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PLEASE NOTE: Michael D's is currently in READ ONLY MODE. Anything submitted will simply not be written to the database.
Lots of stuff is still broken, but at least reviews can now be looked up and read.
Phil Collins-Live and Loose in Paris (1997)

Phil Collins-Live and Loose in Paris (1997)

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Released 18-Sep-2000

Cover Art

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Details At A Glance

General Extras
Category Music Menu Audio
Booklet
Rating Rated G
Year Of Production 1997
Running Time 88:08 (Case: 90)
RSDL / Flipper No/No Cast & Crew
Start Up Menu
Region Coding 2,3,4,5,6 Directed By David Mallet
Studio
Distributor

Warner Vision
Starring Phil Collins
Case Super Jewel
RPI $39.95 Music Phil Collins


Video Audio
Pan & Scan/Full Frame Full Frame English Linear PCM 48/16 2.0 (1536Kb/s)
English Dolby Digital 5.0 (384Kb/s)
Widescreen Aspect Ratio None
16x9 Enhancement No
Video Format 576i (PAL)
Original Aspect Ratio 1.33:1 Miscellaneous
Jacket Pictures No
Subtitles English
English for the Hearing Impaired
Smoking No
Annoying Product Placement Yes, Toyota sponsored concert
Action In or After Credits No

NOTE: The Profanity Filter is ON. Turn it off here.

Plot Synopsis

    Phil Collins - Live and Loose in Paris is an edited recording of a concert given by Phil Collins at the Omnisports Theatre in Paris in 1997. I use the word "edited" to refer to the fact that gaps and pauses between songs seem to have been eliminated as well as, I suspect, most of the on-stage banter (if there had been any), not to the odious practice of editing or "splicing" to correct "mistakes" made during a live performance. In fact, Phil Collins take some pains to note in the booklet that this has not been done.

    For those of you who don't know who Phil Collins is, he was the drummer, and eventually the lead singer, of seventies rock group Genesis before launching a very successful solo career in the eighties. The world seems to be divided into people who like Phil and people who loathe him, and fortunately I fall into the former category. I think his third solo album, No Jacket Required (which won a Grammy for Album of the Year 1985), is an absolute masterpiece and I'm happy to see 3 songs from that album represented in this concert (Don't Lose My Number, Long Long Way To Go and Sussudio). It would have been nicer if he had also included Take Me Home, as I've heard some pretty wild live versions of that, but I guess I can't have everything.

    In this concert, Phil is joined by a fairly large group of musicians, including a brass section, male and female backup singers, plus the usual assortment of guitarists, drummers and keyboard players.

    The Omnisports theatre is an unusual venue for a concert performance since the stage is circular and in the middle surrounded by audience. However, Phil and co. make the most of this through stage antics that include running in circles around the perimeter of the stage, each member of the band facing a different direction towards different sets of audiences and even right at the very end taking several bows in different parts of the stage.

    The first song, Hand in Hand, features some nicely improvised vocalisations. The energy level of this concert seems to be set at 11, except right at the end Phil somehow manages to notch it up even higher to 12. In the middle are a few slower numbers, such as Another Day In Paradise and (one of my personal favourites) the theme song from the film Against All Odds. Separate Lives features a really nice harmonisation and solo spots between Phil and his two backup singers. Wear My Hat features some zany hat changing and the last two songs Something Happened On The Way To... and Sussudio really bring the house down.

    In addition to being the lead singer, Phil Collins played the drums on some of the songs and the keyboard on 1 or 2 songs.

    All in all, this is a really enjoyable concert and one that I would highly recommend to all fans of Phil Collins around the world.

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Track Listing

1. Hand In Hand
2. Hang In Long Enough
3. Don't Lose My Number
4. Another Day In Paradise
5. Against All Odds (Take A Look At...
6. Lorenzo
7. Separate Lives
8. Long Long Way To Go
9. In The Air Tonight
10. Dance Into The Light
11. Wear My Hat
12. Something Happened On The Way To...
13. Sussudio

Transfer Quality

Video

    This appears to be a full frame transfer, although the IMDB states that the German Region 2 version of this DVD has a widescreen 16x9 enhanced transfer.

    In general, the transfer is reasonably good, with consistently high levels of sharpness, black levels and excellent colour saturation. I suspect this concert may have been recorded directly onto digital video, or at least a very good quality analogue master. Unfortunately, the quality of the transfer is marred by persistent aliasing and pixelization, perhaps caused by over-compression (the DVD authors have opted to fit a 90-minute feature together with both a Dolby Digital 5.1 and PCM audio tracks onto a single sided single layered disc).

    The disc comes with two subtitle tracks, an English track containing lyrics to the songs sung and one that actually transcribes the dialogue spoken in between songs (not that there was a lot).

Video Ratings Summary
Sharpness
Shadow Detail
Colour
Grain/Pixelization
Film-To-Video Artefacts
Film Artefacts
Overall

Audio

    There are two audio tracks on this disc: English Linear PCM 48/16 2.0 (1536 Kb/s), and English Dolby Digital 5.0 (384 Kb/s).

    The Dolby Digital 5.0 audio track appears to be a native 5.1 mix (rather than a stereo track remixed into surround sound). Usage of the rear channels was rather aggressive, with some instruments (notably percussion) mixed directly into the rear speakers. Audience noises are spread across all channels.

    Despite the use of the lower encoding bitrate, this is a pleasing and full sound track, but does sound rather harsh compared to the PCM audio track. I preferred the PCM audio track to the Dolby Digital track for the ballads, but there is no doubt that the extra speakers increase the excitement of the high energy songs.

    I did not detect any issues pertaining to audio synchronisation.

    Neither audio tracks make use of the subwoofer (unless of course your receiver or processor's bass management circuit comes into play). The track does not feature a lot of low-frequency content below say 100 Hz but it still sounds bassy enough for all but couch-shaking aficionados.



Audio Ratings Summary
Dialogue
Audio Sync
Clicks/Pops/Dropouts
Surround Channel Use
Subwoofer
Overall

Extras

    Given the decision to fit the concert onto a single layered disc, I would have been surprised if there were any extras on this disc, and there are none.

Menu

    The menus are full frame and include background audio.

Booklet

    This is a four page booklet containing a track listing, a brief note from Phil Collins (mentioned in the Plot Synopsis) and colour pictures taken from the concert.

R4 vs R1

NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.

    I could not find any details about the Region 1 Release of this disc from the usual web sites. I suspect the disc is a future release for Region 1 and therefore details have not yet been confirmed. The IMDB claims that the German Region 2 version of this disc is in 1.85:1 widescreen, but I suspect this is an error.

Summary

    Phil Collins - Live and Loose in Paris is a really enjoyable concert that will no doubt please his fans. My only complaint is that it is too short and not enough songs are played. It is presented on a DVD with a reasonable video transfer (though marred by persistent aliasing and pixelization), and excellent audio transfers (Dolby Digital 5.0 and PCM). There are no extras to speak of.

Ratings (out of 5)

Video
Audio
Extras
Plot
Overall

© Christine Tham (read my biography)
Wednesday, October 17, 2001
Review Equipment
DVDPioneer DV-626D, using Component output
DisplaySony VPL-VW10HT LCD Projector, ScreenTechnics 16x9 matte white screen (203cm). Calibrated with Video Essentials. This display device is 16x9 capable.
Audio DecoderBuilt in to amplifier/receiver. Calibrated with Video Essentials.
AmplificationDenon AVR-3300
SpeakersFront and rears: B&W CDM7NT; centre: B&W CDMCNT; subwoofer: B&W ASW2500

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