Jackie Chan-Snake in the Eagle's Shadow/Drunken Master (1978)

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    These two films, both made in 1978, are credited as being the very films that launched the career not only of a young Jackie Chan, who would assume the title from the late Bruce Lee as undisputed leading star of Hong Kong cinema, but also the career of a then aspiring director named Yuen Woo-Ping, who would go on to influence a whole generation of future action film-makers, including most recently the Wachowski Brothers and Quentin Tarantino. If you have even the slightest interest in understanding how the Kung Fu action style developed, then you must see these seminal films. Presented here with the benefit of newly remastered prints, original Cantonese audio and full theatrical aspect ratio, this is as good as we are ever going to see them. And with the two films presented together as a package on one affordably priced double sided DVD, it is excellent value.

Video
Audio
Extras
Plot
Overall

Snake in Eagle's Shadow (1978)

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General		Extras
Category	Martial Arts	None
Rating
Year Of Production	1978
Running Time	92:37
RSDL / Flipper	No/No	Cast & Crew
Start Up	Menu
Region Coding	2,4,5	Directed By	Yuen Woo-Ping
Studio Distributor	Sony Pictures Home Entertain	Starring	Jackie Chan Yuen Siu -Tien Hwang Jang-Lee Dean Shek Roy Horan Fung Hark-On Lung Chan Wong Ching-Lei
Case	Amaray-Transparent
RPI	Box	Music	None Given

Video		Audio
Pan & Scan/Full Frame	None	English Dolby Digital 2.0 mono (192Kb/s) Cantonese Dolby Digital 2.0 mono (192Kb/s) Italian Dolby Digital 2.0 mono (192Kb/s) Spanish Dolby Digital 2.0 mono (192Kb/s) Russian Dolby Digital 2.0 mono (192Kb/s)
Widescreen Aspect Ratio	2.40:1
16x9 Enhancement
Video Format	576i (PAL)
Original Aspect Ratio	2.40:1	Miscellaneous
Jacket Pictures	No
Subtitles	English Italian Spanish Arabic Czech Polish Portuguese Russian Turkish	Smoking	Yes
		Annoying Product Placement	No
		Action In or After Credits	No

    The two 1978 films featured in this DVD package, Snake In The Eagle's Shadow and Drunken Master, are cited as the films that effectively launched the careers not only of Jackie Chan, but also of martial arts choreographer and director Yuen Woo-Ping, who would go on to inspire a generation of action film-makers including, amongst others most recently, the Wachowski brothers and Quentin Tarantino. To put these two films into context, note that before 1978 Chan had starred in a series of commercial flops for another director, Lo Wei. Wei's Kung Fu films were not successful mainly because they took themselves far too seriously and, as is now obvious to us with 20/20 hindsight, this was not the right vehicle for Chan. However, when Chan was "loaned out" by Wei to young respected choreographer but first-time director Yuen Woo-Ping in 1978, the films featured on this DVD were the result. These two films were a phenomenal success for both actor and director and the rest, as they say, is history. Both of these films are important films if you are interested in seeing how the careers of Jackie Chan and Yuen Woo-Ping took off, and it is great to see them both released now as a double-pack DVD in Region 4.

    The plot of Snake In The Eagle's Shadow is rather complicated, with a lot of characters, and it all gets rather confusing at first. But, to some extent, who really cares too much about the intricacies of the plot, just so long as the story is at least semi-entertaining and produces enough would-be adversaries to fight the main stars in different combinations and guises. And in this regard, the plot is successful.

