and read.
Dungeons & Dragons: Special Edition (2000)

Dungeons & Dragons: Special Edition (2000)

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Released 12-Oct-2001

Cover Art

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Details At A Glance

General Extras
Category Fantasy Main Menu Introduction
Main Menu Audio & Animation
Scene Selection Anim & Audio
Audio Commentary-C Solomon (Dir/Prod), D Milsome (DoP), D Ameson (RPG Creat)
Audio Commentary-C Solomon (Dir/Prod), J Whalin (Act), D Ameson (RPG Creator)
Theatrical Trailer
Featurette-B-Roll
Featurette-Making Of
Production Notes
Biographies-Cast & Crew
Alternate Ending-+/- Director's commentary
Deleted Scenes-11 +/- Director's commentary
Featurette-Let The Games Begin
Multiple Angles-Special Effects Demonstration (4x3)
CD-ROM-Baldur's Gate II Demo
Interviews-Cast-Accessed through biographies
Rating Rated M
Year Of Production 2000
Running Time 103:26 (Case: 107)
RSDL / Flipper RSDL (81:31) Cast & Crew
Start Up Menu
Region Coding 4 Directed By Courtney Solomon
Studio
Distributor

Magna Home Entertainment
Starring Justin Whalin
Marlon Wayans
Thora Birch
Zoe McLellan
Kristen Wilson
Lee Arenberg
Bruce Payne
Jeremy Irons
Case C-Button-Version 2-Dual
RPI $34.95 Music Justin Caine Burnett


Video Audio
Pan & Scan/Full Frame None English Dolby Digital 5.1 (384Kb/s)
English Audio Commentary Dolby Digital 2.0 (192Kb/s)
English Audio Commentary Dolby Digital 2.0 (192Kb/s)
English dts 5.1 (768Kb/s)
Widescreen Aspect Ratio 1.85:1
16x9 Enhancement
16x9 Enhanced
Video Format 576i (PAL)
Original Aspect Ratio 1.85:1 Miscellaneous
Jacket Pictures No
Subtitles None Smoking No
Annoying Product Placement No
Action In or After Credits No

NOTE: The Profanity Filter is ON. Turn it off here.

Plot Synopsis

    I shall start this review with a disclaimer: I have always been a huge fan of high-fantasy. My favourite movie of all time is Army Of Darkness, and I would gladly trade all sci-fi movies for one more high-fantasy. Dungeons & Dragons is a high-fantasy movie, so if you absolutely cannot stomach the thought of wizards, dragons, and an epic struggle between good and evil, then you can stop reading right now. If the idea of escaping into a fantasy world for an hour and a half sounds appealing, then read on...

    Dungeons & Dragons is the grand-daddy of all Role Playing Games (RPGs). For those that do not know, an RPG is a game usually played in groups. Each player takes on a character, or "role", that they will guide through the forthcoming adventures. The game is not so much about beating up on enemies, although there often is a lot of that as well, as attempting to remain faithful to the character in every situation. Where do these situations come from? They are either taken from source material, or created anew by the game "referee" - the all-powerful player who is in charge of ensuring that the game is as interesting as possible. The referee (known as a Dungeon Master in Dungeons & Dragons) can place characters for the players to interact with, treasure for them to find, and perilous situations for them to encounter. These games can take place in any setting it is possible to imagine. Since its inception in the early 70s, Dungeons & Dragons or D&D as it is generally known, has progressed through many forms and revisions, but of late has been seen as somewhat passé, for its generally combat-oriented gameplay stunts real character growth. But in late 2000, with new Third Edition rules having just been released that gave the game a dramatic overhaul, D&D was almost ready to make a comeback. It was into this environment that Dungeons & Dragons was released.

