Everest (Blu-ray) (2015)

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General		Extras
Category	Thriller	Featurette-Making Of-Race to the Summit: The Making of Everest Featurette-Learning to Climb Featurette-Behind The Scenes-A Mountain of Work Featurette-Aspiring to Authenticity: The Real Story Audio Commentary-with director Baltasar Kormákur
Rating
Year Of Production	2015
Running Time	121:10
RSDL / Flipper	Dual Layered	Cast & Crew
Start Up	Language Select Then Menu
Region Coding	1,2,3,4,5,6	Directed By	Baltasar Kormákur
Studio Distributor	Universal Sony	Starring	Jason Clarke Emily Watson Sam Worthington Josh Brolin Keira Knightley Jake Gyllenhaal Ang Phula Sherpa Martin Henderson John Hawkes Michael Kelly Naoko Mori Robin Wright
Case	Standard Blu-ray
RPI	$29.95	Music	Dario Marianelli

Video		Audio
Pan & Scan/Full Frame	None	English Dolby TrueHD 7.1 Spanish Dolby Digital 5.1 French Dolby Digital 5.1 German Dolby Digital 5.1 Hindi Dolby Digital 5.1 Italian Dolby Digital 5.1 Turkish Dolby Digital 5.1 English Descriptive Audio Dolby Digital 5.1
Widescreen Aspect Ratio	2.40:1
16x9 Enhancement
Video Format	1080p
Original Aspect Ratio	2.40:1	Miscellaneous
Jacket Pictures	No
Subtitles	English Spanish French German Hindi Italian Turkish Portuguese Arabic Danish Dutch Finnish Icelandic Norwegian Swedish	Smoking	No
		Annoying Product Placement	No
		Action In or After Credits	No

    The 1996 Mount Everest Disaster has been covered in books and documentaries, but 2015’s Everest is the first major motion picture to dramatise the event. Directed by Baltasar Kormákur (2 Guns, Contraband), this is a d*** good disaster movie imbued with an admirable sense of authenticity which manages to avoid outright sensationalism. For the most part, the disaster lends itself beautifully to the motion picture format, providing both tragedy and big-screen intensity, not to mention there are aspects to this tale which again prove that fact can be stranger than fiction. Indeed, this is such obvious fodder for a film that one must wonder why it took nearly two decades for one to materialise. With seasoned action filmmaker Kormákur at the helm, Everest is visually spectacular and competently executed, capturing the sheer chaos of a storm on one of the tallest mountains in the world, and conveying the arduous physical effort of mountaineering.

    In 1996, several separate climbing expeditions begin ascending to the summit of Mt. Everest. New Zealand climbing enthusiast Rob Hall (Jason Clarke) runs Adventure Consultants with the aid of his base camp manager Helen (Emily Watson). Rob’s new group includes journalist Jon Krakauer (Michael Kelly), experienced Texan climber Beck (Josh Brolin), and returning client Doug (John Hawkes), who refuses to give up on his dream to reach the summit. Climbing Everest is frustrating, though, with too many companies and too many clients vying for space, which threatens everybody’s safety. Amid the traffic jam, Rob finds a familiar face in Scott Fischer (Jake Gyllenhaal), who owns Mountain Madness and plans to summit on the same day as Rob. But a terrible storm begins to move in on the most critical day, splitting up the climbers, leaving people stranded in the Death Zone with a low supply of oxygen.

    Running at a hair under two hours, Everest does feel incomplete to an extent. The disaster is simply too vast for a single motion picture to cover, and the script cannot quite find the time to properly develop all of the individuals involved, or convey every facet of the event. (There was actually a team of IMAX filmmakers on the mountain when tragedy struck, but they are only mentioned once here, in passing.) It’s important to perceive Everest as a dramatisation of the disaster, rather than an entirely accurate historical document. Some have criticised the movie for both its inaccuracies as well as the details that it excluded, yet the script hews closely enough to the many important factors of the real event, whilst only making minor changes to produce a more dramatically satisfying movie. Screenwriters William Nicholson and Simon Beaufoy also needed to fill in some of the blanks since details surrounding the deaths of some of the climbers remain unknown. Ultimately, Everest comes together well enough on its own terms, and that’s what matters.

    Everest is a visual blockbuster, produced with IMAX and 3D in mind, and it thankfully translates into a viewing experience that’s both involving and convincing. Salvatore Totino’s cinematography is eye-catching, while editing is sharp and Dario Marianelli provides a hugely effective original score. Segments of the picture were shot on the real mountain in sub-zero temperatures, and the integration of location shooting with digital effects and the staggeringly authentic sets is wholly seamless. As a matter of fact, at no point will you be consciously aware that you’re looking at CGI, which is the highest honour you can award a motion picture like this. Kormákur gets plenty of mileage from the material, managing to stage nail-bitingly intense set-pieces, and even though the fates of those involved have been known for twenty years, it’s easy to get involved in the movie and hope that everybody will survive regardless. Better yet, nothing comes off as excessive, with a handful of armrest-clenching beats that are more on the subtle side, and numerous nice character moments at base camp. Although Kormákur’s previous motion picture efforts are entertaining, it’s refreshing to see the director tackle something more challenging. He shows respect to all participants involved, even closing with authentic photos of the real people caught up in the disaster.

    There are a lot of characters here, but it’s easy to keep track of who’s who thanks to effective characterisations, and it definitely helps that recognisable actors play the important roles. Despite the focus on visuals and set-pieces, the movie does connect on an emotional level on account of strong acting across the board, and there is a nice, palpable camaraderie between the performers. Clarke’s Rob Hall is essentially the lead of the picture, though this is an ensemble effort, with all the thespians given a time to shine. The likes of Watson and Hawkes hit their marks exquisitely, while Brolin effortlessly carves out the most charismatic presence in the movie, and even Sam Worthington submits an excellent performance as rival mountaineer Guy Cotter. Also notable is Gyllenhaal, who feels severely underused and only seems to exist in the movie’s peripheries. And as Hall’s pregnant, worrying wife, Keira Knightley fulfils her duties well enough.

    Perhaps more depth or background to the characters might have been appreciated, but Everest was designed as an immersive you-are-there experience, and it easily succeeds in this sense. It’s not an easy watch, however, with Kormákur not shying away from the more unnerving aspects of this disaster, though it still stays within the confines of a PG-13 rating. Intense and affecting, this is a modern disaster movie done right.

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Race to the Summit: The Making of Everest (HD; 10:59)

Learning to Climb (HD; 4:42)

A Mountain of Work (HD; 5:13)

Aspiring to Authenticity: The Real Story (HD; 6:47)

Feature Commentary With Director Baltasar Kormákur

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