Tarzan
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Details At A Glance
General
|
Extras
|
Category |
Animation/Adventure |
Trailers - Preview (3)
Featurette - From Burroughs To Disney
Featurette - Making Of The Music
Featurette - Tarzan Goes International
Music Video - Strangers Like Me
Music Video - You'll Be In My Heart
Featurette - Trashin' The Camp
Featurette - Building The Story
Storyboard Comparison (1)
Deleted Scenes (3 with Introduction)
Trivia Game
Storybook
Trailer - Dinosaurs |
Rating |
|
Year Released |
1999 |
Running Time |
84:48 minutes |
RSDL/Flipper |
RSDL (64:28) |
Cast & Crew
|
Start Up |
Menu |
Region |
2,4 |
Director |
Kevin Lima
Chris Buck |
Studio
Distributor
|
Warner Home Video
|
Starring |
Tony Goldwyn
Minnie Driver
Glenn Close
Rosie O'Donnell
Brian Blessed
Nigel Hawthorne
Lance Henriksen
Wayne Knight |
Case |
Transparent Amaray |
RPI |
$36.95 |
Music |
Mark Mancina |
Video
|
Audio
|
Pan & Scan/Full Frame |
No |
English (Dolby Digital 5.0, 384
Kb/s) |
Widescreen Aspect Ratio |
1.66:1 |
16x9 Enhancement |
|
Theatrical Aspect Ratio |
1.66:1 |
Miscellaneous
|
Macrovision |
?Yes |
Smoking |
No |
Subtitles |
English for the Hearing Impaired |
Annoying Product Placement |
No |
Action In or After Credits |
No |
Plot Synopsis
After a couple of completely digitally animated features
through the DVD player, it is somewhat of a pleasure to have a more traditional-looking
animated feature to review. Why? To me, traditional animation is much more
of an art and a craft, whereas digital animation is too much into the realm
of science. Perfection might be a wondrous goal in animation, but it is
the achieving of that perfection by traditional means that has the greatest
meaning. However, it does have to be recognized that traditional animation
in reality does not exist anymore. Whilst Tarzan is a wonderful
example of animation, it is also a stunning example of the combination
of the traditional with the computer, for quite simply there are significant
portions of this film that simply could not be done any other way other
than through the computer. This blending of animation has been coming for
a while now, and even such traditional animated features as Beauty
And The Beast contained some examples of computer generated animation.
Tarzan merely extends that blending to an even greater extent, mainly
by the use of software called Deep Canvas, which is responsible
for much of the quite stunning jungle animation here. The evidence of how
good animation can be is seen here. Whilst there is no denying that other
studios have been catching up with Disney in the area of animated features,
there is also little doubt that Disney are the ones that keep on raising
the level that has to be attained in order to wrest the mantle of greatest
animation studio from them. Whilst Dreamworks has come extremely close
with The Prince Of Egypt, my view is that this effort just
puts Disney back in the driver's seat.
Like so many of the Disney wonderful legacy of animated
features, the broad story is quite well known and its translation under
the guidance of the Disney studio has involved an awful lot of bastardization.
However, this process also tends to result in an interesting (read commercially
beneficial) retelling of a familiar story, and this is certainly such an
instance, as well as making a couple of obvious points about life. Shipwrecked
as a child, Tarzan (Tony Goldwyn) has a troubled early life as his
parents, after surviving the shipwreck, are killed by a tiger. Rescued
from the clutches of that same tiger by a gorilla known as Kala (Glenn
Close), Tarzan is raised as part of the gorilla family lead by Kerchak
(Lance Hendriksen). As he grows, Tarzan becomes a bigger part of
the troublesome element of the family, especially as he tries to become
part of the gang, which includes his friend Terk (Rosie O'Donnell).
He grows up to be the quintessential ape man. Trouble is never far away,
and in this story it comes in two forms - man and woman. Taking the lesser
evil first, Archimedes Porter (Nigel Hawthorne) and his daughter
are in search of gorillas and are being aided by Clayton (Brian Blessed),
a man whose loyalty is to the huge sums of money he can get for capturing
live gorillas. As a result of the second evil, namely Porter's daughter
Jane (Minnie Driver), the besotted Tarzan and his ravaging hormones
foolishly lead Clayton to the family thus exposing them to great danger.