    Set in the nation of Izmer, created especially for this film, Dungeons & Dragons is the tale of two thieves, a mage, a dwarf, and an elf who by a twist of fate must help the Empress Savina (Thora Birch) wrest control of the Council of Mages from the evil archmage Profion (Jeremy Irons). Izmer society is dominated by mages - while ruled by an Emperor (or Empress), it is governed by the Council of Mages. Empress Savina wants to redress this balance, and give the non-mage residents of Izmer a say in determining their own destiny. Understandably, Profion does not like the idea, and would rather do away with the Empress to wrest full control of Izmer for himself. There is only one problem - the Royal Scepter controlled by the rulers of Izmer. The Scepter give the wielder the power to control Gold dragons (in the worlds of D&D, Gold dragons are intelligent, and good creatures), and Savina could use it to enforce her views upon the Council. To overcome this problem, Profion convinces the council to ask for the Empress to hand her Scepter into their keeping. Desperate for a solution, Savina is told by her advisor Vildan (Edward Jewesbury) of the Rod of Savrille, an artefact that, like her Scepter, can control dragons (Red dragons, considered to be the most evil type of dragon in the world of D&D). Unfortunately, Profion learns of the existence of the rod as well, and sends the leader of the Crimson Brigade, Damodar (Bruce Payne), to beat its location out of Vildan.

    It is at this point that the paths of thieves Ridley (Justin Whalin) and Snails (Marlon Wayans) cross that of Vildan's apprentice, Marina (Zoe McLellan). Unfortunately for the three of them, they witness Damodar's interrogation, and Vildan sends the map with the Rod's location to Marina - instantly making them the next target. What follows is a race to find the Rod of Savrille first, with the winner gaining the top spot in the struggle to control Izmer. Along the way, the three heroes are joined by the Dwarven berzerker Elwood (Lee Arenberg) and the Elven tracker Norda (Kristen Wilson), encountering many of D&D's favourite creatures including Orcs and my personal favourite - Beholders, and in the best tradition of D&D, there is even a trap-filled dungeon.

    Dungeons & Dragons is one of the most entertaining adventure films released in a long time, and certainly the best this year (and is certainly better than its genre-partner The Mummy Returns). I'm not saying it is a quality film - it is not. What it is, is an exquisite piece of entertainment. It always surprises me when people go into a film like this and come out complaining that they didn't see award-winning performances and a script masterpiece. The acting is both terrible (I'm looking at you Bruce Payne) and very good. The story is really too epic - it should have concentrated on a smaller topic than the fate of the empire, and it cannot be denied that there are a few too many moments where it tries to be serious. For the most part however, the script doesn't take itself too seriously, usually allowing entertainment value to come first over pretensions of a theme and teaching the audience a message. The one aspect that really lifts this film however, is a gutsy plot move that you do not see coming. To reveal what that is would destroy one of the key sequences of the film, so you will have to trust me.

    Performance-wise, the main cast do a superb job. Justin Whalin in particular is excellent as Ridley, but that may have something to do with the fact that he had been attached to this project for over three years, earning himself an Associate Producer credit. Zoe McLellan is very good and perfectly cast for the role of Marina, being believably pretty, vulnerable, and powerful all at once, and refreshingly is not blonde! Marlon Wayans is the real surprise here. His performance is able to hit both comic relief and the necessary emotional depths - and this is especially impressive when you consider that he was only available for four days of shooting. From there, the performances go down hill. Kristin Wilson is passable as Norda, while Lee Arenberg proves that he was cast as the dwarf Elwood simply due to his lack of height, and not for any ability at acting. Bruce "over the top" Payne is at it again here, delivering some of the most ham-fisted attempts at appearing menacing that have ever been recorded onto film - but I still cannot resist enjoying his performances. It is in the big-name, glorified cameo roles that the least entertaining performances are found. I can only reason that Jeremy Irons and Thora Birch have become used to having the luxury of many takes to get it right, and that simply was not available to them on this film. Having to deliver lines such as "All people deserve to be free and equal, whether commoner or mage!" with any form of sincerity certainly would not have helped however.

