A Bear Named Winnie (2004) |
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General | Extras | ||
Category | Drama | None | |
Rating | |||
Year Of Production | 2004 | ||
Running Time | 89:55 (Case: 86) | ||
RSDL / Flipper | RSDL (89:55) | Cast & Crew | |
Start Up | Menu | ||
Region Coding | 1,2,3,4,5,6 | Directed By | John Kent Harrison |
Studio
Distributor |
Original Pictures Roadshow Home Entertainment |
Starring |
Michael Fassbender Gil Bellows David Suchet Stephen Fry Jonathan Young Aaron Ashmore Ted Atherton Robert Gauvin Joshua Ballard Miriam Smith Arne MacPherson Nathan Valente Stan Lesk |
Case | Amaray-Transparent-Secure Clip | ||
RPI | $24.95 | Music | Charlie Mole |
Video | Audio | ||
Pan & Scan/Full Frame | None | English Dolby Digital 2.0 (256Kb/s) | |
Widescreen Aspect Ratio | 1.75:1 | ||
16x9 Enhancement |
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Video Format | 576i (PAL) | ||
Original Aspect Ratio | 1.78:1 | Miscellaneous | |
Jacket Pictures | No | ||
Subtitles | English for the Hearing Impaired | Smoking | No |
Annoying Product Placement | No | ||
Action In or After Credits | No |
A Bear Named Winnie is a light-hearted story about a bear cub that is transported to England by Canadian troops during World War I. Winnie eventually finds her way to London Zoo where, in 1926, she influences A.A. Milne and his son Christopher, inspiring the now famous children’s character Winnie the Pooh.
Veterinarian soldiers with the 34th Fort Garry Horse Division, Winnipeg section, are en route to the war in Europe when their train makes a scheduled stop at White River. It is here that Lt Harry Colebourn (Michael Fassbender) stumbles on a bear cub destined for the tanning process. Harry reluctantly purchases the cub for $20 in order to save her from certain death.
As the Army doesn’t allow pets, the soldiers decide that the bear cub is a mascot and they name her Winnie, after their hometown of Winnipeg. (SPOILER ALERT: highlight with mouse to read) When Col John Barret (Gil Bellows) discovers Winnie he orders Harry to get rid of her. Harry is unable to part with Winnie before they embark for Salisbury Plain, England, so he contrives a plan to smuggle Winnie in the Colonel’s trunk.
Once in England, Harry realises that the front line is no place for a bear so he decides to take Winnie to London Zoo before they depart for France. The zookeeper, Mr. Protheroe (Stephen Fry), meets them at the zoo and agrees to look after Winnie until the war is over.
By the time the war is over Winnie has grown in stature. Not only is she physically larger but she has also become a star attraction at the zoo and a favourite with the children. It is decided that Winnie should be allowed to stay on at London Zoo and the rest, as they say, is history.
Winnie features prominently throughout the movie so A Bear Named Winnie will appeal to the younger audience. Be aware though, there is a brief scene depicting warfare towards the end of the movie that includes images of dead people and horses.
This made-for-television movie is rather slow and never really reaches any great heights, but it will appeal to children and fans of Winnie the Pooh. My main complaint is the use of slow motion camera work to emphasise the emotional bond between Harry and Winnie. It doesn’t work and only serves to jar the viewer from the flow of the movie.
The transfer is presented in an aspect ratio of 1.75:1 and it is 16x9 enhanced.
Although the image is a little soft, the shadow detail is acceptable and there is no low level noise.
Much like the rest of the transfer the colours are acceptable, but far from striking. Skin tones look natural.
A varying degree of grain is evident in many of the darker scenes, for example the interior of the train at 4:30 and the interior of the tent at 32:33. Aliasing can be seen on the side boards at of the building at 6:33, on the walkway at 9:26 and in the foliage throughout the movie, for example at 38:00. Film artefacts are occasionally noticed but they are small and fleeting in nature.
The only subtitle stream available is English for the Hearing Impaired. The subtitles are easy to read and they accurately reflect the spoken word.
This is an RSDL disc, but with the layer change occurring at the end of the movie there is no distraction.
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Film-To-Video Artefacts | |
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Overall |
The only audio track available is English Dolby Digital 2.0 (256Kb/s).
The dialogue is always clear and easy to understand. I did not notice any audio sync problems with this disc.
The musical score by Charlie Mole is standard fare, but it supports the movie well enough.
As this is a Dolby Digital 2.0 soundtrack, the surround speakers and subwoofer are not utilised.
Dialogue | |
Audio Sync | |
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Surround Channel Use | |
Subwoofer | |
Overall |
NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.
The Region 1 version of this disc misses out on;
The Region 1 version is a clear winner, though be aware that there are two Region 1 versions of this DVD and one not only misses out on the extras, it is also has a full frame (1.33:1) presentation.
The video transfer is good.
The audio transfer is good.
There are no extras on this disc whatsoever.
Video | |
Audio | |
Extras | |
Plot | |
Overall |
Review Equipment | |
DVD | Pioneer DV-533K, using Component output |
Display | InFocus Screenplay 7200 with ScreenTechnics 100" (16x9) screen. Calibrated with Digital Video Essentials (PAL). This display device is 16x9 capable. |
Audio Decoder | Built in to Amplifier. Calibrated with Video Essentials. |
Amplification | Denon AVC -A11SR |
Speakers | Jamo D6PEX wall mounted Speakers and Powered Sub (7.1) |