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PLEASE NOTE: Michael D's is currently in READ ONLY MODE. Anything submitted will simply not be written to the database.
Lots of stuff is still broken, but at least reviews can now be looked up and read.
Cool World (1992)

Cool World (1992)

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Released 3-Dec-2003

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Details At A Glance

General Extras
Category Fantasy None
Rating Rated M
Year Of Production 1992
Running Time 97:31
RSDL / Flipper RSDL (50:22) Cast & Crew
Start Up Language Select Then Programme
Region Coding 4 Directed By Ralph Bakshi
Studio
Distributor

Paramount Home Entertainment
Starring Kim Basinger
Gabriel Byrne
Brad Pitt
William Frankfather
Greg Collins
Janni Brenn
Joey Camen
Michael David Lally
Michele Abrams
Carrie Hamilton
Stephen Worth
Murray Podwal
Jenine Jennings
Case ?
RPI $24.95 Music Mark Isham
John Dickson


Video Audio
Pan & Scan/Full Frame None English Dolby Digital 5.1 (448Kb/s)
French Dolby Digital 2.0 (192Kb/s)
German Dolby Digital 2.0 (192Kb/s)
Italian Dolby Digital 2.0 (192Kb/s)
Spanish Dolby Digital 2.0 (192Kb/s)
Widescreen Aspect Ratio 1.78:1
16x9 Enhancement
16x9 Enhanced
Video Format 576i (PAL)
Original Aspect Ratio 1.85:1 Miscellaneous
Jacket Pictures No
Subtitles English
Arabic
Bulgarian
Croatian
Czech
Danish
Dutch
Finnish
French
German
Greek
Hebrew
Hungarian
Icelandic
Italian
Norwegian
Polish
Portuguese
Romanian
Serbian
Slovenian
Spanish
Swedish
Turkish
English for the Hearing Impaired
Smoking Yes, almost everyone smokes!
Annoying Product Placement No
Action In or After Credits No

NOTE: The Profanity Filter is ON. Turn it off here.

Plot Synopsis

   When a film with a novel premise, technique or gimmick becomes a phenomenal success, you can be sure that any number of studio executives are paying close attention – and figuring how they can work this new angle into their next project. The Matrix spawned a legion of bullet-time fight scenes; Scream led to a succession of self-referential horror films; and in the wake of the bonanza that was Who Framed Roger Rabbit, someone at Paramount asked themselves: who could they get to mix a similar cocktail of live action and animation? They must have had quite a rush of blood to the head, for the answer turned out to be Ralph Bakshi. Best known for his X-rated animated version of Robert Crumb’s Fritz the Cat, and his troubled 1978 adaptation of The Lord of the Rings, Bakshi is not the man to whom I would hand the many millions of dollars that must have gone to make Cool World. He’s a talented guy, with a heck of an eye – but commercial he ain’t. This picture grossed only US$14 million on release back in 1992, and it’s easy to see why. There’s some great stuff in here; but there’s also a heck of a lot of flawed work and incoherency. And weirdness. The quickest summary of Cool World is weird-ass.

   A longer summary would go like this: In 1945, returned soldier Frank Harris (an early Brad Pitt) is sucked out of his home near Las Vegas and into a strange parallel world inhabited by living cartoons – Cool World. He becomes a police officer – as you do – and enforces the laws. Most important of these is that Noids (visiting humans) must not have sex with Doodles (cartoon people). This might not seem like a law many people would want to violate, until you consider the amount of Jessica Rabbit porn on the internet… Anyhoo. Cut to the Las Vegas of 1992, where one Jack Deebs (Gabriel Byrne) is getting out of prison. Jack’s a cartoonist; his best known series is called Cool World; and he thinks that he invented it, until he starts getting pulled inside by oversexed Doodle Holli Would (Kim Basinger). Holli wants to be a star in the real world. She also kinda wants to break that rule I mentioned above. Jack is quickly under her spell, dire consequences ensue, and Frank must race desperately to protect both worlds from destruction.

   The movie itself is rather more baffling than that summary. The ‘rules’ of Cool World aren’t clearly explained – sometimes they aren’t even mentioned until they operate, which is very cheesy (“He’s dead! Oh no! But wait! I forgot that people killed in that particular way don’t die! Hooray!”). Scenes of essentially random cartoonishness are interspersed among those where something important is happening. The acting is often awkward, and not just when the performers are interacting with a blank space over which a cartoon will later be drawn. Brad Pitt still had a long way to go before he was good; Kim Basinger is a lot better as a voice-over than as a real woman; and Gabriel Byrne is thoroughly miscast as a troubled cartoonist.

   So what does this film have going for it? A terrific soundtrack – fully discussed below – and strong looks. Bakshi employs some neat camera moves and stylistic devices in the real world, but it’s in the Cool World that the real effort has been spent. The dark, twisted cityscapes look amazing, while the characters themselves evoke many different styles of animation. Some look like the anthropomorphic animals of the 20s and 30s, and some are escapees from the kind of work we used to see on Liquid Television. Holli Would herself is drawn and coloured like a bustier early Disney heroine – Snow White, say – and rotoscoped to produce wonderfully lifelike movement. Although adequate, interaction between actors and toons isn’t as sophisticated as in Who Framed Roger Rabbit, particularly when Brad Pitt puts his arm not-quite-around the neck of his Doodle girlfriend Lonette at 31:07. The sets where live actors and animated characters mix are much more impressive, built largely out of flat cutouts to create a hybrid 2-D/3D environment. If you’re at all interested in animation, Cool World is worth close study.

