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PLEASE NOTE: Michael D's is currently in READ ONLY MODE. Anything submitted will simply not be written to the database.
Lots of stuff is still broken, but at least reviews can now be looked up and read.
Charlie's Angels: Collector's Edition (2000)

Charlie's Angels: Collector's Edition (2000)

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Released 23-May-2001

Cover Art

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Details At A Glance

General Extras
Category Action Main Menu Introduction
Main Menu Audio & Animation
Dolby Digital Trailer-City
Audio Commentary-J McGinty Nichol (Dir) & R Carpenter (DoP)
Featurette-Welcome To Angel World
Featurette-Getting G'd Up
Featurette-The Master and the Angels
Featurette-Angelic Attire: Dressing Cameron, Drew and Lucy
Featurette-Angelic Effects
Featurette-Wired Angels
Deleted Scenes-3
Outtakes
Music Video-Independent Woman Part 1-Destiny's Child
Music Video-Charlie's Angels 2000 - Apollo Four Forty
Biographies-Cast & Crew
Theatrical Trailer-2
Trailer-My Best Friend's Wedding, Vertical Limit
Trailer-Almost Famous
Easter Egg-3
Rating Rated M
Year Of Production 2000
Running Time 94:25
RSDL / Flipper RSDL (77:33) Cast & Crew
Start Up Menu
Region Coding 2,4 Directed By J McGinty Nichol
Studio
Distributor

Sony Pictures Home Entertain
Starring Cameron Diaz
Drew Barrymore
Lucy Liu
Bill Murray
Sam Rockwell
Tim Curry
Kelly Lynch
Crispin Glover
Case Brackley-Trans-No Lip
RPI $36.95 Music Edward Shearmur


Video Audio
Pan & Scan/Full Frame None English Dolby Digital 5.1 (448Kb/s)
Hungarian Dolby Digital 5.1 (448Kb/s)
English Audio Commentary Dolby Digital 2.0 (224Kb/s)
Widescreen Aspect Ratio 2.35:1
16x9 Enhancement
16x9 Enhanced
Video Format 576i (PAL)
Original Aspect Ratio 2.40:1 Miscellaneous
Jacket Pictures No
Subtitles English
Dutch
Arabic
Bulgarian
Czech
Danish
Finnish
Greek
Hebrew
Hindi
Hungarian
Icelandic
Norwegian
Polish
Swedish
Turkish
Dutch Audio Commentary
Smoking Yes
Annoying Product Placement No
Action In or After Credits No

NOTE: The Profanity Filter is ON. Turn it off here.

Plot Synopsis

    After a quick fly through the Columbia Tristar clouds, we board a speeding jet where we find our first villain, who is going to blow up the plane unless his monetary demands are met. Queue the opening action sequence in which the villain is thrown out of the plane by Mr Jones (LL Cool J), narrowly missing its wings. Plummeting earthwards, the villain passes a hovering black helicopter which Angel #1, Alex (Lucy Liu), jumps out of. She catches up to the villain, removes the bomb from around his chest and safely lands with him in a waiting speed boat, which is being driven by Angel #2, Natalie (Cameron Diaz). Dylan (Drew Barrymore), Angel #3 also drops in for a visit.

    Next, we get some very good insight into the backgrounds of our three Angels. This is well-presented, snappy and interesting, thus keeping the pace of the movie moving along nicely.

    After some R&R, the Angels are back on the job again and gather at the Townsend building. Here we are introduced to Bosley (Bill Murray), and at precisely 9:00am Charlie calls to brief the team about their next assignment, which is to find out who is behind the kidnapping of Eric Knox (Sam Rockwell) and retrieve him and the voice recognition software that was stolen.

    That's where I'm going to leave this little narration, so those who haven't seen this intentionally fun, fast-paced action movie can discover it the way it was meant to be discovered.

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Transfer Quality

Video

    The transfer is presented in an aspect ratio of 2.35:1 and is 16x9 enhanced.

    Foreground detail varies from great to excellent and the background detail is very good. The picture is always sharp and clear, with great shadow detail. No low-level noise or edge bleeding was noticed. Unfortunately, some mild edge enhancement has been used which basically stops this transfer from receiving top marks.

    The colour was exemplary. Beautifully saturated, rich and vibrant colours were the norm, just as the director wanted it to be.

    There are a few scenes in the movie that suffer from some trivial grain and pixelization, but I wouldn't expect anyone actually watching the movie to notice them. Examples are at 0:10 - 0:20, 4:09, 14:00 and 59:02.

    No MPEG artefacts, aliasing or moiré artefacts were noticed, which is really impressive considering the excellent sharpness of the picture. Another nice surprise is how smoothly the credits scroll up the screen at the end of the movie. I know this is not exactly the kind of thing that blows many people's minds, but it was nice to see perfectly stable writing, instead of the usual shimmering stuff.

    I only noticed seven tiny film artefacts for the entire film, so as you can image this aspect of the transfer is pretty good.