    The back-story is about the ancient and warring Chinese Kung Fu schools of the Ching Dynasty, going back to the time when the deadly Eagle's Claw school had virtually eliminated all other rival martial arts forms, other than the Snake Fist school. A particularly evil Eagle Claw master, Lord Sheng Kuan Yi-yuan (brilliantly played by Hwang Jang-Lee) is determined to personally eliminate all remaining members of the Snake Fist school once and for all. This does not bode well for that school's last practitioner, Grandmaster Pai Chang Tien (played by the Hong Kong Kung Fu legend, real life father to Yen Woo-Ping and real-life mentor to Jackie Chan, Yuen Siu-Tien). Chang Tien decides to go into hiding as an old man. Meanwhile, we are introduced to Chien Fu (Jackie Chan). Fu is a nobody daydreamer at the Wa-hu Kung Fu school. He is treated very badly by the school's master, Teacher Li (Dean Shek), and so seems destined to live out his life as Li's "walking punching bag". That is, until one day when Fu stumbles across the scene of what he mistakenly thinks is a defenseless old man being set upon by a group of thugs from a rival school and so he bravely leaps to the old man's defense. Fu and Pai Chang Tien become friends and eventually the Grandmaster teaches him the art of the Snake Fist school, which turns out to be a handy skill to have in this town, as not only is there the aforementioned major feud going on between the Eagle Claw and Snake Fist schools, but also numerous other minor feuds going on between several lesser Kung Fu schools, as each vies for the privilege of being selected by the local Magistrate as the school of prestige to train his fat and slobby son in martial arts. And so the story is set. It's confusing, what with all the rival clans and rival fighting styles and a million characters, but you'll soon get into it. And hey, if you do lose track of all the characters, then just forget the plot and sit back and enjoy all the fighting choreography - you certainly won't be bored!

    The most amusing aspect to this film is the number of different rival Kung Fu fighting styles it sets up. If you thought that all Kung Fu styles were much of a muchness, then noo, think again! It is fascinating to learn that (nearly) all of the different kung fu fighting styles presented in this movie are in fact genuine fighting styles and not - as you might be easily tempted to believe - made-up. In this movie we are introduced to the "Snake Fist" style, the "Eagle Claw" style, the - wait for it - "Praying Mantis" style (don't know about this one!) and then finally, Jackie Chan's own invented variation, the "Cat's Claw combined with the Snake Bite"! It's a riot. While all these different animal fighting styles are humorous to watch for the uninitiated, the humour of the styles themselves is outdone by the humour of the accompanying sound effects in this movie, with very obviously dubbed and over-exaggerated swooshing and chopping sounds to accentuate each fighters' movements every time one of them so much as pivots his wrist slightly!  But the best thing about this movie is that pretty much each and every fighting style is indeed genuine and is choreographed differently according to its own established kung fu principles, as it should be. And we have in this film numerous different combinations of fights between the different styles. Wow. No wonder it took 4 different martial arts directors to make this film.

    If you want to know what Jackie Chan and Hong Kong cinema is all about, and why it holds so much charm, then you simply must have a look at Snake In The Eagle's Shadow. This is classic martial arts slapstick comedy.

Video

    The presented aspect ratio of this DVD is the full theatrical ratio of 2.39:1 and it is 16x9 enhanced.

    We have all seen some shocking video transfers of these old Hong Kong films in the past and so you might be expecting yet another shocking transfer for this DVD. Well, the good news is that this DVD transfer has been sourced from a remastered print and the result is eminently watchable. Of course, the film was shot on a shoestring budget 25 years ago and these old Hong Kong films have usually not been preserved well, so you can't expect miracles with the new DVD transfer. As expected, there is visible film grain throughout and the transfer is riddled with all manner of minor film artefacts (see below). But despite an overall softness to the resolution, the degree of detail on offer here is quite pleasing, evidence that the remastering process has been successful. Sure, focus does wander and background resolution is sometimes found to be lacking, but these are source issues. We could also be picky and note that shadow detail is lacking in some scenes too, but to a large degree shadow detail is not a material concern for this film anyway, as the overwhelming majority of the action takes place in bright daylight exteriors or brightly lit sets. What's important above all these issues is the amount of detail achieved in foreground images with this transfer, making for enjoyable viewing.