Where do Tarzan's loyalties lie?
The story is well crafted and this is a very tight
film as a result. Still, the story still gives plenty of scope for the
obligatory laughs, as well as allowing a few old friends from previous
films to make cameos. In that regard, this story is actually one of the
better recent efforts, as the interest level is kept quite high throughout,
even though the usual "I saw that coming a mile away" clichés still
abound, but what would a Disney animated feature be without the obligatory
Disney saccharine? The other usual formula approach of a couple of catchy
tunes by a well-known name is also rolled out here, although the choice
is a little unusual for the talent - Phil Collins. The results are
suitably acceptable, even if not quite up to the standards set in some
of the earlier films, notably The Lion King. The main theme song
did of course walk off with the Oscar for Best Song, but that is pretty
much a Disney tradition too by now. Another generally well-cast effort
here, with notable performances from Minnie Driver as the proper
English lady turned ape man lover and Nigel Hawthorne as Archimedes
O. Porter - the quintessential British gentleman actor voicing the typical
English explorer. One especially interesting casting is that of Rosie
O'Donnell as the young female gorilla Terk - I don't know who came
up with this piece of casting, but I am still trying to work out if it
is the work of a genius or a madman. But above all else here you have to
see the animation. This is stunning stuff, even by Disney's lofty standards,
and it is difficult to imagine how they are going to top it. The superb
work is especially exemplified in the intricate detail of the backgrounds,
which really are utterly amazing. There have been certain landmark features
amongst the many that Disney have done - Snow White And The Seven
Dwarfs obviously, The Jungle Book
and The Lion King amongst them - that have raised the level
of animation. Tarzan now joins that list.
Tarzan is an utterly superb piece of animation
backing up a good story that is very nicely brought to the screen. This
is Disney at its absolute best as far as animated features go and this
should not be missed.
Transfer Quality
Video
Let's see know - can you spell perfect? How about superb?
Well, whatever superlative you want to use, the spelling is exactly the
same - T-A-R-Z-A-N.
The transfer is presented in an aspect ratio of 1.66:1,
and it is 16x9 enhanced. This is perhaps the one downer on the whole show,
as the original theatrical ratio was 1.85:1 according to most sources I
checked out.
This is short and very sweet: utterly magnificent
sharpness, unbelievably detailed, superb clarity. Quite simply that is
it - in a word: perfect. And don't even mention grain or low level noise
- non-existent. When you look up the words reference quality in the DVD
dictionary, it will simply say Tarzan.
The use of colour here is stunning in every way.
Superb rendering that leaves no room at all for any quibbles about lack
of vibrancy, oversaturation, undersaturation or bleed. This is a rare gem
where everything just seemed to blend so well, so that even the colour
rendering of night scenes made characters stand out in a wonderfully subdued
way.
As far as I can see, there is not a blemish on this
transfer at all. Nothing. Sorry if you want huge detail here, but I don't
have the superlatives to describe this wonderful transfer.
This is an RSDL
formatted disc, and the layer change comes at 64:28.
It is quite well placed, not especially noticeable nor especially disruptive
to the flow of the film at all. Certainly it could have been a little better,
but not by much!
Video Ratings Summary
Sharpness |
|
Shadow Detail |
|
Colour |
|
Grain |
|
Film-to-Video Artefacts |
|
Film Artefacts |
|
Overall |
|
Audio
Matching the video transfer is a wonderful English Dolby
Digital 5.0 soundtrack. Some may quibble about the lack of a full Dolby
Digital 5.1 soundtrack, but in reality it is not missed at all.
The dialogue comes up extremely well in the transfer
and there is nothing but the usual animation sync problems here.
The original music for the film comes from Mark
Mancina, and this is a very decent one indeed. Unfortunately, it gets
overshadowed completely by the Phil Collins songs, a fate that has
befallen many a Disney score in similar comparisons in recent animated
features.
The lack of the bass channel is another example of
the restraint used by Disney to minimize the aural impact upon younger
viewers, which in this instance is a bit wasted since for some reason that
escapes me this has been slapped with a PG rating. Complain all you like
though, since the Region 1 release is similarly bass-less, there is not
much relief to be had, and that would be the only complaint about the soundtrack,
for otherwise it is superb. Some lovely surround channel ambience, and
some wonderful encompassing soundscapes make this a joy to listen to.