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Transfer Quality

Video

   This is a flawed transfer of an attractive movie.

   The transfer is presented in an aspect ratio of 1.78:1, slightly cropped from a theatrical ratio of 1.85:1, and is 16x9 enhanced.

   The image is pleasingly sharp and clear, with excellent shadow detail and rich, deep blacks.

   There are a lot of pretty colours in this movie, but there are also some annoying problems in rendering them. Wholly animated or wholly live action scenes are noticeably better in the brightness and saturation of their colours than scenes that mix live action with cartoons, where animation colours are drabber and more washed-out. This is no doubt due to the pre-digital technology behind the source material, rather than this transfer. Fine lines in the animation give rise to occasional areas of cross-colouration, as in the momentary cameo by Pinnochio and Gepetto at 49:13. There was also an instance of colour bleeding, on Lonette’s red, red lips at 39:11.

   There are a couple of instances of aliasing, primarily on the Zebra-patterned bar in Holli’s apartment, seen at 15:04 and 45:12. Telecine wobble is also a problem, one that is very evident during the opening credits and the first few scenes. The wobble is less overt for the rest of the film, but is still there. There are a few film artefacts – flecks and specks only – but the biggest worry here is just how grainy this film is. The grain affects every scene, but is doubly intense in those troublesome live/animated scenes. It won’t ruin your night, but it certainly detracts from the beauty of the image.

   The subtitles are plentiful, and the English ones are pretty accurate. While sometimes a little high up for my taste, they never get in the way.

   This is an RSDL disc, with the layer change poorly placed on a crucial shot of Holli at 50:22.

Video Ratings Summary
Sharpness
Shadow Detail
Colour
Grain/Pixelization
Film-To-Video Artefacts
Film Artefacts
Overall

Audio

   This is a very good transfer of a great soundtrack.

   There are five audio tracks – one in English, presented in Dolby Digital 5.1 at 448 Kbps, and French, German, Italian and Spanish tracks in Dolby Digital 2.0, at 192 Kbps.

   Dialogue is clear, easy to understand, and really shows off the abilities of the many experienced voice actors who contributed. Synchronisation is spot-on for live actors, and really pretty good for the toons.

   The music is one of Cool World’s best features. Mark Isham put together a startlingly groovy soundtrack filled with the best kind of late-80s and early-90s industrial and techno dance club music. Artists like My Life With The Thrill Kill Kult rub sonic shoulders with a young Moby, with a little bit of David Bowie and Ministry thrown in for good measure. The result is a real ‘sound’ for Cool World; it must have been pretty hip at the time, and it has aged very well. I’ve got to get the CD… The music adds a lot of energy and ambience to the onscreen action, and has been well mixed. The fronts carry most of it, but enough goes to the surrounds to provide an enveloping soundstage.

   The surrounds get quite a lot to do, in fact. This film was a stereo job on release, but has been thoroughly and competently remixed to take advantage of Dolby Digital 5.1. Ambient noise and musical support are constantly present in the surrounds, which are also well used in effects like a surround-to-front sound pan on a motorcycle at 5:47, people falling at 49:10, or an outburst of doodles into the real world at 84:34.

   The subwoofer was fairly active as well, although it only breaks out of a supporting role at 49:00 with a big LFE rumble. Otherwise, the sub provided great support to the action, and especially to the bass-heavy music.

Audio Ratings Summary
Dialogue
Audio Sync
Clicks/Pops/Dropouts
Surround Channel Use
Subwoofer
Overall

Extras

    Regrettably, there are no extras on this disc.

Menu

    The menus incorporate art from the film, and are 16x9 enhanced. There is no music.

R4 vs R1

NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.

   The Region 4 version of this disc misses out on;

       The Region 1 version of this disc misses out on;     The audiovisual quality of both releases is more or less identical, so the Region 4 disc wins on accessibility grounds. Native Spanish speakers, rejoice!

Summary

   Cool World is not exactly a good film, but I enjoyed it. You can get a lot out of it if you’re interested in animation or music.

   The video quality was sadly imperfect.

   The audio quality is superb.

   The extras were absent.

Ratings (out of 5)

Video
Audio
Extras
Plot
Overall

© Tennant Reed
Saturday, August 07, 2004
Review Equipment
DVDSony DVP-NS730P, using Component output
DisplayPanasonic PT-AE500E projecting onto 100" screen. This display device has not been calibrated. This display device is 16x9 capable.
Audio DecoderBuilt in to amplifier/receiver. This audio decoder/receiver has not been calibrated.
AmplificationOnkyo TX-SR601 with DD-EX and DTS-ES
SpeakersJensen SPX-7 fronts, Jensen SPX-13 centre and rear centre, Jensen SPX-4 surrounds, Jensen SPX-17 subwoofer

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