    Colour varies a bit but is for the great majority very well balanced. There is adequate colour saturation in most scenes, but the age and quality of the source material means we are prevented from being treated to anything more striking. Black levels are adequate for the job, but certainly not solid. Skin tones are generally OK, however odd scenes highlight some imbalances.

    No material MPEG artefacts are noted. Film-to-video artefacts consist only of the obvious but short-lived telecine wobble around the opening and closing credits. The transfer is largely free of any aliasing issues or any other film-to-video artefacts. Film artefacts are certainly there, as mentioned. They are predominantly in the form of dirt on the print, persistent little film flecks and negative artefacts. The occurrence of these little flecks and scratches is unrelenting throughout the feature, but they are all very minor in scale and so not distracting at all; so much so that after watching the film for about half an hour or so you will probably forget they are there. If you did want to look hard though, you would catalogue several different types of film artefacts, such as fine lines and dirt and various marks on the print (one example is the fine black line running vertically down the print over the old woman for several seconds from 35:36).

    Eight different subtitle language streams are provided on this DVD and I reviewed the English stream in full (while listening to the original Cantonese language track). I found the subtitle font to be clear, easy to read, well placed and well-timed with the dialogue, but I can't comment on its accuracy.

    The disc is single-layered, so there is no layer change to navigate.

Video Ratings Summary

Sharpness
Shadow Detail
Colour
Grain/Pixelization
Film-To-Video Artefacts
Film Artefacts
Overall

Audio

    There are five audio tracks on offer, all being Dolby Digital 2.0 (mono) mixes at a low rate of 192 Kb/s. The audio tracks are the default English, Cantonese, Italian, Spanish and Russian. Why the English track is set as the default track when the original language is Cantonese beats me. I reviewed the original language Cantonese track.

    I hope your centre speaker is working well, as it will do literally all of the work playing this movie if your Dolby ProLogic decoder is turned on.

    Dialogue quality is perfectly clear in this transfer. Every line is well delivered and the audio transfer cannot be wanting in this department.

    Audio sync is poor, but this is a source issue and not a reflection of the timing of the DVD audio track. Most people expect very poor audio sync of dialogue with the lips when watching a Hong Kong kung fu movie, and this is certainly the case here, even when watching with the original language soundtrack!  It comes across that absolutely no effort was put into the ADR for these films (time means money, right?) and often times it seems there is only ever one take at any given dialogue line before moving on to the next. But rather than being annoying, this somehow just adds to the charm and fun of this particular film genre.

    The music for this film is uncredited, but you will hear a very familiar tune about half way through the film, which is a crack-up. Of course the mono audio transfer does little for the music and sound effects, which all come across as tinny and hollow. And nor is there any oomph to the numerous crashes and bumps (not to worry, body blows could hardly be heard anyway over the sound of the hilariously dubbed swooshing sound effects of the fighting). But still, what is most important in judging this audio transfer is the quality of the delivery of the dialogue and the corny sound effects; on this front the DVD transfer delivers.
   

Audio Ratings Summary

Dialogue
Audio Sync
Clicks/Pops/Dropouts
Surround Channel Use
Subwoofer
Overall

    There is censorship information available for this title. Click here to read it (a new window will open). WARNING: Often these entries contain MAJOR plot spoilers.

    In comparison to the Region 4 (and Region 1) version of this DVD, Region 2 receives:

• No original Cantonese language audio track - instead, a replacement Mandarin dub track is provided, in addition to the English dub track.
• A cropped 1.78:1, 16x9 enhanced aspect ratio. Whilst the opening scene with the opening credits is presented in a 2.35:1 16x9 enhanced aspect ratio, yes, the transfer then reverts to a cropped 1.78:1 16x9 enhanced ratio for the entire length of the movie.
  These two factors are clearly a big negative for the Region 2 compared to other region releases..... However, note that Region 2 also gets.....
• Several extras, including: a 14-minute featurette interview with producer and co-writer Ng See-Yuen; a "Kicking Showcase" featurette with Hwang Jang-Lee; detailed cast and crew bios; a 2-minute rap music clip set to edited footage of fighting action from the film (though why and who would want it, I don't know); and trailers of several Jackie Chan films.