    As you can probably guess, I love this film. It is pure B-grade, and pure entertainment at its best. Expect bad, and you'll have a ball, and probably be pleasantly surprised to boot. If you find yourself thinking "this is totally unbelievable", remember that the title is Dungeons & Dragons.

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Transfer Quality

Video

    The transfer presented here is of a very high quality, with only one real problem that never really becomes obvious but always threatens.

    Presented in its original theatrical aspect ratio of 1.85:1, this transfer is 16x9 enhanced.

    The sharpness of the transfer is where the only worry about its quality lies. While all foregrounds are very sharp and nicely detailed, backgrounds often quite indistinct. This would seem to be a problem with over-compression, as the backgrounds almost continuously display a light amount of pixelization. While this never really becomes overly obvious (largely due to the nicely detailed foregrounds), it has more of a "sub-conscious" effect giving the impression that the transfer is just slightly off. There is also a small problem with grain, although it really only breaks out wholesale on sky shots during the fight sequence at 59:47. The shadow detail is brilliant, displaying even very fine detail in the darker scenes. The transfer exhibits no low-level noise.

    The colours are brilliantly rendered, coming up in sumptuous detail. The scenes in the magic school (such as at 11:08) are particularly impressive, whilst forests come up in beautiful green detail.

    As mentioned previously, there is a constant level of background pixelization present that is most likely due to the squeezing of the DTS soundtrack onto this disc. There is also a small amount of aliasing, but it is mostly minor, the worst offenders being at 1:40 on a rope, and 29:25 on some lattice-work roofing.

    This disc contains no subtitles at all.

    This disc is an RSDL disc, with the layer change occurring at 81:31, during Chapter 14. It takes place just after a scene change on a brightly lit frame, and is extremely obvious, although as no dialogue was disrupted, it could have been worse.

Video Ratings Summary
Sharpness
Shadow Detail
Colour
Grain/Pixelization
Film-To-Video Artefacts
Film Artefacts
Overall

Audio

    The is the best audio transfer I have ever encountered on DVD, bar none.

    There are four audio tracks available on this DVD. The original English dialogue is available in both Dolby Digital 5.1 at the standard bitrate of 384 KB/s, and DTS 5.1 at half bitrate. In addition, two audio commentary tracks are available, both in Dolby Digital 2.0, surround encoded. I listened to all soundtracks in their entirety.

    Dialogue is clear and easy to understand at all times, which is no mean feat given the battle scenes later in the movie, with effects never drowning out dialogue. In general, sound mixing was superb, with the score, effects and dialogue all coming together to produce a very impressive audio experience.

    There were no problems with audio sync whatsoever during this transfer.

    The score is provided by Justin Caine Burnett, and what a score it is. This is the most sumptuous and sweeping orchestral score that I have ever heard, and for me it ranks as my pick for greatest movie score of all time. The main Dungeons & Dragons theme is one of the most moving pieces of music I have ever heard, and as it recurs later in the movie, it sends shivers down the spine. For this reason, it is somewhat of a shame that an isolated score could not have been included in place of one of the audio commentaries. An interesting side note is that the score was recorded at the ABC studios in Perth by the West Australian Philharmonic Orchestra, but is not available for purchase in Australia. The only downside is the 4% PAL speedup, as it changes the dynamic of the score at some points, which is somewhat disappointing.

    Were you wondering why you bought a surround-sound system? You won't be after you play this disc. The surround channels are used constantly throughout, providing score, ambient effects and action sequence effects. This soundtrack contains the most obvious stereo rear imaging I have ever encountered, and will become your new demo disc to prove to your friends why surround sound is so good.

    The subwoofer track is superb, adding bass to both effects and the score. The rumble released when the dragons start their thing will simply blow you out of your chair.

    Comparing the DTS and Dolby Digital tracks is quite interesting. I would have to say that the honours go to DTS this time, although only just. The DTS track simply has more depth and carries the score just a little better. One factor in favour of the Dolby Digital track is that it appears to have better imaging in the surround channels, although again, only just.