    This disc is an RSDL disc, with the layer change occurring between Chapters 25 and 26, at 77:33 on a scene change. It's placement is superb and would be undetectable if it was a little quicker. The music also changes at this point so it doesn't skip a beat either.

Video Ratings Summary
Sharpness
Shadow Detail
Colour
Grain/Pixelization
Film-To-Video Artefacts
Film Artefacts
Overall

Audio

    There are two 448Kb/s Dolby Digital 5.1 audio tracks, English and Hungarian, on this DVD, plus a 224Kb/s Dolby Digital 2.0 surround-encoded audio commentary track, featuring the Director (McG) and the Cinematographer (Russell Carpenter). I listened to the default English soundtrack and then the audio commentary soundtrack.

    The dialogue was extremely clear and easy to understand throughout the entire movie. The only exception to this was one of Drew Barrymore's lines in the outtakes at the end of the film, just before the credits, which hardly counts. At 37:55 there was a hint of distortion in Cameron Diaz's dialogue, but it is minor and inconsequential and was the only such occurrence for the entire film.

    The audio sync was completely spot-on for the entire film.

    Edward Shearmur's music score was up-beat and complemented the on-screen action.

    The surround channels were aggressively used for ambience, music and special effects. The surround channel use in the opening sequence is just superb. There are many directional effects and the sound placement is great. This all adds up to make this a great sounding soundtrack that only just falls shy of being reference quality. Highlights are at 0:25 - 2:40, 23:50, 67:40 and 78:40 - 78:56.

    The subwoofer was well used. It subtly adds bass to most scenes and is highly active during the more dramatic sequences.

Audio Ratings Summary
Dialogue
Audio Sync
Clicks/Pops/Dropouts
Surround Channel Use
Subwoofer
Overall

Extras

    There is a superb selection of extras, all of which are of very good quality or better. Note: The quality of any extra should be considered to be very good in the following descriptions, unless otherwise stated.

Menu

    The main menu has a video clip made up of highlights from the movie set to theme music (192Kb/s Dolby Digital 2.0). The menus are 16x9 enhanced and there is additional animation when you choose an option from the main menu. The Main Menu selections are; Play Movie, Scene Selections (28), Extra Features, Language/Audio Set-up and Subtitles.

Dolby Digital Trailer - City

Audio Commentary-McG (Director) and Russell Carpenter (Director of Photography)

    This commentary features the director and the director of photography in the centre channel speaking over the film's Dolby Digital 2.0 (224Kb/s) surround-encoded soundtrack. If you like to know how things were achieved and what when on during the filming of the movie (which I do), then this commentary is sure to please, as it is extremely informative and interesting in these areas.

Featurette - Welcome to Angel World (4:48 minutes)

    Welcome to Angel World consists of interviews, movie footage and some behind-the-scenes footage. The interviews and the behind-the-scenes footage are presented in an aspect ratio of 1.33:1, while the movie footage is presented in the film's original aspect ratio of 2.35:1. This featurette is not 16x9 enhanced and has a 192Kb/s Dolby Digital 2.0 soundtrack. There is some minor grain, moiré and aliasing artefacts, plus some of the film footage is slightly over-bright, which washes out the colour a little, but even with all these minor faults the picture quality is still very good.

Featurette - Getting G'd Up (6:31 minutes)

    Getting G'd Up consists of interviews and some behind-the-scenes footage. It is presented in an aspect ratio of 1.33:1, with a 192Kb/s Dolby Digital 2.0 soundtrack. There is some minor grain and aliasing.

Featurette - The Master and The Angels (7:25 minutes)

    The Master and The Angels consists of interviews and a lot of behind-the-scenes footage, with some movie footage thrown in for good measure. It is presented in the non-16x9 enhanced aspect ratios of 1.33:1 and 2.35:1, with a 192Kb/s Dolby Digital 2.0 soundtrack. Some of the film footage is slightly over-bright, which washes out the colour a little.

Featurette - Angelic Attire: Dressing Cameron, Drew and Lucy (3:26 minutes)

    I found the contents of this extra to be very interesting. It mostly consisted of interviews, with some movie footage. The interviews are presented at 1.33:1, while the movie footage is presented at 2.35:1. This featurette is not 16x9 enhanced and has a 192Kb/s Dolby Digital 2.0 soundtrack. Again, some of the film footage is slightly over-bright, which washes out the colour a little.

Featurette - Angelic Effects (6:44 minutes)

    I also found the contents of this extra to be very interesting. It consists of interviews, behind-the-scenes footage and movie footage, presented in the non-16x9 enhanced aspect ratios of 1.33:1 and 2.35:1, with a 192Kb/s Dolby Digital 2.0 soundtrack. Some of the behind-the-scenes footage is grainy and some of the film footage is slightly over-bright, which washes out the colour a little.

