Short Film About Love, A (Krótki Film o Milosci) (Remastered) (1988)
Main Menu Audio
Interviews-Cast-Grazyna Szapolowska (Actress)
Featurette-Interviews With Annette Insdorf & Emmanuel Finkiel
Trailer-The Last Metro, Shoot The Piano Player,
Trailer-A Short Film About Killing, Jules And Jim
|Year Of Production||1988|
|RSDL / Flipper||Dual Layered||Cast & Crew|
|Region Coding||2,4||Directed By||Krzysztof Kieslowski|
|Pan & Scan/Full Frame||None||Polish Dolby Digital 2.0 (192Kb/s)|
|Widescreen Aspect Ratio||1.59:1|
|Video Format||576i (PAL)|
|Original Aspect Ratio||1.66:1||Miscellaneous|
|Annoying Product Placement||No|
|Action In or After Credits||No|
When this disc was originally released, there was a severe glitch with the synchronisation of the subtitles. After the thirty minute mark, the subtitles appeared one or two lines later than they should have, and by the end of the movie you had to wait several minutes to find out what the last line was. Umbrella have now remastered the disc with the subtitling fixed, and what follows is my original review with the problem no longer mentioned. Otherwise the disc is identical. What makes this more difficult for the consumer is that the two editions are identical. The cover is exactly the same, and the miniscule coding on the inner rim of the disc remains unchanged. There is no way to tell whether a copy of this disc is the old or new mastering, though presumably all copies of the earlier release have been taken from the shelves in retail stores.
This film was originally episode 6 of Dekalog, a ten-part series made for Polish television by Krzyzstof Kieslowski. The original title of the 58-minute episode was Thou Shalt Not Commit Adultery, and it was retitled and expanded to 86 minutes for the cinema version.
The story concerns Tomek (Olaf Lubaszenko), a worker in the local post office. He lives in an apartment building opposite that of Magda (Grazyna Szapolowska), an older woman who has several male visitors. Each night Tomek turns into Peeping Tomek, with his telescope fixed on Magda's windows. He watches her arrive home, sees the men who come to see her, and contrives to interrupt her amatory adventures, in one case calling the gas people to fix a leaky stove at her place. He also puts fake notices in her letterbox that she has received a money order, so she will come to the post office.
Eventually Tomek is found out, but the consequences of this are far different than one would imagine.
In fleshing the television film out to feature length, a new ending was shot that has quite a different meaning to the original. Rather than portray Tomek's voyeurism as sexual in nature, the film effectively captures his loneliness and shyness. This is contrasted with Magda's worldly artistic nature. In keeping with the circular or symmetric nature of many of his films, Kieslowski turns the voyeurism around during the course of this work. While this is not entirely convincing in logical terms it works in a dramatic sense, enabling the film to end on an upbeat note, unlike the original.
The film is presented in an aspect ratio of 1.59:1 and is 16x9 enhanced. The original aspect ratio was 1.66:1. The image appears to be slightly cropped on the left edge. The television version, based on the screen captures I have seen, looks to be a panned and scanned version of what we see on this disc.
On the face of it the transfer seems quite good, with very few film artefacts and a reasonably clear and bright image. But there are a number of problems with it. It is sharp and detailed in bright light, but there are motion blurring artefacts which appear to have come from excessive noise reduction. Frequently shapes move inappropriately with regard to their placement in the frame, or in relation to the background. An example of this is in the coffee shop sequence, where the right side of Magda's face moves out of step with the left side, causing significant distortion of her features (this can be seen at 44:46). This artefact is present throughout much of the film, and is more noticeable in darker sequences. There is also some low level noise, meaning that blacks are neither deep nor solid. Otherwise colour is quite good, and flesh tones come across well.
Some edge enhancement is also visible, and one instance of aliasing at 62:57.
The remastered subtitles are in a yellow font, are well-timed and seem to translate all of the dialogue. They are a significant improvement over the first release.
The disc is dual-layered, but the feature is contained entirely on one layer and there is no layer change.
The sole audio track is Polish Dolby Digital 2.0 mono, which reflects the original audio mix.
The audio is quite good, with clear dialogue, no noticeable problems with the sound and nothing to distract the viewer from the film. The mono track renders the soundtrack very well, with the music coming across slightly better than in the companion A Short Film About Killing.
The score is by regular Kieslowski collaborator Zbigniew Preisner. It uses guitar and what sounds like a chamber ensemble to excellent effect, lending a wistful and melancholy air to proceedings.
|Surround Channel Use|
The time-coding on these extras does not show up on my review player, but is shown on my DVD-ROM.
The static menu features some music from the film.
The lead actress talks about her experience working on the film, including having to be directed from a distance by Kieslowski using a microphone (after all, she was acting in the building opposite from the one where most of the filming was being done). She has some sensible things to say about working with the director.
The extra is in a 1.33:1 aspect ratio, and the actress speaks in Polish. There are ingrained subtitles in English.
Insdorf's interview starts with a strong sense of déjŕ vu: her self-introduction is identical to the material on A Short Film About Killing. There is a brief black screen and then she is talking about the various themes within the film, including the symmetry of certain recurring images.
Finkiel's interview is much longer. He worked as assistant director on the Trois Couleurs trilogy and gives some insights into the way Kieslowski worked, especially emphasising his precision and sense of economy.
Both speak in French. The interviews are in 1.33:1 and subtitles are ingrained. There are a couple of minor spelling mistakes in the subtitles.
This is one of Kieslowski's first efforts, made at film school. It is in black and white, 1.33:1 and has no soundtrack. The story is about a young man who catches a tram at night and meets a girl.
Some trailers for other Umbrella releases.
NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.
The UK Region 2 comes from Artificial Eye. It has mainly the same extras, with the inclusion of a director filmography and a theatrical trailer, but without the Umbrella trailers. The sole review I have seen mentions no significant problems with either the video transfer or the subtitles. It is in the original aspect ratio of 1.66:1.
The US All Regions disc comes from Kino International. It also has the same extras as the Region 2 plus some additional trailers, and given the running time seems to be the same as the Region 2 I suspect that it is a PAL to NTSC conversion, as are most other Kino releases sourced from PAL regions.
A Region 3 release from Korea is a PAL to NTSC conversion with motion blurring artefacts. It has some text material only in Korean, plus a photo gallery and a trailer as extras. It does have English subtitles but is in an aspect ratio of 1.50:1.
I think the UK Region 2 release is the best based on the information available at this time.
A very subtle and moving film, not quite up to the standard of A Short Film About Killing but compelling nonetheless.
The video quality is below average.
The audio quality is good.
A reasonable extras package, as good as any other region.
|DVD||Pioneer DV-S733A, using Component output|
|Display||Sony 86CM Trinitron Wega KVHR36M31. Calibrated with Ultimate DVD Platinum. This display device is 16x9 capable.|
|Audio Decoder||Built in to DVD player, Dolby Digital, dts and DVD-Audio. Calibrated with Ultimate DVD Platinum.|
|Speakers||Main: Tannoy Revolution R3; Centre: Tannoy Sensys DCC; Rear: Richter Harlequin; Subwoofer: JBL SUB175|