Carnivale-Complete First Season (2003) |
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General | Extras | ||
Category | Drama |
Main Menu Introduction Main Menu Audio & Animation Synopsis-Episode Synopses Notes-Series Index Audio Commentary-Director/ Creator/ Exec. Producer - Episodes 1, 2, and 10 Featurette-Making Of |
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Rating | |||
Year Of Production | 2003 | ||
Running Time | 607:07 (Case: 606) | ||
RSDL / Flipper |
Dual Layered Multi Disc Set (6) |
Cast & Crew | |
Start Up | Menu | ||
Region Coding | 2,4,5 | Directed By |
Todd Field Dan Lerner Jack Bender Rodrigo García |
Studio
Distributor |
Warner Home Video |
Starring |
Michael J. Anderson Adrienne Barbeau Patrick Bauchau Clancy Brown Debra Christofferson Tim DeKay Clea DuVall Cynthia Ettinger John Fleck Carla Gallo Toby Huss Amy Madigan Diane Salinger |
Case | ? | ||
RPI | $89.95 | Music |
Jeff Beal Lisa Coleman Jon Ernst |
Video | Audio | ||
Pan & Scan/Full Frame | None |
English Dolby Digital 5.1 (384Kb/s) English Dolby Digital 2.0 (192Kb/s) French Dolby Digital 2.0 (192Kb/s) Hungarian Dolby Digital 2.0 (192Kb/s) English Audio Commentary Dolby Digital 2.0 (192Kb/s) |
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Widescreen Aspect Ratio | 1.78:1 | ||
16x9 Enhancement |
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Video Format | 576i (PAL) | ||
Original Aspect Ratio | 1.78:1 | Miscellaneous | |
Jacket Pictures | No | ||
Subtitles |
English French Hungarian Dutch Arabic Danish Finnish Greek Hebrew Norwegian Polish Portuguese Swedish English for the Hearing Impaired |
Smoking | Yes |
Annoying Product Placement | No | ||
Action In or After Credits | No |
Carnivale is an odd slow burn of a show. It starts out strong, with a pilot episode that raises far more questions than answers, and really scares the senses out of you. The next couple of episodes are likewise strong and engaging. Thereafter it seems to die off a little, which left this reviewer asking - What happened?
Set in Depression-era 1920s America, the show follows loner and escaped convict Ben Hawkins (Nick Stahl), who after watching his mother die on the family farm that has been turned into a dustbowl by vicious winds is rescued by the crew of a travelling carnival run by the enigmatic midget Samson (Michael J. Anderson). Hawkins is no ordinary boy – he has the power to heal just by putting his hands on someone. But the power is more like a curse, because for everything he heals, something else has to die.
In opposition to Hawkins is the highly religious Brother Justin Crowe (Clancy Brown), an evangelistic preacher who has dark and mysterious powers which he often uses to further his religious aims. However, despite all his good intentions, his plans for charity and redemption are consistently destroyed. These two – Hawkins and Crowe – are set pieces in a much larger war of good and evil about which neither of them has any clue.
Carnivale is very much like David Lynch’s Twin Peaks, full of nightmare imagery and a constant underlying mystery with both psychological and supernatural elements – how much is real, how much is fantasy? Unfortunately, after the initial few episodes, it takes a long time for the story to develop, bogging itself down in minor subplots that do not really add much to character development or story development. Some later episodes are still very effective, and if you can stick with it, it is rewarding. But it does travel a little slowly sometimes for my liking, and I’m a fan of The Sopranos and Deadwood, which are not exactly high-paced adrenalin-fuelled shows like the early seasons of E.R..
The following is a breakdown of how these episodes are distributed across the 5 discs of this season. For those of you who need a complete episode summary, you can get one at TV.com.
There are a lot of Twin Peaks overtones here, although it definitely lacks the quirky humour, instead opting for a dark and serious undertone. But the air of mystery, the dark characters, the surrealist nightmares – it’s all there in spades. And despite its slow middle, it does deliver well with its final two episodes - The Day Of The Dead and The Day That Was The Day.
