The Long Kiss Goodnight (Remastered) (1996) |
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General | Extras | ||
Category | Action |
Menu Audio Biographies-Cast & Crew Theatrical Trailer Featurette-Behind The Scenes Interviews-Cast & Crew Featurette-On The Set |
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Rating | |||
Year Of Production | 1996 | ||
Running Time | 116:45 | ||
RSDL / Flipper | RSDL (91:27) | Cast & Crew | |
Start Up | Menu | ||
Region Coding | 4 | Directed By | Renny Harlin |
Studio
Distributor |
Roadshow Home Entertainment |
Starring |
Geena Davis Samuel L. Jackson Patrick Malahide Craig Bierko Brian Cox David Morse |
Case | Village Roadshow New Style | ||
RPI | $34.95 | Music | Alan Silvestri |
Video | Audio | ||
Pan & Scan/Full Frame | None |
English Dolby Digital 5.1 (448Kb/s) English Dolby Digital 2.0 (320Kb/s) |
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Widescreen Aspect Ratio | 2.35:1 | ||
16x9 Enhancement |
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Video Format | 576i (PAL) | ||
Original Aspect Ratio | 2.35:1 | Miscellaneous | |
Jacket Pictures | No | ||
Subtitles | English for the Hearing Impaired | Smoking | Yes |
Annoying Product Placement | No | ||
Action In or After Credits | Yes, at start of credits |
Unbeknownst to Samantha, her real name is Charly Baltimore and she was a US government assassin. Now that the story ground-work has been laid, the action soon starts after Samantha/Charly is seen by one of her old enemies.
I'm not going to say any more as it would spoil the movie, but be assured that there are plenty of great action sequences. Couple this with a great plot, and you have the makings of a fantastic movie. I have watched this movie several times now, and I always thoroughly enjoy it.
You can also try playing the DVD on either a Toshiba DVD player or on a DVD-ROM player. If the disc severely pixelates and skips, then you have the old version rather than the remastered version.
The video transfer of this movie is very good, with only a couple of instances of minor but distracting faults.
The transfer is presented at an aspect ratio of 2.35:1, 16x9 enhanced.
The transfer was clear and sharp at all times. Shadow detail was very good. Low lighting conditions are the norm in this movie, and I found the picture to be a tad on the dark side. To get the most out of the picture you will need to watch it at night, or in a room where ambient light can be blocked out. No low-level noise or excessive edge enhancement was noticed.
There are two scenes where some minor background grain can be seen, at 84:51 and 95:58.
The colours are well-saturated and natural-looking throughout, except for three scenes. The first two are short in duration and appear incorrectly balanced which washes them out. These are at 88:26 and 95:58. The third occurrence is the final sequence which includes some of the end credits. This appears to be slightly overexposed, as the colours are not deeply saturated and the credits are slightly blurry. Watch what happens to the credits when the background fades to black.
No MPEG artefacts were seen. Due to the subject material and the sharpness inherent in this transfer, quite a few scenes suffered from minor aliasing. There is one sequence at 37:43 – 37:46 that contains severe aliasing. This is of a snow-covered car park. Thankfully, this scene does not last very long. Overall, aliasing is well-controlled. There is also some aliasing in the credits but this doesn't really matter.
I counted a total of four noticeable film artefacts for the entire movie - a superb effort.
This is an RSDL disc, with the layer change occurring at 91:27, between Chapters 21 and 22. Even though the layer change is easily spotted, I felt that it was very well placed and not disruptive to the flow of the movie.
Sharpness | |
Shadow Detail | |
Colour | |
Grain/Pixelization | |
Film-To-Video Artefacts | |
Film Artefacts | |
Overall |
There are two audio tracks on this DVD; an English Dolby Digital 5.1 448Kb/s soundtrack and an English Dolby Digital 2.0 320Kb/s surround-encoded soundtrack. The Dolby Digital 5.1 soundtrack is the default, and is the one that I listened to.
Dialogue was clear and easily understood at all times.
There were no audio sync problems with the movie.
Some minor but clearly audible distortion occurs during a couple of the louder sections of the movie, which is a shame as it tarnishes an otherwise perfect soundtrack. This distortion may be in the original theatrical soundtrack.
Alan Silvestri's musical score is excellent, always adding to or enhancing the on-screen action.
The surround channels were heavily used for ambience and music. Special effects are frequently heard coming from the surround channels, creating an enveloping and effective soundfield.
The .1 channel was heavily and effectively used.
Dialogue | |
Audio Sync | |
Clicks/Pops/Dropouts | |
Surround Channel Use | |
Subwoofer | |
Overall |
NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.
The video transfer of this movie is very good, with only a couple of instances of minor but distracting faults.
The audio of the transfer is of excellent quality, with some minor but clearly audible distortion occurring during a couple of the louder sections of the movie, which is a shame as it tarnishes an otherwise perfect soundtrack.
There is a very good selection of extras present on this disc, all of which are of excellent picture quality.
Video | |
Audio | |
Extras | |
Plot | |
Overall |
Review Equipment | |
DVD | Sony DVP-725, using Component output |
Display | Sony Projector VPH-G70 (No Line Doubler), Technics Da-Lite matt screen with gain of 1.0 (229cm). This display device is 16x9 capable. |
Audio Decoder | Built in to DVD player. Calibrated with Video Essentials. |
Amplification | Onkyo TX-SV919THX |
Speakers | Fronts: Energy RVS-1 (3), Rears: Energy RVSS-1 (2), Subwoofer: Energy EPS-150 (1) |