City Hall (1996) |
BUY IT |
General | Extras | ||
Category | Thriller |
Theatrical Trailer Main Menu Audio |
|
Rating | |||
Year Of Production | 1996 | ||
Running Time | 106:55 | ||
RSDL / Flipper | RSDL (61:35) | Cast & Crew | |
Start Up | Menu | ||
Region Coding | 2,4 | Directed By | Harold Becker |
Studio
Distributor |
Warner Home Video |
Starring |
Al Pacino John Cusack Bridget Fonda Danny Aiello David Paymer Martin Landau |
Case | Amaray-Transparent | ||
RPI | $24.95 | Music | Jerry Goldsmith |
Video | Audio | ||
Pan & Scan/Full Frame | None |
English Dolby Digital 2.0 (192Kb/s) French Dolby Digital 2.0 (192Kb/s) Italian Dolby Digital 2.0 (192Kb/s) |
|
Widescreen Aspect Ratio | 1.78:1 | ||
16x9 Enhancement |
|
||
Video Format | 576i (PAL) | ||
Original Aspect Ratio | 1.85:1 | Miscellaneous | |
Jacket Pictures | No | ||
Subtitles |
English French Italian Dutch Arabic Spanish Portuguese German Romanian Bulgarian English for the Hearing Impaired Italian for the Hearing Impaired |
Smoking | No |
Annoying Product Placement | No | ||
Action In or After Credits | Yes, at start |
Also part of the proceedings is Bridget Fonda, who plays Marybeth Cogan of the Detectives' Endowment Association Legal Affairs division. Her job is to see that Eddie's name is not smeared incorrectly, as this would result in reduced benefits for Eddie's wife and family.
The picture is clear and sharp at all times, with an excellent amount of foreground detail. However, background detail is much softer. This is probably because of the way the movie was filmed, rather than being a transfer fault. No low-level noise was noticed and the shadow detail was excellent. There is some minor edge enhancement present, which I found rather distracting on a couple of occasions.
The colour is well-saturated and natural-looking throughout, as are the skin tones.
No grain was noticed, but there were a couple of scenes that suffered from some pixelization, causing some objects to shimmer and jump. The most noticeable examples are the white staircase railings at 28:45 and during the end credits.
Apart from the aforementioned pixelization, no other MPEG artefacts were seen. There are a couple of instances of minor aliasing, caused by the usual culprits - Venetian blinds and car chrome. Examples are at 23:33, 38:31, 80:40 and 82:57.
There is a reasonable sprinkling of small film artefacts, which tended to come in groups. One of the more noticeable film artefacts occurs at 97:37, but it is far from being severe.
This disc is an RSDL disc, with the layer change occurring at 61:36 in Chapter 17 on a scene change. There is a definite pause, but it is well-placed so it does not really disrupt the flow of the movie.
Sharpness | |
Shadow Detail | |
Colour | |
Grain/Pixelization | |
Film-To-Video Artefacts | |
Film Artefacts | |
Overall |
The dialogue was mainly clear and easy to understand, but there were quite a few times where it was harder to make out, only partly due to the accents employed. No audio sync problems were noticed with this transfer.
The musical score is by Jerry Goldsmith.
The overall sound mix is quite acceptable for this type of dialogue-driven movie. The front soundstage did not collapse into the centre channel at any time, and there was good sound separation. The surround channels are only lightly used, predominantly by the music. The overall soundstage suffers from the usual Dolby surround problem of being front-heavy, but given that the original film soundtrack was in Dolby surround, I don't see that we have too much to complain about.
The subwoofer receives a very light workout. If you have good full bandwidth speakers then you can leave the subwoofer turned off for this one.
Dialogue | |
Audio Sync | |
Clicks/Pops/Dropouts | |
Surround Channel Use | |
Subwoofer | |
Overall |
The Scene Selections are grouped in pairs, e.g.. 1-2, 3-4, 5-6, and so forth, which is a little inconvenient.
NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.
The video transfer of this disc is very good, with only some minor edge enhancement and pixelization tarnishing an otherwise excellent transfer.
The audio is good, with no real problems to speak of. Its weakness lies in its lack of surround channel use and some harder to make out dialogue.
The extras are extremely limited.
Video | |
Audio | |
Extras | |
Plot | |
Overall |
Review Equipment | |
DVD | Sony DVP-725, using Component output |
Display | Sony Projector VPH-G70 (No Line Doubler), Technics Da-Lite matt screen with gain of 1.0 (229cm). This display device is 16x9 capable. |
Audio Decoder | Built in to amplifier/receiver. Calibrated with Video Essentials. |
Amplification | Onkyo TX-SV919THX |
Speakers | Fronts: Energy RVS-1 (3), Rears: Energy RVSS-1 (2), Subwoofer: Energy EPS-150 (1) |