Audio Ratings Summary
Dialogue |
|
Audio Sync |
|
Clicks/Pops/Dropouts |
|
Surround Channel Use |
|
Subwoofer |
|
Overall |
|
Extras
For once, Disney have given us something of an extras
package! Just when you thought it was time to give up on them, they do
this to you. Mind you, it is not quite the Collector's Edition that Region
1 have got, but a good step in the right direction as far as I am concerned.
Menu
Whilst they are all 16x9 enhanced, they have no other
enhancement at all. Pity that as I am sure that some of those songs would
have sounded quite good over the top of the menus. Functional, if a little
clunky in the transition between menus.
Preview Trailers (3:46)
When you fire up the DVD, you get launched into
- an advert! Yes, you get three consecutive preview trailers - for The
Little Mermaid II: Return To The Sea, The Tigger Movie
and
Toy Story 2 - as the advertising
material from Disney. If you don't skip it (you can scan through it or
press Menu to skip them), do not be tempted to hit the Preview Trailers
item on the first Bonus Materials menu - otherwise you will get to see
them again. All three are presented in Dolby Digital 2.0 sound and are
not 16x9 enhanced: the first two are in a Full Frame format whilst the
third is in an aspect ratio of 1.85:1. I don't object too much to advertising
on DVDs, as long as it is skippable, but to call the advert an extra is
a bit much.
Featurette - From Burroughs To Disney (2:34)
Edgar Rice Burroughs himself first raised the
possibility of Walt Disney doing an animated Tarzan feature over
sixty years ago, so you could say it has taken a long time to get this
project to fruition. This effort, like most of the featurettes on the DVD,
are basically three minute short electronic promotional kit style efforts
that really give a glossed-over account of the topic. They really are not
a good substitute for a proper sixty minute documentary. Presented in a
Full Frame format, not 16x9 enhanced and with Dolby Digital 2.0 sound.
Featurette - Making Of The Music (2:43)
This short effort is predominantly interview
material with Phil Collins. Presented in a Full Frame format, not
16x9 enhanced and with Dolby Digital 2.0 sound. Not especially inspiring
stuff and no substitute at all for a good length documentary.
Featurette - Tarzan Goes International (2:19)
If you happen to have the Region 1 release of The
Prince Of Egypt, you will recall the feature on the vocal casting
of the various dubbed versions of the film with the whole thing being demonstrated
by one sequence from the film. This is the Tarzan equivalent with Phil
Collins singing one of the songs he wrote in five or six languages,
seamlessly segued together into one song. Presented in a Full Frame format,
not 16x9 enhanced and with Dolby Digital 2.0 sound. Mildly interesting
but... no substitute at all for a good length documentary.
Music Video - Strangers Like Me (2:52)
Sung by Phil Collins, and presented in
a Full Frame format, not 16x9 enhanced and with Dolby Digital 2.0 sound.
Music Video - You'll Be In My Heart (4:07)
Sung by Phil Collins, and presented in
an aspect ratio of 1.85:1, not 16x9 enhanced and with Dolby Digital 2.0
sound. The video itself is a little weird in its presentation within the
context of this package.
Featurette - Trashin' The Camp (2:07)
This shortish effort is a behind-the-scenes look
at the recording of the song with
N-Sync. I presume they are some
popular group of the day. Presented in a Full Frame format, not 16x9 enhanced
and with Dolby Digital 2.0 sound. Not especially inspiring...
Featurette - Building The Story (3:07)
Exactly what it says - a look at how the story
was written. Presented in a Full Frame format, not 16x9 enhanced and with
Dolby Digital 2.0 sound. Not especially...
Storyboard Comparison (3:16)
Now we get to something a little more inspiring.
Whilst we only get one scene, it is not a bad one - the opening sequence
to the film. Whilst this could be better seen on a larger screen, this
is a fascinating comparison between the original storyboard concepts of
the sequence and the final film version presented in an aspect ratio of
1.85:1 picture in picture style. It is not 16x9 enhanced and comes with
Dolby Digital 2.0 sound. Not especially... oops, sorry. This is perhaps
the best item in the extras package, although the next is also worthy...