    In comparison to the Region 4 (and Region 2) version of the DVD, Region 1 receives:

• 2.35:1, 16x9 enhanced aspect ratio. (Note Region 4 receives the full 2.39:1 16x9 enhanced aspect ratio, whilst Region 2 receives only the cropped 1.78:1 16x9 enhanced ratio).
• The full uncut version of this film, including the scene of the fight between the cat and the cobra mentioned above (which by all indications only lasts a few seconds anyway).

    So this is not an obvious choice. The Region 2 might at first sound like the preferred version for its extras, but when you look at it objectively, probably the only really meaty extra here is the 14-minute featurette interview with the film's writer/producer, plus a short "Kicking Showcase" featurette with Hwang Jang-Lee. But you have to weigh this up against the loss of the original language track and a cropped 1.78:1 transfer. On the other hand, whilst Region 1 receives the original language track and full aspect ratio (or close enough to it not to matter), this is an NTSC transfer. Personally speaking, I would much rather have the original language track and the full theatrical aspect ratio, presented in PAL..... and I don't happen to care about missing out on one very small scene (lasting only several seconds anyway) involving a staged fight between two animals.In addition, our Region 4 release must be considered the clear preference on pricing grounds, when you consider the great packaging we get with Snake In The Eagle's Shadow and its sequel Drunken Master back-to-back in one affordably priced DVD package. I am calling this a Region 4 winner.

    The video transfer delivers a pleasing image, given the age and quality of the source material.

    The audio is the original mono mix, but is nonetheless quite satisfactory.

    There are no extras.

Video
Audio
Extras
Plot
Overall

Drunken Master (Zui Quan) (1978)

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General		Extras
Category	Martial Arts	Audio Commentary-Ric Meyers And Jeff Yang Trailer-Crouching Tiger, Hidden Dragon, Maximum Risk, The One
Rating
Year Of Production	1978
Running Time	106:40
RSDL / Flipper	No/No	Cast & Crew
Start Up	Menu
Region Coding	4	Directed By	Yuen Woo-Ping
Studio Distributor	Sony Pictures Home Entertain	Starring	Jackie Chan Yuen Siu-Tien Hwang Jang-Lee
Case	Amaray-Transparent
RPI	Box	Music	None Given

Video		Audio
Pan & Scan/Full Frame	None	English Dolby Digital 2.0 mono (192Kb/s) Cantonese Dolby Digital 2.0 mono (192Kb/s) English Audio Commentary Dolby Digital 2.0 (192Kb/s)
Widescreen Aspect Ratio	2.35:1
16x9 Enhancement
Video Format	576i (PAL)
Original Aspect Ratio	2.40:1	Miscellaneous
Jacket Pictures	No
Subtitles	English	Smoking	Yes
		Annoying Product Placement	No
		Action In or After Credits	No

    I mention in the previous paragraph that Drunken Master is only "loosely" a sequel to the former film because in Hong Kong cinema "sequels" are often spawned after a hit film by hastily employing the same actors and crew and overtly borrowing from or referring to the title of the previous hit film, but with the new story and characters being completely unrelated to the first. And so it is in this case, as the story and characters of Drunken Master have nothing to do with the former film, despite the fact that we see all the same faces in often the same costumes and similar settings.

