With Honors (With Honours) (1994) (NTSC) |
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General | Extras | ||
Category | Comedy | None | |
Rating | |||
Year Of Production | 1994 | ||
Running Time | 100:56 | ||
RSDL / Flipper | No/No | Cast & Crew | |
Start Up | Programme | ||
Region Coding | 1,4 | Directed By | Alek Keshishian |
Studio
Distributor |
Warner Home Video |
Starring |
Joe Pesci Brendan Fraser Moira Kelly Patrick Dempsey Josh Hamilton Gore Vidal |
Case | ? | ||
RPI | $19.95 | Music | None Given |
Video (NTSC) | Audio | ||
Pan & Scan/Full Frame | Pan & Scan |
English Dolby Digital 2.0 (192Kb/s) French Dolby Digital 2.0 (192Kb/s) |
|
Widescreen Aspect Ratio | None | ||
16x9 Enhancement | No | ||
Video Format | 480i (NTSC) | ||
Original Aspect Ratio | Unknown | Miscellaneous | |
Jacket Pictures | No | ||
Subtitles | None | Smoking | No |
Annoying Product Placement | Yes, the damned Harvard logo? | ||
Action In or After Credits | No |
With Honors is the story of some fairly smug WASP students attending Harvard University during the early 1990s. It features Joe Pesci, who is often under-utilised in the movies in which he appears. He has given some excellent performances in his time (Goodfellas and My Cousin Vinnie spring to mind), but also appeared in some real duffers (I'm looking at you The Super and 8 Heads in a Duffel Bag).
Unfortunately, With Honors is a by-the-numbers movie. From the opening scenes, you can guess pretty much where everything is headed. Brendan Fraser plays Montgomery Kessler who is a high-flyer, destined for greatness in his chosen field of "Government". Gore Vidal as his professor is delighted by the initial chapter of his final year thesis. Unfortunately for Monty, a hard drive failure (in a quaint DOS style) results in his thesis becoming digital gibberish. On the way to the library to copy the ten chapters he has already printed out, a trip results in his life's work falling down a grate into the boiler room. To his horror, he discovers that a bum named Simon (Pesci), living in the boiler room, is using his opus as fuel. Monty's thesis is held to ransom - one page will be released from captivity for every favour that Monty performs for Simon.
The remainder of the movie unfolds as Monty forms a bond with Simon, which extends far beyond the thesis. We learn that Simon is an intelligent man, educated by living in some of the best University libraries in the USA...but a man with a hidden past. As Monty and his flat-mates Everett (quite charismatically played by Patrick Dempsey) and Jeffrey (the hammy Josh Hamilton) uncover Simon's secrets, they also realise that he is terminally ill due to the destruction of his lungs by asbestos fibres. The underlying moral of the story is Monty's discovery of the innate importance of a human life, and of love. The importance of living with honour rather than graduating "With Honors". Along the way, Monty will realise that Courtney (Moira Kelly) - his long-tern room-mate - is truly a treasure to cherish, bad guys will become good, and cynicism will turn into altruism as life's lessons are learned.
With Honors is unremarkable in almost every respect. Unless you are a huge fan of Pesci, Fraser or Harvard University, I would suggest this film is worth an evening's rental at best. The actors largely look like they are phoning it in. The plot has one or two interesting turns, but the characterisation is poor. Pesci manages to ham it up in most scenes, with an explicit or implicit knowing "wink" to camera that is just plain irritating. Desperately trying to coin a catch-phrase (Boy oh Boy), Pesci comes across as a failed member of the "Three Stooges", and one who is not really very likeable. His attempts at pathos are generally pathetic - and not in the intended sense. This is not one of Pesci's finest hours.
The ending of the film is telegraphed from the first fifteen minutes and there are very few surprises or plot twists to keep you interested. There are a couple of genuinely touching scenes in this movie, but they are so dispersed that they do not sustain your interest or emotions for the entire (100:56) running time.
The overall video transfer of this disc is acceptable but unremarkable. Got an NTSC-capable display device? No...well, then you won't be able to play back this disc!
The feature is presented full screen at 1.33:1 which is not its original aspect ratio (it has been "modified to suit your screen"....not mine, buddy). It is not therefore 16x9 enhanced.
The transfer is generally sharp and any occasional minor grain is not distracting.
Shadow detail is variable with blacks usually solid enough, but occasionally they turn into an uninspiring grey. There is no low-level noise evident. Colours are pretty natural (if sometimes subdued) throughout, with no oversaturation or colour bleeding. Skin tones are generally fine.
The transfer has no major MPEG artefacts. Film-to-video artefacts crop up more regularly with some minor aliasing which is not overly distracting. Edge enhancement is present occasionally as can be seen from halos around parts of the image, but again is not overly distracting. Telecine wobble is apparent in the titles but is not an issue during the movie.
The transfer has numerous minor film artefacts which are brief and not really a significant issue.
There are no subtitle tracks available.
This is a single-sided single-layered disc and therefore it does not have a layer change.
Sharpness | |
Shadow Detail | |
Colour | |
Grain/Pixelization | |
Film-To-Video Artefacts | |
Film Artefacts | |
Overall |
The overall audio quality of this disc is adequate but again unremarkable, with no significant audible defects noted.
There are two audio track available. Presented in either English or French Dolby Digital 2.0 recorded at a 192 kbps, whilst not particularly remarkable they are acceptable. The surround flag is enabled, but is largely unused.
Dialogue was always clear and audio synch was never a problem.
There is no credited original score, but there are a couple of great music tunes on the soundtrack including the superb She Sells Sanctuary by The Cult and a cover version (by The Pretenders) of Bob Dylan's Forever Young, but the remainder of the soundtrack is pretty forgettable.
The soundstage is generally very frontal, with surround channel activity pretty well unnoticed other than for some very subtle background noise and the music tracks.
The subwoofer was generally comatose throughout.
Dialogue | |
Audio Sync | |
Clicks/Pops/Dropouts | |
Surround Channel Use | |
Subwoofer | |
Overall |
There are no extras on this disc.
The menu features a static and silent cast photo. It allows the selection of English or French language, or one of thirty-two chapter stops.
NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.
The Region 1 disc appears to be eerily similar to this unremarkable Region 4 release. Given the NTSC transfer and the FBI warnings, I would hazard that they are identical.
With Honors is a film...no more, no less. The script is neither witty, intelligent nor particularly entertaining. The direction and acting are adequate, but not particularly noteworthy. This is the movie-making equivalent of mashed potato. It fills out the plate, but is hardly the most notable feature of your cinematic Sunday dinner.
The video quality is adequate, provided you have an NTSC display device.
The audio quality is adequate, but uninspiring.
There are no extras.
Video | |
Audio | |
Extras | |
Plot | |
Overall |
Review Equipment | |
DVD | Pioneer DV-344 Multi-Region, using Component output |
Display | Panasonic TX-47P500H 47" Widescreen RPTV. Calibrated with Ultimate DVD Platinum. This display device is 16x9 capable. |
Audio Decoder | Built in to amplifier/receiver. Calibrated with Ultimate DVD Platinum. |
Amplification | ONKYO TX-DS484 |
Speakers | JensenSPX-9 fronts, Jensen SPX-13 Centre, Jensen SPX-5 surrounds, Jensen SPX-17 subwoofer |