Audio Ratings Summary
Dialogue
Audio Sync
Clicks/Pops/Dropouts
Surround Channel Use
Subwoofer
Overall

Extras

    Magna Pacific have billed this as a Special Edition, and that is exactly what they have delivered. This disc is supplied with a boat-load of extras that will provide many hours of extra entertainment for fans of the film. All except one of the extras presented on the R1 New Line Platinum Series disc have been replicated here, and there are even two additional extras the R1 did not receive.

Menu

    The main menu is animated and presented with a Dolby Digital 5.1 soundtrack that you will certainly appreciate if you have a sub-woofer. The menu itself is well laid out and very easy to navigate, although the current selection highlighter updates are somewhat slow. To enter the "Special Features" menu, you must pass a trivia game that asks three questions about the movie. While this is quite easy if you have seen the movie many times, some answers are not straight forward (although you can work them out via trial and error without too many problems). The major problem with this situation is that the audio setup, as with all recent Magna Pacific discs I have seen, is in the special features menu - and is thusly hidden from anyone who has yet to see the movie and would like to hear the DTS soundtrack instead of the default Dolby Digital. While this is an interesting idea, I think the execution needs to be improved somewhat (or at least the audio selection moved back into the main menu).

Feature Commentary - Courtney Solomon (Producer/Director), Doug Milsome (Director of Photography), and Dave Arneson (D&D Game Creator)

    For this commentary, Courtney Solomon and Doug Milsome were recorded together, while Dave Arneson's comments are injected in the quieter moments of the Solomon/Milsome commentary. This technique leads to a somewhat uneven commentary, as Arneson's comments are generally not as interesting, and often do not directly refer to the action as it happens on screen (although there are at least some moments in this commentary when they do). There is even an amusing repetition of one comment from Arneson at two points in the track. Despite this, it is still an interesting track to listen to. There is a decent amount of background technical information given out, especially regarding lighting (as you would expect when the Director of Photography is one of the people involved in the commentary). While the information is better, this commentary does not have the energy of the other, and as such is not as easy to listen to.

Feature Commentary - Courtney Solomon (Producer/Director), Justin Whalin (Actor/Associate Producer), and Dave Arneson (D&D Game Creator)

    As with the other commentary, Courtney Solomon and Justin Whalin are recorded together, while Dave Arneson's comments are inter-cut into the quieter moments. This commentary is the superior of the two, as Solomon and Whalin seem to get on very well together and play off each other nicely (although I should point out that Courtney Solomon must have one of the most annoying laughs known to man, and you get a lot of it here, especially early on). The two give some interesting behind the scenes information, although there is little of a technical nature here, more just anecdotes, background information, and details of what would have been made if the budget was $100 million. None of Dave Arneson's comments are specific to the action on screen during this commentary.

Theatrical Trailer (2:30)

    Presented in full frame with a Dolby Digital 2.0 soundtrack, this trailer is showing signs of being over-compressed, and suffers from a severe grain problem. This is also the American trailer, as given away by the MPAA ratings logo at the start. Interestingly, this extra is presented in 1.85:1 and 16x9 enhanced on the R1, with a 5.1 soundtrack, which makes the inclusion of the American trailer on our disc all the more strange. The trailer itself is quite good, and lets the audience know quite well what they are getting themselves in for (and still people complain that the movie is too silly).

Featurette - Let The Games Begin (14:37)

    Presented in 1.78:1 and 16x9 enhanced, and with Dolby Digital 2.0 sound, this feature covers the history of the Dungeons & Dragons role playing game. It is quite an interesting documentary and certainly worth the watch, featuring interviews with many involved in the D&D game, including the president of Wizards of the Coast, the owners of the D&D franchise.