    While the crew is virtually identical to the first film, including director Yuen Woo-Ping and producer Ng See-Yuen, this second film is written by a different writer and is much lighter in tone. This is a more flippant yarn, less concerned with establishing a respectable plot than Snake In The Eagle's Shadow. What we have in the sequel is a basic story of redemption and revenge, appealing to the traditional Asian notions of saving face and gaining one's respect and honour. As explained in the audio commentary on this DVD, the story also appeals much more directly to Cantonese style and humour. When reviewing the film originally, I was tempted to conclude that the inclusion of several fart jokes and other bodily humour was reflective of a sad attempt to "Westernise" the genre, now that the films were starting to attract wider audiences. However, after listening to the commentary, I now appreciate that this is not the case at all. In fact, this is a cultural issue, as the film is appealing much more directly to a Cantonese sense of humour, which is very broad and almost vaudeville in nature. Whether it be the greater reliance on this kind of low-brow humour in the sequel, the less interesting storyline than the predecessor film, or both, I did not find this film as enjoyable as Snake; however I must be in the minority with this opinion, because most fans and critics find this film more enjoyable and more influential than the former film. What can't be denied at all, however, is the fact that the Kung Fu action in Drunken Master is both more frenetic and more inventively choreographed, so there is definitely more "wow factor" this time around. The progression to more complicated martial arts sequences is also born out by the fact that it took no fewer than five different kung fu directors this time to put the film together. You can also see that Jackie Chan is starting to develop his own fluid fighting style more in this film, as there is a notably greater use of everyday props in his fight sequences here, including things such as tables, bowls, towels, chairs and clothes. The comedy of using such props would go on to become his trademark.

    I suppose I should outline the plot. The story is apparently based on a popular folk legend. Wong Fei-Hong (or Freddie Wong, as named by the American subtitles) (Jackie Chan) is the rebellious son of the town's respected Kung Fu instructor Robert Wong. After constantly getting into trouble and with no other means to discipline his son, his exasperated father finally sends for legendary Kung Fu instructor Sam Seed (or So Hai as he is named in these subtitles) (Yuen Siu-Tien). Sam Seed has an unusual training approach that involves various kinds of tortures to strengthen his students' wrists and prepare them mentally. Fei-Hong tries to escape these sadistic training techniques, however after being beaten and completely humiliated by local bully and assassin Thunderfoot (the always impressive Hwang Jang-Lee), Fei-Hong realises that the only way to gain his honour is to return to Sam Seed, resume his training and prepare for the day when he can fight Thunderfoot and so win back not only his own self-respect but also the respect of his father. Sam Seed teaches his student the ultimate Kung Fu fighting technique of the "eight drunken gods", which is based on the erratic and unpredictable moves of a drunkard. These rather comical techniques prove to be highly effective in combat, as your opponent is both lulled into a false sense of security fighting what he believes to be a drunk and also thwarted in attempts to attack such an erratic and constantly moving opponent. You may be tempted into thinking, as I was when first watching this film, that these "eight drunken gods" techniques are pure inventions for the purpose of this film. However, quite amazingly, it turns out that these are in fact real Kung Fu fighting techniques (as is explained in the audio commentary). Fascinating. Anyway, after mastering the eight drunken gods (or does he?), Fei-Hong is finally ready to meet the dreaded Thunderfoot for the film's finale fight.

    The film Drunken Master would prove to have an even greater impact on audiences than did Snake In The Eagle's Shadow. So much so that Jackie Chan would go back to revive this character at the peak of his career some 16 years later, for Drunken Master II (also known as The Legend Of The Drunken Master, or Drunken Fist II). There has also been Drunken Master III and a series of other offshoot projects cashing in on the franchise without Jackie Chan. If you want to know how it all began and how Jackie Chan developed his famous martial arts style, then you simply must see this original 1978 film.

Video

    The presented aspect ratio is 2.35:1, close enough to the original 2.39:1 theatrical ratio, and is 16x9 enhanced.

    The transfer has again been sourced from a newly remastered print. Apparently the remastering process was hindered for this film (more so than for Snake In The Eagles' Shadow) by damage to the source element, so the final result was achieved after a lot of hard work. When you consider the reported state of the source element, the resolution and chrominance achieved in the final remastered DVD transfer is in fact quite extraordinary. As expected, there is visible film grain throughout and the transfer is still riddled with all manner of minor film artefacts (see below). But despite an overall softness to the resolution, the degree of detail on offer here is quite pleasing, evidence that the remastering process has been successful. Sure, focus does wander and background resolution is sometimes found to be lacking, but these are source issues. Shadow detail is also wanting in some scenes, but it is not of great concern given the vast majority of the action takes place in bright daylight exteriors or brightly lit sets. What's important above all these issues is that the amount of detail achieved in foreground images with this transfer makes for enjoyable viewing.