Although Carnivale would only last two seasons, I think there’s a lot to be said for shows like this for viewers like me who do not generally appreciate the mainstream, and if you were at all a fan of Twin Peaks I highly recommend that you check this out. I have not yet seen the final episodes from Season 2, but I am looking forward to them. While this show would have been almost unbearable on TV given its slow burn pace, on DVD it is a winner.
Shot on Super 35 in an aspect ratio of 1.78:1, 16x9 enhanced, mastered in High Definition and broadcast on ABC HD in 576p, this transfer is stunningly good, and probably only a little below par compared with transfers such as Star Trek: Enterprise – Season 4 and Band Of Brothers.
The picture is quite sharp and well defined. Colour saturation is excellent, and balance is also well maintained.
Shadow detail is good, with some overall graininess in lower lit scenes which I think has to do with the film stock used. The graininess is never excessive.
There are no MPEG artefacts or distracting film-to-video transfer artefacts. My only quibble is some extremely minor background aliasing.
Dirt is pretty much non-existent.
Subtitles are available in an extensive range as set out above. They are white with a black border, clear and easy to read, and the English subtitles follow the dialogue fairly closely.
The tops of these discs claim that they are all dual layer discs, but I didn’t spot any dual layer pauses. Chances are the layer change falls in between the episodes.
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Audio is available in English in Dolby Digital 5.1 Surround (384Kb/s), and in English, French and Hungarian in Dolby Digital 2.0 Surround (192Kb/s). The other tracks, while passable and presenting no problems, were certainly thinner.
Dialogue is clear and easy to understand (during the times it is meant to be well understood).
There was some excellent use of surrounds here (check out some of the blizzard scenes in Black Blizzard), as well as good use of atmospherics from the surrounds during ordinary non-intensive surround scenes.
The score by Jeff Beal, Lisa Coleman and Wendy Melvoin is given an excellent mix here. Haunting and oddly whimsical, it suits this show to the core, although I did notice that they borrowed some of Hans Zimmer’s epic score from Terence Malick’s masterpiece The Thin Red Line in a few places. Got to say I’m not much of a fan of “borrowing” music from movies.
The English 5.1 Dolby Digital track has some outstanding subwoofer use, particularly for surround effects and in some of those awful (in a good way) surrealist nightmares. Creepy.
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The main menus are presented in 1.78:1, 16x9 enhanced, with a short lead in of Tarot Cards, each with a character’s face on them. The main menu itself shows several cuts from the series, but nothing that really gives anything away. The main menus have a 2.0 Dolby Stereo audio track. The other menus are static and silent.
Presented in 2.0 Dolby Surround, the following episodes have audio commentaries:
This is a set of stills with episode summaries.
Presented in 1.78:1 letterboxed in a 1.33:1 frame, 2.0 Dolby Surround, this is a fairly promotional “making of” featurette, but has some decent interviews with the creators.
NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.
The R1 release looks to be identical in content except for:
Packaging is much of a muchness for me, so I’m calling it a draw. Buy whichever is cheapest.
Carnivale is a slow burn that would have been arduous and painful on TV, but on DVD is highly rewarding despite a slow middle. Scary, intriguing, and full of haunting imagery.
The DVD transfer is excellent, and has just the right balance of extras.
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Overall |
Review Equipment | |
DVD | Momitsu V880N Deluxe, using DVI output |
Display | Sony VPL-HS50 LCD Cineza Projector with HP 80" Widescreen (16:9) HDTV Mobile Projector Screen. Calibrated with Video Essentials/Digital Video Essentials. This display device is 16x9 capable. |
Audio Decoder | Built in to amplifier/receiver. Calibrated with Video Essentials/Digital Video Essentials. |
Amplification | Marantz SR7000 |
Speakers | Digital Accoustics Emerald 703G - Centre, Front Left & Right, Rear Left & Right Satellites, Subwoofer |