Featurette - Making Of (19:25)

    As with Let The Games Begin, this featurette is presented in 1.78:1 and is 16x9 enhanced, with Dolby Digital 2.0 sound. It is considerably more interesting than the standard promotional making of special, giving some very interesting background details. Well worth watching.

Deleted Scenes - 12 (including alternate ending)

    The deleted scenes are presented separately with optional director's commentary for each. All scenes are 16x9 enhanced and presented with Dolby Digital 2.0 sound. There are 12 in all, including the alternate ending, and annoyingly there is no "play all" button. The quality of the scenes is very good, being generally as good as that of the main feature, although some contain less than final visual effects (a cardboard cut-out wraith for instance).

Special Effects Deconstruction - Multi-Angle (4 scenes, 3 angles)

    This feature contains four scenes from the movie, with each scene presented in three stages of development. The stages start with raw footage of actors, and storyboards for any shot full effect shots, then move through simplistic animatics to the final scene.

Production Notes

    These are quite interesting, although the grammar leaves a little to be desired. The text is somewhat difficult to read, being rendered in a "ye-olde-worlde" style.

Biographies - Cast & Crew

    These are quite detailed, although a little out of date (Marlon Wayans' biography refers to the "upcoming" Requiem For A Dream). Once the last page is reached, an option to view an interview with the respective cast member becomes available. There are biographies and interviews for all the principal cast (Jeremy Irons, Thora Birch, Justin Whalin and Marlon Wayans - the two share the interview, Kristin Wilson, Lee Arenburg, Bruce Payne, Zoe McLellan, and director Courtney Solomon). There is also a biography sans interview for Director of Photography Douglas Milsome.

B-Roll (9:44)

    This is video footage made of the filming and the actors rehearsing. It is presented in an aspect ratio of 1.33:1 with Dolby Digital 2.0 sound and is only of mild interest.

DVD-ROM - Demo Baldur's Gate II

    This demo is included on an additional CD-ROM. I did not install this demo - but that is only because I already have the full game. This is a demo for the sequel to the biggest selling game in Australia in 1999, and simply put, if you install it you can expect your free time to drop to zero. BG:II is an official Advanced Dungeons & Dragons 2nd Edition computer game, and will take you on a high-fantasy adventure through the world of the Forgotten Realms (not related to the world of Izmer which was created for the movie).

R4 vs R1

NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.

    The Region 4 version of this disc misses out on;     The Region 1 version of this disc misses out on;     The only real worry for the R4 disc is the lack of English subtitles (although the fastplay game would be interesting to those keen to try their hand at D&D for the first time), but given the two additional extras, and the DTS soundtrack, I will say this is a firm win for R4 - and that is quite an achievement as the R1 is a New Line Platinum Series disc.

Summary

    Forget about The Mummy Returns - Dungeons & Dragons is easily the best strictly B-Grade adventure movie released this year, and it is presented on a brilliant DVD.

    The video quality is brilliant, falling just short of reference quality thanks to a few problems with background detail loss.

    The audio is absolutely of reference quality, and is easily the best DVD soundtrack I have ever heard.

    The extras are phenomenal, being one of the most comprehensive extras packages I have encountered on a single disc. There is well over 6 hours of entertainment here, not including the Baldur's Gate II demo that includes some 30 hours of play time.

Ratings (out of 5)

Video
Audio
Extras
Plot
Overall

© Nick Jardine (My bio, it's short - read it anyway)
Monday, October 08, 2001
Review Equipment
DVDPioneer DV-535, using S-Video output
DisplayRCA 80cm. Calibrated with Video Essentials. This display device is 16x9 capable.
Audio DecoderBuilt in to amplifier/receiver. Calibrated with Video Essentials.
AmplificationOnkyo TX-DS787, THX Select
SpeakersAll matching Vifa Drivers: centre 2x6.5" + 1" tweeter (d'appolito); fronts and rears 6.5" + 1" tweeter; centre rear 5" + 1" tweeter; sub 10" (150WRMS)

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