    Colour varies a bit but is for the great majority of the transfer very well balanced. There is acceptable colour saturation for the most part, but the age and quality of the source material means we are prevented from being treated to anything more striking. Colours do appear a bit more washed than they did in Snake In The Eagle's Shadow. Black levels are adequate, but not solid. Skin tones vary a bit, being generally acceptably balanced but occasionally either too washed out or too pink.

    No material MPEG artefacts are noted. Film-to-video artefacts consisted of some obvious telecine wobble in some scenes, however the transfer is largely free of any aliasing issues or other film-to-video artefacts. Film artefacts are prominent in the form of watermarks and dirt on the print, in among other places the opening sequences and also around 103:58. Other film artefacts include film flecks and negative artefacts sprinkled liberally throughout the feature, however despite the number of them they are all relatively minor on the distraction scale. No doubt there were other more distracting film artefacts that the new digital remastering process has addressed.

    The only subtitle language option provided on this DVD is English. I reviewed the subtitle stream in full while listening to the Cantonese audio track and found the subtitle font to be clear, easy to read, well placed and well-timed with the dialogue. Whilst I don't speak Cantonese and so cannot pass judgment on the accuracy of the subtitle translation, as a general comment it would appear to me that many liberties have been taken "Americanising" the dialogue in the translation, as evidenced by such subtitle lines as "my balls are busted!" and "is this your pad?". The audio commentary also alludes to several inaccuracies in the subtitling, mainly due to a lack of understanding of cultural issues.

    The disc is single-layered, so there is no layer change to navigate.

Video Ratings Summary

Sharpness
Shadow Detail
Colour
Grain/Pixelization
Film-To-Video Artefacts
Film Artefacts
Overall

Audio

    This time there are only two audio tracks on offer for the main feature, again being Dolby Digital 2.0 (mono) mixes at the low rate of 192 Kb/s. The audio tracks are English - again the default track, but why pray tell? - and the original Cantonese language track. If you want to hear the correct original language track, you will need to make a point of selecting it manually from the languages menu before starting the movie. Note that when you do, you are then confronted with the first scene being spoken in English!  This had me wondering if I had selected the correct audio track at first, or worse still, worrying that the Cantonese language track had not been included on the DVD after all! But don't worry, it turns out that English is spoken a few times throughout this film in addition to Cantonese, including as it happens the very first scene. (This is because some parts of the source elements were "incomplete" (read damaged), with the audio for these scenes not recoverable and so had to be re-dubbed. As an aside, the English dubbing of one character towards the end of this film is done by an actor with a very broad South African accent, which in the context of the visuals is quite comical!) The vast majority of the film, however, is spoken in Cantonese. I reviewed the original language (Cantonese) track.

    The centre speaker does literally all of the work in this movie if your Dolby ProLogic decoder is turned on. Dialogue quality is perfectly clear throughout. Every line is well delivered and the audio transfer cannot be wanting in this department.

    Audio sync is again atrocious, irrespective of whether it is Cantonese or English being spoken, but this is of course a source issue with the complete lack of effort put into the ADR process by films of the time, and so this is not a reflection of the delivery of the DVD's audio transfer. But again, rather than being annoying, this is as we expect for Hong Kong cinema and somehow only just adds to the charm and fun of the genre.

    The music for this film is uncredited. It is rather strident and intended to play none-too-subtly on the heartstrings at appropriate moments. Of  course the mono audio transfer does little for the music and sound effects, which come across as tinny and hollow. And nor is there any oomph to the numerous crashes and bumps. But still, what is most important in this transfer is the quality of the delivery of the dialogue and corny sound effects of the fighting; on this front the DVD transfer delivers.
   