Deleted Scenes
Called abandoned scenes in the program for the
simple reason that they really are not deleted scenes, as they never got
out of the concept stage. There are three scenes, with an accompanying
introduction from producer Bonnie Arnold. The scenes are:
-
Alternate opening (1:45)
-
Terk discovers human camp (2:14)
-
Riverboat fight (3:27)
The reasons why they were dropped are espoused
in the introduction. They are presented in an aspect ratio of 1.85:1, are
not 16x9 enhanced and come with minimal Dolby Digital 2.0 sound. A quite
fascinating look at story concepts that were never adopted in the final
film - and with good reason.
Trivia Game
Answer questions about the film - get the answers right
and you get a rendition of the famed
Tarzan jungle cry. Get
the answers wrong, and you get a suitable jungle inspired raspberry. At
least I think that is how it works. Truly essential stuff - not.
Storybook (10:32)
The kiddies can get a short, ten minute storybook adaptation
of the film, which they can either have read for them or they can read
themselves. Suffice to say that I did not bother checking this one out
too extensively, but it seemed decent enough if you are in the target age
group - which given the PG rating may be a tad difficult.
Sneak Peak - Dinosaurs (4:47)
This is just short of five minutes and really
is just an appetizer to get you along to watch one of the most expensive
Disney productions ever, the computer animated feature Dinosaurs.
If this is anything to go by, it is a superb piece of work from the technical
point of view. Presented in an aspect ratio of 1.85:1, it is 16x9 enhanced
and comes with Dolby Digital 5.1 sound. Based upon this little example,
it leaves Jurassic Park for
dead as far as animation is concerned.
R4 vs R1
Tarzan is released in Region 1 in two forms:
a plain jane single DVD, and as a super-dooper two DVD Collector's Edition.
The most appropriate direct comparison is the single DVD issue, from which
the Region 4 release misses out on:
-
DVD-ROM content
-
Dolby Digital 5.0 soundtrack at 448 Kb/s bitrate
-
Different selection of preview trailers
The Region 1 release misses out on:
-
Featurette - From Burroughs To Disney
-
Featurette - Making Of The Music
-
Featurette - Tarzan Goes International
-
Music Video - You'll Be In My Heart
-
Featurette - Building The Story
-
Storyboard comparison
-
Deleted scenes
This firmly makes the choice a solid Region 4
if you want just the single DVD version. However, much of what the Region
1 release misses out on in the single DVD version is included with a whole
heap more in the two DVD Collector's Edition. Whilst it is in my collection,
I have not yet had the chance to watch it. However, the packaging indicates
the following additional extras:
-
Audio Commentary from the producer and the directors
-
THX certification
-
Featurette - The History and Development of Tarzan
-
Introductions and explanations from the filmmakers
-
Phil Collins song demos
-
Behind the Scenes look with the vocal talent
-
A look at the Deep Canvas process
-
Featurette on the animation of Tarzan
-
Character Designs and Concept Art
-
Production Progression Demonstration
-
Trailers and Posters
Basically, if you are into extras, there is only one
version of the DVD that you want - and it is not the Region 4 release.
Now if only Disney were to do the right thing and give us the full Collector's
Edition in Region 4...
Summary
Tarzan us another great entry in the Disney animated
features listing. It has been given an exemplary transfer in every respect
and a decent extras package at least in quantity if not in quality. Had
this have been the full Collector's Edition treatment of the Region 1 DVD,
this would have been put straight into the Hall
Of Fame as the release of 2000. Perhaps we will yet get that
entry. Until then, this is arguably the best example of Disney animation
to yet appear in Region 4 and should be on a lot of "to buy" lists. Highly
recommended purchase - forget renting, as this is one that can be watched
over and over again.
Video |
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Audio |
|
Extras |
|
Plot |
|
Overall |
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© Ian Morris (have
a laugh, check out the bio)
4th December 2000
Review Equipment
|
DVD |
Pioneer DV-515; S-video output |
Display |
Sony Trinitron Wega 80cm. Calibrated with the NTSC DVD
version of Video Essentials. |
Audio Decoder |
Built in |
Amplification |
Yamaha RXV-795. Calibrated with the NTSC DVD version
of Video Essentials. |
Speakers |
Energy Speakers: centre EXLC; left and right C-2; rears
EXLR; and subwoofer ES-12XL |