Rasputin: The Mad Monk (1966)
|Year Of Production||1966|
|Running Time||87:54 (Case: 89)|
|RSDL / Flipper||Dual Layered||Cast & Crew|
|Region Coding||4||Directed By||Don Sharp|
Universal Pictures Home Video
|Pan & Scan/Full Frame||None||English Dolby Digital 2.0 (224Kb/s)|
|Widescreen Aspect Ratio||2.15:1|
|Video Format||576i (PAL)|
|Original Aspect Ratio||2.35:1||Miscellaneous|
|Annoying Product Placement||No|
|Action In or After Credits||No|
This is the alleged story of Grigori Rasputin, the infamous monk who cast a spell over the Russian royal family in the latter years of the reign of the last Tsar. I say "alleged", because this film does not do more than pay lip service to a few facts, preferring instead to paint Rasputin as a demonic drinker and womaniser who gets his just desserts. Even then, his death was even more bizarre than is shown here. As this is a Hammer production and not from a major studio, the budgetary limitations are obvious. The sets look identical to those used in Dracula - Prince of Darkness from the same year, though slightly redressed. Some of the actors from that film also appear in this one.
Notable amongst these is Christopher Lee in the title role, and he fairly dominates the film. Rasputin arrives at a tavern from a nearby monastery and promptly cures the innkeeper's wife of a fever. In return, all he asks for is wine, and his drunken cavorting ends up getting him kicked out of the monastery. He makes his way to St Petersburg where he manages to mesmerise and bed the Tsarina's lady-in-waiting Sophie, played by the lovely Barbara Shelley. By use of his mesmeric powers, Rasputin conspires to get into the good graces of the Tsarina (Renee Asherson), but he creates enemies wherever he goes.
This is not really a bad film, just bad history. Lee is excellent as Ra-Ra-Rasputin, Russia's greatest love machine (sorry, just had to do that - at least I didn't say there was a cat that really was gone...), with a heavy beard and long scraggly hair. Unfortunately he tends to overwhelm the other actors, and it is hard to imagine Francis Matthews getting the better of him, even with Rasputin having a bellyful of poison. Don Sharp directs well and the movie goes at a fast clip, so it is possible to overlook the flaws and just enjoy it.
The film comes on a double-feature disc with another Lee film from the same era, Theatre of Death, so fans of this veteran star of horror films need not hesitate. Unless, of course, you want a decent transfer.
The film is presented in an aspect ratio of 2.10:1 and is 16x9 enhanced. While 2.35 is listed by the IMDb as the original aspect ratio, other reviews suggest 2.10:1 is correct.
It is unfortunate that the transfer is poor in one major respect: the presence of a lot of excessive noise reduction. This means that when the actors and sets are perfectly still, detail levels are satisfactory. Any movement, though, results in slight blurring, and in some scenes there are floating faces, hands, furniture and so on. Shadow detail is also quite poor, with some of the film being very murky.
Colour is reasonable and flesh tones are good, Lee being made up to look dark and swarthy. There seems to be low level noise present throughout much of the film, and black levels are not very good as a result.
Apart from the noise reduction problem, there is some aliasing in a lot of scenes, such as at 29:08.
The transfer seems to have been taken from a theatrical print judging by the presence of reel change markings at 19:49. Despite this, there are few film artefacts, with only occasional speckling and small coloured spots.
No subtitles are provided.
There is no layer change, even though this is a dual-layer disc, as the film is contained wholly on one layer with a second feature on the other.
The sole audio track is Dolby Digital 2.0 mono.
Dialogue is quite clear and is distinct, and I really could not fault the audio for what it is. Bass is quite good. Generally the audio is a little thin at the top in the way of mono transfers, but if you watch a lot of films from this era, you would find this to be typical.
The music score is above average for a Hammer film, with a fine example of the genre from Don Banks. It contains Russian influences and even quotes Tchaikovsky.
|Surround Channel Use|
No extras are provided.
NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.
This film has been released in Region 1 by Anchor Bay in their Hammer collection. This release features:
Judging by reviews, the Region 1 does not suffer from the noise reduction issues present in the Region 4 transfer.
There is also a UK Region 2 release which sounds as if it is the same transfer as Region 4, and this is only available in a boxset. Looks like the Region 1 is the one to have, and aside from the above release, there is a budget two disc set where it is paired with one of the better Hammer films, The Devil Rides Out, and still has the same extras.
Enjoyable trash, with an excellent turn by the tall, dark and gruesome star.
The video quality is poor.
The audio quality is satisfactory.
|DVD||Pioneer DV-S733A, using Component output|
|Display||Sony 86CM Trinitron Wega KVHR36M31. Calibrated with Ultimate DVD Platinum. This display device is 16x9 capable.|
|Audio Decoder||Built in to DVD player, Dolby Digital, dts and DVD-Audio. Calibrated with Ultimate DVD Platinum.|
|Speakers||Main: Tannoy Revolution R3; Centre: Tannoy Sensys DCC; Rear: Richter Harlequin; Subwoofer: JBL SUB175|