Audio Ratings Summary

Dialogue
Audio Sync
Clicks/Pops/Dropouts
Surround Channel Use
Subwoofer
Overall

Audio Commentary: Ric Myers and Jeff Yang

    Ric Myers is the author of numerous martial arts movies and a respected Kung Fu movie magazine columnist. He knows his Hong Kong cinema. Jeff Yang is co-author, with Jackie Chan, of the biography "I Am Jackie Chan: My Life In Action". He is also the author of the upcoming book "Once Upon A Time In China - An Enthusiast's Guide To The Cinema of Mainland China, Taiwan and Hong Kong". Naturally enough, he knows his Jackie Chan history.

    This audio commentary was recorded by the pair together only very recently (post-2000) for the most recent DVD release of the film in the US. The commentary is screen-specific, but also wanders about in a general discussion of not only this film, but also aspects of Snake in the Eagle's Shadow, Hong Kong cinema generally and the histories of Jackie Chan, Yuen Woo-Ping and  Yuen Siu-Tien in particular. This commentary is authoritative and fascinating to listen to. The pair are talkative, informative and work quite well together, so there are hardly any blank spots at all. Better still, the commentary provides a detailed understanding of the film's context, many of the cultural issues/references in the film, and the history of all those involved. Consequently, this extra will improve your knowledge of Jackie Chan and of Hong Kong cinema no end.

Trailers:

• Crouching Tiger, Hidden Dragon (1:25): presented in 2.35:1, not 16x9 enhanced, and with 2.0 surround audio,
• Maximum Risk (1:18): presented in 1.33:1 and 5-channel audio, and
• The One (2:17): presented in 1.78:1 16x9 enhanced and with aggressive 5.1 audio.

    The quality of all the trailers is good. Crouching Tiger, Hidden Dragon is a nice enough inclusion on this DVD, given Yuen Woo-Ping's involvement in it as martial arts choreographer. However the other two trailers are completely unrelated to those involved in Drunken Master and presumably only included simply because they are of the genre. This is a wasted extra then, when 3 trailers of any other Jackie Chan films would have been much preferred instead.

    There is censorship information available for this title. Click here to read it (a new window will open). WARNING: Often these entries contain MAJOR plot spoilers.

    In comparison to the Region 4 (and Region 1) version of this DVD, Region 2 receives:

• No original Cantonese language audio track - instead, an alternate Mandarin dub track is provided in addition to the English dub track.
• A cropped 1.78:1, 16x9 enhanced aspect ratio.
  However, Region 2 also gets.....
• Several extras, including: a featurette interview with producer Ng See-Yuen (appears to be exactly the same interview featurette extra as appears on the R2 release of Snake); a "Kicking Showcase" featurette with Hwang Jang-Lee (again, appears to be the same extra as on the R2 release of Snake); detailed cast and crew bios (Jackie Chan's bio is reported to be 32 pages long!); a 2-minute edit of the film's fighting highlights to music; a photo gallery; and a theatrical trailer. This is quite an extras package, but it does not include the audio commentary.

    The Region 2 version might appear to be the arguable winner in terms of overall extras package, but when you break it down note that, apart from the bio screens, the only really meaty extra is an interview featurette (time unknown but probably short) and a short "Kicking Showcase" featurette with Hwang Jang-Lee. Again you must weigh this up against the loss of the original language track, a cropped 1.78:1 transfer and a great audio commentary. Note also that our Region 4 release is also the clear winner for price, given the pairing of two films together in one affordably priced DVD package. I am calling this a Region 4 winner.

    The video transfer delivers a pleasing image, given the age and quality of the source material.

    The audio is the original mono mix, but is nonetheless quite satisfactory.

    The audio commentary extra is invaluable.

Video
Audio
Extras
Plot
Overall