| Control Room (2004) |   | 
 
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| BUY IT | 
| General | Extras | ||
| Category | Documentary | Main Menu Audio Audio Commentary-Jehane Noujaim (Director) & Hani Salama (Producer/Cinemato.) Audio Commentary-Josh Rushing (Central Command Press Officer_ Audio Commentary-Hassan Ibrahim &Samir Khader (Al Jazeera Senior Producers) Theatrical Trailer Deleted Scenes Notes-About Al Jazeera Web Links Trailer-Startup.com, Letters To Ali, Shifting Sands, The Corporation Trailer-Osama, Safe, Going Upriver | |
| Rating |   | ||
| Year Of Production | 2004 | ||
| Running Time | 86:32 (Case: 84) | ||
| RSDL / Flipper | RSDL (67:57) | Cast & Crew | |
| Start Up | Menu | ||
| Region Coding | 1,2,3,4,5,6 | Directed By | Jehane Noujaim | 
| Studio Distributor | Magnolia Pictures Madman Entertainment | Starring | Joshua Rushing Samir Khader Hassan Ibrahim | 
| Case | Amaray-Transparent-Secure Clip | ||
| RPI | ? | Music | Thomas DeRenzo Hani Salama Julia Bacha | 
| Video | Audio | ||
| Pan & Scan/Full Frame | None | English Dolby Digital 2.0 (192Kb/s) English Audio Commentary Dolby Digital 2.0 (192Kb/s) English Audio Commentary Dolby Digital 2.0 (192Kb/s) English Audio Commentary Dolby Digital 2.0 (192Kb/s) | |
| Widescreen Aspect Ratio | 1.75:1 | ||
| 16x9 Enhancement |  | ||
| Video Format | 576i (PAL) | ||
| Original Aspect Ratio | 1.85:1 | Miscellaneous | |
| Jacket Pictures | No | ||
| Subtitles | English English for the Hearing Impaired French Spanish Arabic | Smoking | Yes | 
| Annoying Product Placement | No | ||
| Action In or After Credits | No | ||
    Whatever your take on the war in Iraq, the hunt for 	terrorists and WMDs, or the foreign policies followed by the Bush 	Administration, chances are that almost all of the material you have used to 	make up your mind about this conflict has come from media organisations 	based in the West. CNN, Fox News, BBC, ABC, Australian commercial television 	news, or the various print media circulated around the country would surely 	make up a substantial chunk of the information source for most of us. A look 	from the other side is almost impossible, unless you trawl the Internet or 	have a friend abroad.
 	
     By now everyone with even a passing interest in the 	war in Iraq will have heard of the Arab satellite news channel Al Jazeera. 	First going to air in November 1996, the station is now watched by more than 	40 million people in the Arab world. It was established to provide Arab 	viewers with a more free and independent source for news than some of the 	state run media organisations many of the countries of the Middle East 	provided. It was staffed primarily by former employees of the just-disbanded 	BBC Arabic television service, with all the journalists strong believers in 	the staunch BBC ethos of balance and fairness in their news reports.
 	
     The network is based in Doha, Qatar (you just have to watch 	the first deleted scene where the dumbstruck news reporter is forced to mimic his 	station anchor and pronounce "Qatar" as "Gutter"!) and has 	actually been censored in many of the more repressive Arab countries. 	Interestingly, the 	network's sister website at  	AlJazeera.net is among the top 50 most visited sites in the 	world.
 	
     As well as providing news to the Arab world, it is a station 	that has attracted plenty of controversy. The Bush administration calls it 	"The mouthpiece of Osama Bin Laden", due to their willingness to air 	Osama propaganda videos, and it has attracted the ire of many around the 	world with its eagerness to show vision of civilian deaths and injuries and 	coalition POWs during the war (the rest of the world pretends this just 	doesn't happen). Of course we see very little of Al Jazeera in Australia, 	other than what the other television networks choose to show us, so it is 	therefore refreshing to finally get a look at the war in Iraq from a 	slightly different perspective. 
Control Room is a film that offers that and a whole lot more. It shows a true behind-the-scenes look at the station and how it and others from around the world have truly battled every day to bring us some sense of the chaos that is the war in Iraq. The film is most importantly a fair and balanced piece of work. Director Jahene Noujaim takes no sides (helped probably due to her dual American/Egyptian heritage) as she interviews some of the key people working at the station, plus others involved in delivering and shaping the message we see every night on our television sets.
 	    There are some truly interesting characters in the film. 	Hassan 	Ibrahim is a veteran journalist who has a Saudi upbringing but is also 	fluent in the ways of the west. He now works for Al Jazeera after many years 	with the BBC Arabic service and it appears as if he likes nothing better than 	engaging someone in a long and passionate political argument. The target of 	his initial ramblings is Cpt. Josh Rushing, the US Marine Press 	Office at Central Command in Qatar. This unfortunate man is charged with 	delivering the US military line on action in Iraq and putting a positive 	spin on any situation. This is severely tested the day after the US 	accidentally bombs three media outlets in Iraq (including Al Jazeera), which 	culminates in the death of one of the station's reporters.
 	