Featurette - Wired Angels (2:33 minutes)

    This featurette shows all the different shots that were required to make up the Chinese alley fight sequence. It is presented in the non-16x9 enhanced aspect ratios of 1.33:1 and 2.35:1, with a 192Kb/s Dolby Digital 2.0 soundtrack. Some of the final film footage is slightly over-bright, which washes out the colour a little.

Deleted and Extended Scenes (3)

    Before each of the scenes McG talks about why the scene was cut or trimmed down. It is presented in the non-16x9 enhanced aspect ratios of 1.33:1 and 2.35:1, with a 192Kb/s Dolby Digital 2.0 soundtrack.

Outtakes and Bloopers (2:37 minutes)

    This is presented in the 16x9 enhanced aspect ratio of 2.35:1, with a 448Kb/s Dolby Digital 5.0 soundtrack. This is basically the sequence that appears at the end of the movie before the credits, so there isn't much, if any footage that we haven't already seen in it.

Music Video - "Independent Women Part 1" by Destiny's Child (4:06 minutes)

    This video clip has great picture quality, presented in the non-16x9 enhanced aspect ratio of 1:85:1, with a 192Kb/s Dolby Digital 2.0 soundtrack.

Music Video - "Charlie's Angels 2000" by Apollo Four Forty (4:13 minutes)

    Presented in the non-16x9 enhanced aspect ratio of 1:85:1, with a 192Kb/s Dolby Digital 2.0 soundtrack.

Filmographies (5)

    This section contains Biographies and Filmographies for McG (Director), Cameron Diaz, Drew Barrymore, Lucy Liu and Bill Murray.

Theatrical Trailer - Charlie's Angels (2:01 minutes)

    Presented in the non-16x9 enhanced aspect ratio of 1.85:1, with a 448Kb/s Dolby Digital 5.1 soundtrack.

Theatrical Trailer - Charlie's Angels Teaser Trailer (1:28 minutes)

    This trailer has great picture quality, presented 1.85:1 and 16x9 enhanced, with a 448Kb/s Dolby Digital 5.1 soundtrack.

Theatrical Trailer - My Best Friend's Wedding (2:17 minutes)

    This trailer is also of great picture quality, presented 1.85:1 16x9 enhanced, with a 192kb/s Dolby Digital 2.0 surround-encoded soundtrack. There is lots of unseen footage in this trailer so it's definitely worth checking out if you have seen the movie.

Theatrical Trailer - Vertical Limit (1:59 minutes)

    This trailer is of great picture and sound quality, presented in the 16x9 enhanced aspect ratio of 1.85:1, with a 448Kb/s Dolby Digital 5.1 soundtrack.

Theatrical Trailer - Almost Famous (1:58 minutes)

    The Almost Famous theatrical trailer is presented in the non-16x9 enhanced aspect ratio of 1.80:1, with a 192Kb/s Dolby Digital 2.0 surround-encoded soundtrack.

Easter Egg #1 (0:08 minutes)

    From the first 'Extra Features' page, select 'Welcome To Angel World' and press the right arrow. The Extra Features heading will now be selected - now press the Enter key. This short extra is of the three angels doing those famous hair flicks. This Easter Egg is presented in the 16x9 enhanced aspect ratio of 1.88:1, with a 192Kb/s Dolby Digital 2.0 soundtrack.

Easter Egg #2 (1:17 minutes)

    From the second 'Extra Features' page, select 'Wired Angels' and press the left arrow. The Extra Features heading will now be selected. Press the Enter key. This extra shows Drew Barrymore having a mould being taken of her face. Presented in the non-16x9 enhanced aspect ratio of 1.68:1, with a 192Kb/s Dolby Digital 2.0 soundtrack.

Easter Egg #3 (1:17 minutes)

    From the third 'Extra Features' page, select '

R4 vs R1

NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.

    The Region 4 version of this disc misses out on;     The Region 1 version of this disc misses out on;     As there are only minor differences between the R1 and R4 versions, I feel the R4 version is easily the disc of choice here.

Summary

    I enjoyed Charlie's Angels at the cinema and I still enjoyed it second time around.

    The picture quality is great and its only real flaw is the mild edge enhancement.

    The audio quality is excellent and it only just misses out on being reference quality.

    There is a superb selection of extras, all of which are of very good quality or better.

Ratings (out of 5)

Video
Audio
Extras
Plot
Overall

© Paul Williams (read Paul's biography)
Wednesday, April 11, 2001
Review Equipment
DVDSony DVP-725, using Component output
DisplaySony Projector VPH-G70 (No Line Doubler), Technics Da-Lite matt screen with gain of 1.0 (229cm). This display device is 16x9 capable.
Audio DecoderBuilt in to amplifier/receiver. Calibrated with Video Essentials.
AmplificationOnkyo TX-DS989
SpeakersFronts: Energy RVS-1 (3), Rears: Energy RVSS-1 (2), Subwoofer: Energy EPS-150 (1)

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