 	    If anything is learnt from this captivating behind the 	scenes look at the workings of a large media outlet, it is how difficult it 	is for any of them to remain completely objective reporting on a conflict that fires much passion and hatred. It is almost funny to think that the gung-ho 	American Fox News claim themselves to be "fair and balanced" while many in the 	US see Al Jazeera as biased towards Iraq. Conversely those involved with Al 	Jazeera state they strive to be fair and balanced against the tide of the 	biased western news services.
 	
     An excellent film and further proof that any film that lifts 	the lid on the workings of the media is essential viewing for all.
The video transfer is presented in an aspect ratio of 1.75:1. This is slightly different to the theatrical aspect ratio (and the one indicated on the packaging) which was 1.85:1. It is also 16x9 enhanced.
With much of the camera work filmed on the run with hand held digital tape-based equipment, don't expect too much in terms of pristine, vibrant, or colourful film-like images here. The film is split between what appears to be hand-held footage and archival Al Jazeera news footage. There is grain evident in many of the shots with poor lighting, but there is no low level noise.
Colours aren't exactly what I'd call vibrant, but the style of film and the content matter presented doesn't really call for heaps of bright colour.
There are no compression or film-to-video artefacts. Film artefacts are also absent with much of the film shot on tape.
There are a couple of subtitle options. I sampled the English variety during much of the commentary track and found them pretty accurate.
    This is a dual layered disc that is  	RSDL formatted with the layer change occurring at 	67:57.
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This documentary comes equipped with no less than four soundtracks including an amazing three commentary tracks. The main film is serviced solely by a Dolby Digital 2.0 stereo track in English with substantial Arabic dialogue scattered throughout. This Arabic dialogue is supported by English subtitles.
    This is a soundtrack dominated by interviews and 	talking heads, so it really 	doesn't need anything special. There is some reasonable separation of 	sound effects across the front speakers, mostly notably the music. Dialogue is clear and there are no audio sync problems.
 	
 	    There is a little music that supports the on screen 	action.
 	
 	    With the film stuck with two channels there is no surround channel or 	subwoofer usage.
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The quantity of extra material contained on this disc is excellent and a real indication of the importance of the subject matter.
The main commentary track is by director Jehane Noujaim and producer Hani Salama. Noujaim is of American/Egyptian heritage and is an intelligent, articulate speaker who has plenty to say about her film, a film that she obviously put a lot of effort into. An excellent commentary that adds much to the film viewing experience.
Marine Captain Josh Rushing was the Central Command Press Officer who is featured prominently in the film as an interviewee. His commentary is interesting enough though a little limited in scope since he really only knows his side of the story.
Al Jazeera senior producer/reporters Hassan Ibrahim and Samir Khader (both of whom are featured in the film) know pretty much everything there is to know about the satellite channel and its impact in the Arab world. A fascinating commentary with plenty of information packed into it. The urbane and highly intelligent Hassan Ibrahim would make a particularly interesting dinner party guest.
A pretty decent trailer that immediately rams home what this documentary is about in just 2:12.
Deleted scenes that offer more bang for your buck than the main feature! Some 29 deleted scenes covering all manner of topics. Extended or additional interviews with many of the people in the film (more than 22 minutes with Cpt. Josh Rushing), several scenes which didn't make the final cut and a few Al Jazeera promotional spots. All up these run for a staggering 97:10.
A couple of static screens of text summarising the history of the Al Jazeera satellite news channel.
Internet links to the United States Central Command, the English version of Al Jazeera and Madman Cinema.
Trailers for several other Madman titles including Letters To Ali, Shifting Sands, The Corporation, Osama, Safe, Going Upriver and another film by Control Room director Jehane Noujaim, Startup.com.
NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.
Other than the fact that the bonus trailers are different on the Region 1 and Region 4 discs, it appears they are virtually identical.
    Documentaries like Control Room have 	always been important, but they have taken on an altogether new importance 	in the information-hungry world in which we find ourselves in 2005 when 	every news service puts some sort of spin on their output to increase 	ratings. 	Together with the likes of 	Fahrenheit 9/11 and Outfoxed - Rupert Murdoch's War On 	Journalism they show an often unsuspecting consumer a side to the 	media that many in charge of these money-making machines try to keep well hidden. Control Room 	is even more important in enlightening the public by showing the war in Iraq from a  seldom 	seen perspective including footage you are unlikely to have seen before. It 	is about as fair and balanced as you can get without a trace of 	sensationalism anywhere.
 	
     The video and audio quality are fine for the style of 	presentation, while the wealth of extras are a highlight.
 	
     All up a pretty decent quality DVD.
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| Review Equipment | |
| DVD | Denon DVD-3910, using RGB output | 
| Display | Loewe Calida (84cm). Calibrated with Digital Video Essentials (PAL). This display device is 16x9 capable. | 
| Audio Decoder | Built in to amplifier/receiver. Calibrated with Digital Video Essentials (PAL). | 
| Amplification | Harmon/Kardon AVR7000. | 
| Speakers | Front - B&W 602S2, Centre - B&W CC6S2, Rear - B&W 601S2, Sub - Energy E:xl S10 |